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Wanderings of a beauty
Wanderings of a beauty

Chapter VIII

Chapter 8 of Wanderings of a beauty is here in full — 70 sentences across 14 reading sections, with audio for every sentence and word.

Cover illustration for Wanderings of a beauty
Context Illustration Reading 1/14 · 5 lines
English subtitles · tap any word to listen 1 / 5
+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.
Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?
In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.
Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.
Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Wanderings of a beauty

Chapter VIII

Chapter 8 of Wanderings of a beauty is here in full — 70 sentences across 14 reading sections, with audio for every sentence and word.

Reading 1/14 · 5 reading units · Lines 1–5

Line 1
+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.
/ˌprezənˈteɪʃən tuː ðə kwiːn ðə ˈdrɑːmə ʌv riːl laɪf laɪk ðæt ˌreprɪˈzentɪd ˈnaɪtli ɑːn ðə ˈmɪmɪk ˈsteɪdʒəz ʌv ˈaʊər ˈθiːətərz ˈnætʃərəli dɪˈvaɪdz ˌɪtˈself ˈɪntuː ækts ənd siːnz/
Line 2
Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?
Line 3
In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.
/ɪn ˈɔːrdər tuː pʊt ðem ˈɪntuː æn ˌɪnˈdʌldʒənt ˈhjuːmər let ˈfænsi pleɪs ðem ɪn ðə best ənd moʊst kəˈmoʊdiəs ʌv ˈpraɪvət ˈbɑːksəz wer ɪnˈskɑːnst ɪn ðə moʊst ləɡˈʒɜːriəs ʌv ˈlaʊndʒɪz ənd ɪf ə ˈleɪdi ˈlʊkɪŋ moʊst ˈtʃɑːrmɪŋ ɪn æn ˈɑːpəzət ˈmɪrər ðeɪ meɪ ˈplæsɪdli ənd ˈpeɪʃəntli əˈweɪt ðə ˈraɪzɪŋ ʌv ðə ˈkɜːrtən/
Line 4
Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.
/ðen let maɪ fer ənd ˈfrendli ˈriːdər tɜːrn ɪn ˌɪmædʒəˈneɪʃən tuː ðə pleɪ bʊk ənd faɪnd ðæt ə ˈpɪriəd ʌv sʌm ten jɪrz ɪz səˈpoʊzd tuː hæv ɪˈlæpst bɪˈtwiːn ðə fɜːrst ənd ˈsekənd ækts ʌv ˈaʊər ˈdrɑːmə let hɜːr pɔɪnt ðɪs aʊt tuː hɜːr kəmˈpænjən huːm wiː wɪl səˈpoʊz tuː biː ðə ˈdʒentəlmən wɪˈθaʊt huːm ˈiːvɪn ðə moʊst ˈɪntrəstɪŋ plɑːt wʊd pruːv ˌɪnˈsɪpəd/
Line 5
Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.
/ðen let ðə fer ˈleɪdi ənd hɜːr ædˈmaɪrər tɜːrn tuː ˈaʊər ˈlɪtəl steɪdʒ ənd ɡɪv ʌs ðer ˌʌndəˈvaɪdɪd əˈtenʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

commodious adjective US /kəˈmoʊdiəs/

large and roomy (“convenient” is archaic in this sense)

From this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

divides noun US /dɪˈvaɪdz/

plural of “divide” — a serious disagreement between two groups of people (typically producing tension or hostility)

From this reading “+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.”

ensconced verb US /ɪnˈskɑːnst/

past form of “ensconce” — fix firmly

From this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

insipid adjective US /ˌɪnˈsɪpəd/

lacking taste or flavor or tang

From this reading “Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.”

lounges noun US /ˈlaʊndʒɪz/

plural of “lounge” — an upholstered seat for more than one person

From this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

mimic noun US /ˈmɪmɪk/

someone who mimics (especially an actor or actress)

From this reading “+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.”

presentation noun US /ˌprezənˈteɪʃən/

the activity of formally presenting something (as a prize or reward)

From this reading “+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.”

undivided adjective US /ˌʌndəˈvaɪdɪd/

not parted by conflict of opinion

From this reading “Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

undivided attention adjective + noun

In this reading “Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.”

ten years noun + noun

In this reading “Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.”

most interesting adverb + adjective

In this reading “Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.”

most charming adverb + adjective

In this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

most luxurious adverb + adjective

In this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

private boxes adjective + noun counted as “private box”

In this reading “In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.”

fair lady adjective + noun

In this reading “Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.”

real life adjective + noun

the practical world as opposed to the academic world

In this reading “+PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.”

All words in this reading · 121

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

actsnounUS /ækts/

a New Testament book describing the development of the early church from Christ's Ascension to Paul's sojourn at Rome

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

admirernounUS /ædˈmaɪrər/

a person who backs a politician or a team etc.

