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We
We

Chapter I

Chapter 1 of We is here in full — 417 sentences across 84 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
In submitting this book to the American public the translator has this to say.
The artistic and psychological sides of the novel are hardly to be discussed in a preface.
Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.
There is, however, one side of the matter which deserves particular mention and motivated emphasis.
It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

We

Chapter I

Chapter 1 of We is here in full — 417 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
In submitting this book to the American public the translator has this to say.
/ɪn səbˈmɪtɪŋ ðɪs bʊk tuː ðə əˈmerəkən ˈpʌblɪk ðə trænˈsleɪtər hæz ðɪs tuː seɪ/
Line 2
The artistic and psychological sides of the novel are hardly to be discussed in a preface.
/ðə ɑːrˈtɪstɪk ənd ˌsaɪkəˈlɑːdʒɪkəl saɪdz ʌv ðə ˈnɑːvəl ɑːr ˈhɑːrdli tuː biː dɪˈskʌst ɪn ə ˈprefəs/
Line 3
Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.
/ɡreɪt æz ðə ɑːrt ʌv ə ˈraɪtər meɪ biː ənd proʊˈfaʊnd æz hɪz saɪˈkɑːlədʒi meɪ siːm tuː wʌn ðə ˌɪmˈpreʃən ɪz ˈlɑːrdʒli ə ˈmætər ʌv ˌɪndəˈvɪdʒəwəl ˌveriˈeɪʃənz ənd ðɪs saɪd mʌst ˈnætʃərəli biː left tuː iːtʃ ˌɪndəˈvɪdʒəwəlz ˈdʒʌdʒmənt ənd ˌsensɪˈbɪlɪtiz/
Line 4
There is, however, one side of the matter which deserves particular mention and motivated emphasis.
/ðer ɪz ˌhaʊˈevər wʌn saɪd ʌv ðə ˈmætər wɪtʃ dɪˈzɜːrvz pərˈtɪkjələr ˈmenʃən ənd ˈmoʊtəveɪtəd ˈemfəsəs/
Line 5
It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.
/ɪt ɪz pərˈhæps fɔːr ðə fɜːrst taɪm ɪn ðə ˈhɪstəri ʌv ðə læst fjuː deˈkeɪdz ðæt ə ˈrʌʃən bʊk ˌɪnˈspaɪərd baɪ ˈrʌʃən laɪf ˈrɪtən ɪn ˈrʌʃə ənd ɪn ðə ˈrʌʃən ˈlæŋɡwədʒ ʃʊd siː ɪts fɜːrst laɪt nɑːt ɪn ˈrʌʃə bʌt əˈbrɔːd ənd nɑːt ɪn ðə ˈlæŋɡwədʒ ɪt wɑːz ərˈɪdʒənəli ˈrɪtən bʌt trænzˈleɪtɪd ˈɪntuː ə ˈfɔːrən tʌŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

decades noun US /deˈkeɪdz/

plural of “decade” — a period of 10 years

From this reading “It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.”

individual's noun US /ˌɪndəˈvɪdʒəwəlz/

possessive form of “individual” — a human being

From this reading “Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.”

motivated adjective US /ˈmoʊtəveɪtəd/

provided with a motive or given incentive for action

From this reading “There is, however, one side of the matter which deserves particular mention and motivated emphasis.”

psychological adjective US /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading “The artistic and psychological sides of the novel are hardly to be discussed in a preface.”

psychology noun US /saɪˈkɑːlədʒi/

the science of mental life

From this reading “Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.”

sensibilities noun US /ˌsensɪˈbɪlɪtiz/

plural of “sensibility” — mental responsiveness and awareness

From this reading “Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.”

submitting verb US /səbˈmɪtɪŋ/

inflected form of “submit” — refer for judgment or consideration

From this reading “In submitting this book to the American public the translator has this to say.”

translator noun US /trænˈsleɪtər/

a person who translates written messages from one language to another

From this reading “In submitting this book to the American public the translator has this to say.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

foreign tongue adjective + noun

In this reading “It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.”

originally written adverb + adjective

In this reading “It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.”

translated into verb + particle counted as “translate into”

In this reading “It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.”

