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Viola's vanity
Viola's vanity

Chapter XXVII

Chapter 27 of Viola's vanity is here in full — 84 sentences across 17 reading sections, with audio for every sentence and word.

Cover illustration for Viola's vanity
Context Illustration Reading 1/16 · 5 lines
English subtitles · tap any word to listen 1 / 5
VIOLA’S VINDICATION.
What lacks my heart, what makes it So weary and full of pain?
That trembling hope forsakes it Never to come again!
Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”
Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Viola's vanity

Chapter XXVII

Chapter 27 of Viola's vanity is here in full — 84 sentences across 17 reading sections, with audio for every sentence and word.

Reading 1/16 · 5 reading units · Lines 1–5

Line 1
VIOLA’S VINDICATION.
Line 2
What lacks my heart, what makes it So weary and full of pain?
/wʌt læks maɪ hɑːrt wʌt meɪks ɪt soʊ ˈwɪri ənd fʊl ʌv peɪn/
Line 3
That trembling hope forsakes it Never to come again!
Line 4
Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”
/ˈoʊnli əˈnʌðər hɑːrt ˈtendər ənd ɔːl maɪn oʊn ɪn ðə stɪl ɡreɪv ɪt laɪz aɪ wiːp əˈloʊn/
Line 5
Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

desolation noun US /ˌdesəˈleɪʃən/

the state of being decayed or destroyed

From this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

lacks noun US /læks/

plural of “lack” — the state of needing something that is absent or unavailable

From this reading ““What lacks my heart, what makes it So weary and full of pain?”

musical adjective US /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

stifled adjective US /ˈstaɪfəld/

held in check with difficulty

From this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

vindication noun US /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading “VIOLA’S VINDICATION.”

Viola noun US /vaɪˈoʊlə/

any of the numerous plants of the genus Viola

From this reading “VIOLA’S VINDICATION.”

weep verb US /wiːp/

shed tears because of sadness, rage, or pain

From this reading “Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!””

woe noun US /woʊ/

misery resulting from affliction

From this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

musical voice adjective + noun

In this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

entered the cottage verb + article + noun counted as “enter … cottage”

In this reading ““Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.”

come again verb + particle

In this reading “That trembling hope forsakes it Never to come again!”

All words in this reading · 71

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

againadverbUS /əˈɡen/

anew

From this reading That trembling hope forsakes it Never to come again!

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “What lacks my heart, what makes it So weary and full of pain?

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

auntnounUS /ænt/

the sister of your father or mother; the wife of your uncle

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

awakenedadjectiveUS /əˈweɪkənd/

aroused or activated

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

bitterlyadverbUS /ˈbɪtərli/

with bitterness; in a resentful manner

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

bridenounUS /braɪd/

a woman who has recently been married

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

bringingnounUS /ˈbrɪŋɪŋ/

the act of delivering or distributing something (as goods or mail)

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading That trembling hope forsakes it Never to come again!

cottagenounUS /ˈkɑːtədʒ/

a small house with a single story

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

desolationnounUS /ˌdesəˈleɪʃən/

the state of being decayed or destroyed

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

forsakes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading That trembling hope forsakes it Never to come again!

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading “What lacks my heart, what makes it So weary and full of pain?

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

gravenounUS /ɡreɪv/

death of a person

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading “What lacks my heart, what makes it So weary and full of pain?

heart-pang

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading That trembling hope forsakes it Never to come again!

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “What lacks my heart, what makes it So weary and full of pain?

lacksnounUS /læks/

plural of “lack” — the state of needing something that is absent or unavailable

From this reading “What lacks my heart, what makes it So weary and full of pain?

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

Mae

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading “What lacks my heart, what makes it So weary and full of pain?

memorynounUS /ˈmem.ər.i/

The faculty by which the mind stores and remembers information and knowledge.

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

minepronounUS /maɪn/

the one or ones belonging to the person speaking

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading “What lacks my heart, what makes it So weary and full of pain?

NeveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading That trembling hope forsakes it Never to come again!