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

awaitverbUS /əˈweɪt/

look forward to the probable occurrence of

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

bestnounUS /best/

the supreme effort one can make

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

boxesnounUS /ˈbɑːksəz/

plural of “box” — a (usually rectangular) container; may have a lid

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

charmingadjectiveUS /ˈtʃɑːrmɪŋ/

pleasing or delighting

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

commodiousadjectiveUS /kəˈmoʊdiəs/

large and roomy (“convenient” is archaic in this sense)

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

companionnounUS /kəmˈpænjən/

a friend who is frequently in the company of another

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

dividesnounUS /dɪˈvaɪdz/

plural of “divide” — a serious disagreement between two groups of people (typically producing tension or hostility)

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

drop-curtain

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

elapsedadjectiveUS /ɪˈlæpst/

(of time) having passed or slipped by

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

ensconcedverbUS /ɪnˈskɑːnst/

past form of “ensconce” — fix firmly

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

friendlyadjectiveUS /ˈfrendli/

characteristic of or befitting a friend

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

graciousadjectiveUS /ˈɡreɪʃəs/

characterized by charm, good taste, and generosity of spirit

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

humornounUS /ˈhjuːmər/

a message whose ingenuity or verbal skill or incongruity has the power to evoke laughter

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

imagineverbUS /ˌɪˈmædʒən/

form a mental image of something that is not present or that is not the case

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

indulgentadjectiveUS /ˌɪnˈdʌldʒənt/

characterized by or given to yielding to the wishes of someone

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

insipidadjectiveUS /ˌɪnˈsɪpəd/

lacking taste or flavor or tang

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

justadverbUS /dʒʌst/

and nothing more

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

likeverbUS /laɪk/

prefer or wish to do something

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

loungesnounUS /ˈlaʊndʒɪz/

plural of “lounge” — an upholstered seat for more than one person

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

luxuriousadjectiveUS /ləɡˈʒɜːriəs/

displaying luxury and furnishing gratification to the senses

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

mimicnounUS /ˈmɪmɪk/

someone who mimics (especially an actor or actress)

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

mirrornounUS /ˈmɪrər/

polished surface that forms images by reflecting light

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

mostadverbUS /moʊst/

used to form the superlative

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

nightlyadjectiveUS /ˈnaɪtli/

happening every night

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

patientlyadverbUS /ˈpeɪʃəntli/

with patience; in a patient manner

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

piecenounUS /piːs/

a separate part of a whole

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

placidlyadverbUS /ˈplæsɪdli/

in a quiet and tranquil manner

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

playverbUS /pleɪ/

participate in games or sport

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

pleasedadjectiveUS /pliːzd/

experiencing or manifesting pleasure

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

PRESENTATIONnounUS /ˌprezənˈteɪʃən/

the activity of formally presenting something (as a prize or reward)

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

privateadjectiveUS /ˈpraɪvət/

confined to particular persons or groups or providing privacy

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

proveverbUS /pruːv/

be shown or be found to be

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

QUEENnounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

representedadjectiveUS /ˌreprɪˈzentɪd/

represented accurately or precisely

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

risingadjectiveUS /ˈraɪzɪŋ/

advancing or becoming higher or greater in degree or value or status

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

stagesnounUS /ˈsteɪdʒəz/

plural of “stage” — any distinct time period in a sequence of events

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

supposeverbUS /səˈpoʊz/

express a supposition

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

supposedadjectiveUS /səˈpoʊzd/

required or under orders

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

theatresnounUS /ˈθiːətərz/

plural of “theatre” — a building where theatrical performances or motion-picture shows can be presented

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading +PRESENTATION TO THE QUEEN+ THE drama of real life, like that represented nightly on the mimic stages of our theatres, naturally divides itself into acts and scenes.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

undividedadjectiveUS /ˌʌndəˈvaɪdɪd/

not parted by conflict of opinion

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Then let the fair lady and her admirer turn to our little stage, and give us their undivided attention.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

whereconjunctionUS /wer/

in or at the place that

From this reading In order to put them into an indulgent humor, let fancy place them in the best and most commodious of private boxes, where, ensconced in the most luxurious of lounges, and (if a lady) looking most charming in an opposite mirror, they may placidly and patiently await the rising of the curtain.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

Willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Will our kind and gracious readers be pleased to imagine themselves now sitting before the drop-curtain, which has just closed over the first act of our piece?

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

yearsnounUS /jɪrz/

a late time of life

From this reading Then let my fair and friendly reader turn, in imagination, to the play book, and find that a period of some ten years is supposed to have elapsed between the first and second acts of our drama; let her point this out to her companion, whom we will suppose to be _the_ gentleman without whom even the most interesting plot would prove insipid.

Chapter 8 of Wanderings of a beauty by Edwin, Mrs. James holds 70 sentences, grouped into 14 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Wanderings of a beauty contain?

Chapter 8 holds 70 sentences of Wanderings of a beauty, unabridged, divided into 14 reading sections.

This page carries chapter 8 of Wanderings of a beauty by Edwin, Mrs. James exactly as it stands in the source edition, without abridgement. It runs to 70 sentences, grouped into 14 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Wanderings of a beauty?

Work through the 14 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 14 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Wanderings of a beauty

Common questions about reading Wanderings of a beauty by Edwin, Mrs. James on this page, its source edition and its audio.

Is this the complete text of Wanderings of a beauty?

Yes. All 2061 sentences of Project Gutenberg eBook #70138 are kept, with a record of which sentences cover which part.

Which edition of Wanderings of a beauty is used?

Project Gutenberg eBook #70138, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Wanderings of a beauty take to read?

About 171 minutes of reading across 413 sections of 5 sentences each, at an unhurried pace.

How to read Wanderings of a beauty section by section

How to work through Wanderings of a beauty section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of Wanderings of a beauty to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Wanderings of a beauty

Words and structures a reader meets early in Wanderings of a beauty, each tappable for pronunciation and meaning.

Wanderings
A word that appears in the opening chapter of Wanderings of a beauty; the reader can tap it to hear it and see its dictionary entry.
Beauty
A word that appears in the opening chapter of Wanderings of a beauty; the reader can tap it to hear it and see its dictionary entry.
Ideal
A word that appears in the opening chapter of Wanderings of a beauty; the reader can tap it to hear it and see its dictionary entry.
Edwin
A word that appears in the opening chapter of Wanderings of a beauty; the reader can tap it to hear it and see its dictionary entry.