first time adjective + noun

In this reading “It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

abroadadverbUS /əˈbrɔːd/

to or in a foreign country

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading In submitting this book to the American public the translator has this to say.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading In submitting this book to the American public the translator has this to say.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

decadesnounUS /deˈkeɪdz/

plural of “decade” — a period of 10 years

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

deservesverbUS /dɪˈzɜːrvz/

third-person singular of “deserve” — be worthy or deserving

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

discussedverbUS /dɪˈskʌst/

past form of “discuss” — to consider or examine in speech or writing

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

emphasisnounUS /ˈemfəsəs/

special importance or significance

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In submitting this book to the American public the translator has this to say.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In submitting this book to the American public the translator has this to say.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

individual'snounUS /ˌɪndəˈvɪdʒəwəlz/

possessive form of “individual” — a human being

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

inspiredadjectiveUS /ˌɪnˈspaɪərd/

being of such surpassing excellence as to suggest inspiration by the gods

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

largelyadverbUS /ˈlɑːrdʒli/

in large part; mainly or chiefly

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

lastadjectiveUS /læst/

immediately past

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

mentionverbUS /ˈmenʃən/

make reference to

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

motivatedadjectiveUS /ˈmoʊtəveɪtəd/

provided with a motive or given incentive for action

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

originallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

perhapsadverbUS /pərˈhæps/

by chance

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

prefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

profoundadjectiveUS /proʊˈfaʊnd/

showing intellectual penetration or emotional depth

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

psychologicaladjectiveUS /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

psychologynounUS /saɪˈkɑːlədʒi/

the science of mental life

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading In submitting this book to the American public the translator has this to say.

RussianounUS /ˈrʌʃə/

a former communist country in eastern Europe and northern Asia; established in 1922; included Russia and 14 other soviet socialist republics (Ukraine and Byelorussia and others); officially dissolved 31 December 1991

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

sayverbUS /seɪ/

express in words

From this reading In submitting this book to the American public the translator has this to say.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

sensibilitiesnounUS /ˌsensɪˈbɪlɪtiz/

plural of “sensibility” — mental responsiveness and awareness

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

sidesnounUS /saɪdz/

plural of “side” — a place within a region identified relative to a center or reference location

From this reading The artistic and psychological sides of the novel are hardly to be discussed in a preface.

submittingverbUS /səbˈmɪtɪŋ/

inflected form of “submit” — refer for judgment or consideration

From this reading In submitting this book to the American public the translator has this to say.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In submitting this book to the American public the translator has this to say.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In submitting this book to the American public the translator has this to say.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In submitting this book to the American public the translator has this to say.

tonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

translatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

translatornounUS /trænˈsleɪtər/

a person who translates written messages from one language to another

From this reading In submitting this book to the American public the translator has this to say.

variationsnounUS /ˌveriˈeɪʃənz/

plural of “variation” — an instance of change; the rate or magnitude of change

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There is, however, one side of the matter which deserves particular mention and motivated emphasis.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Great as the art of a writer may be and profound as his psychology may seem to one, the impression is largely a matter of individual variations, and this side must naturally be left to each individual's judgment and sensibilities.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading It is perhaps for the first time in the history of the last few decades that a Russian book, inspired by Russian life, written in Russia and in the Russian language, should see its first light not in Russia but abroad, and not in the language it was originally written but translated into a foreign tongue.

Chapter 1 of We by Evgenii Ivanovich Zamiatin holds 417 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of We contain?

Chapter 1 holds 417 sentences of We, unabridged, divided into 84 reading sections.

This page carries chapter 1 of We by Evgenii Ivanovich Zamiatin exactly as it stands in the source edition, without abridgement. It runs to 417 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of We?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading We

Common questions about reading We by Evgenii Ivanovich Zamiatin on this page, its source edition and its audio.

Is this the complete text of We?

Yes. All 4930 sentences of Project Gutenberg eBook #61963 are kept, with a record of which sentences cover which part.

Which edition of We is used?

Project Gutenberg eBook #61963, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does We take to read?

About 410 minutes of reading across 986 sections of 5 sentences each, at an unhurried pace.

How to read We section by section

How to work through We section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of We to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in We

Words and structures a reader meets early in We, each tappable for pronunciation and meaning.

Submitting
A word that appears in the opening chapter of We; the reader can tap it to hear it and see its dictionary entry.
American
A word that appears in the opening chapter of We; the reader can tap it to hear it and see its dictionary entry.
Public
A word that appears in the opening chapter of We; the reader can tap it to hear it and see its dictionary entry.
Translator
A word that appears in the opening chapter of We; the reader can tap it to hear it and see its dictionary entry.