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “What lacks my heart, what makes it So weary and full of pain?

OnlyadverbUS /ˈoʊnli/

and nothing more

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

ownverbUS /oʊn/

have ownership or possession of

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading “What lacks my heart, what makes it So weary and full of pain?

repeatedadjectiveUS /rɪˈpiːtɪd/

recurring again and again

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

Rolfe's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

Shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

sightnounUS /saɪt/

an instance of visual perception

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading “What lacks my heart, what makes it So weary and full of pain?

stifledadjectiveUS /ˈstaɪfəld/

held in check with difficulty

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

Sweetland

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

TenderadjectiveUS /ˈtendər/

given to sympathy or gentleness or sentimentality

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That trembling hope forsakes it Never to come again!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading That trembling hope forsakes it Never to come again!

trainverbUS /treɪn/

create by training and teaching

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

tremblingnounUS /ˈtrembəlɪŋ/

a shaky motion

From this reading That trembling hope forsakes it Never to come again!

VINDICATIONnounUS /vɪndəˈkeɪʃən/

the act of vindicating or defending against criticism or censure etc.

From this reading VIOLA’S VINDICATION.

ViolanounUS /vaɪˈoʊlə/

any of the numerous plants of the genus Viola

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

VIOLA'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading VIOLA’S VINDICATION.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

wearyverbUS /ˈwɪri/

exhaust or get tired through overuse or great strain or stress

From this reading “What lacks my heart, what makes it So weary and full of pain?

weepverbUS /wiːp/

shed tears because of sadness, rage, or pain

From this reading Only another heart, Tender and all mine own, In the still grave it lies; I weep alone!”

WhatpronounUS /wʌt/

used to ask for information about something

From this reading “What lacks my heart, what makes it So weary and full of pain?

whenconjunctionUS /wen/

at the time that

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

withprepositionUS /wɪð/

in the company of; together with

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

woenounUS /woʊ/

misery resulting from affliction

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

youpronounUS /juː/

the person or people being spoken to

From this reading “Shall you go to the door, aunt, or shall I?” repeated Mae Sweetland, with a stifled heart-pang in her musical voice, the sight of Viola had awakened so bitterly the memory of the night when she had first entered the cottage as Rolfe’s bride, bringing woe and desolation in her train.

Chapter 27 of Viola's vanity by Alex. McVeigh, Mrs. Miller holds 84 sentences, grouped into 17 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 27 of Viola's vanity contain?

Chapter 27 holds 84 sentences of Viola's vanity, unabridged, divided into 17 reading sections.

This page carries chapter 27 of Viola's vanity by Alex. McVeigh, Mrs. Miller exactly as it stands in the source edition, without abridgement. It runs to 84 sentences, grouped into 17 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 27 of Viola's vanity?

Work through the 17 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 17 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 27 be read aloud to me?

Yes — every sentence and every individual word in chapter 27 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Viola's vanity

Common questions about reading Viola's vanity by Alex. McVeigh, Mrs. Miller on this page, its source edition and its audio.

Is this the complete text of Viola's vanity?

Yes. All 2853 sentences of Project Gutenberg eBook #74796 are kept, with a record of which sentences cover which part.

Which edition of Viola's vanity is used?

Project Gutenberg eBook #74796, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Viola's vanity take to read?

About 237 minutes of reading across 571 sections of 5 sentences each, at an unhurried pace.

How to read Viola's vanity section by section

How to work through Viola's vanity section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Viola's vanity

Words and structures a reader meets early in Viola's vanity, each tappable for pronunciation and meaning.

Viols
A word that appears in the opening chapter of Viola's vanity; the reader can tap it to hear it and see its dictionary entry.
Played
A word that appears in the opening chapter of Viola's vanity; the reader can tap it to hear it and see its dictionary entry.
Lamps
A word that appears in the opening chapter of Viola's vanity; the reader can tap it to hear it and see its dictionary entry.
Above
A word that appears in the opening chapter of Viola's vanity; the reader can tap it to hear it and see its dictionary entry.