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We Can't Have Everything: A Novel
We Can't Have Everything: A Novel

Chapter XXIV · Chapter 24

Chapter 24 of We Can't Have Everything: A Novel is here in full — 138 sentences across 28 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/27 · 5 lines
English subtitles · tap any word to listen 1 / 5
The villain in melodrama is as likely as not to be as decent a fellow as any.
When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.
Gilfoyle was as decent a fellow as ever villain was.
Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.
Gilfoyle could not even remove his grease-paint.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

We Can't Have Everything: A Novel

Chapter XXIV · Chapter 24

Chapter 24 of We Can't Have Everything: A Novel is here in full — 138 sentences across 28 reading sections, with audio for every sentence and word.

Reading 1/27 · 5 reading units · Lines 1–5

Line 1
The villain in melodrama is as likely as not to be as decent a fellow as any.
/ðə ˈvɪlən ɪn ˈmelədrɑːmə ɪz æz ˈlaɪkli æz nɑːt tuː biː æz ˈdiːsənt ə ˈfeloʊ æz ˈeni/
Line 2
When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.
Line 3
Gilfoyle was as decent a fellow as ever villain was.
Line 4
Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.
/ˈsɜːrkəmstænsəz ənd nɑːt hɪmˈself kæst hɪm ɪn æn ˈiːvəl roʊl ənd æz ˈæktərz noʊ wʌns soʊ ɪˈstæblɪʃt ɪt ɪz ˈɔːlmoʊst ˌɪmˈpɑːsəbəl tuː rɪˈtɜːrn tuː hɪˈroʊɪk pɑːrts/
Line 5
Gilfoyle could not even remove his grease-paint.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actors noun US /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading “Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.”

exit noun US /ˈeɡzɪt/

an opening that permits escape or release

From this reading “When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.”

hissed verb US /hɪst/

past form of “hiss” — make a sharp hissing sound, as if to show disapproval

From this reading “When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.”

melodrama noun US /ˈmelədrɑːmə/

an extravagant comedy in which action is more salient than characterization

From this reading “The villain in melodrama is as likely as not to be as decent a fellow as any.”

returns noun US /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading “When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.”

role noun US /roʊl/

the actions and activities assigned to or required or expected of a person or group

From this reading “Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.”

scours noun US /ˈskaʊərz/

diarrhea in livestock

From this reading “When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.”

villain noun US /ˈvɪlən/

a wicked or evil person; someone who does evil deliberately

From this reading “The villain in melodrama is as likely as not to be as decent a fellow as any.”

All words in this reading · 64

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

bowlnounUS /boʊl/

a round vessel that is open at the top; used chiefly for holding food or liquids

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

castverbUS /kæst/

put or send forth

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

CircumstancesnounUS /ˈsɜːrkəmstænsəz/

your overall circumstances or condition in life (including everything that happens to you)

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

clubnounUS /klʌb/

a team of professional baseball players who play and travel together

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Gilfoyle could not even remove his grease-paint.

decentadjectiveUS /ˈdiːsənt/

socially or conventionally correct; refined or virtuous

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

devotedadjectiveUS /dɪˈvoʊtɪd/

zealous in devotion or affection

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

dressing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

establishedadjectiveUS /ɪˈstæblɪʃt/

brought about or set up or accepted; especially long established

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Gilfoyle could not even remove his grease-paint.

everadverbUS /ˈevər/

at any time

From this reading Gilfoyle was as decent a fellow as ever villain was.

evilnounUS /ˈiːvəl/

morally objectionable behavior

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

exitnounUS /ˈeɡzɪt/

an opening that permits escape or release

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

familynounUS /ˈfæməli/

a social unit living together

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

fellownounUS /ˈfeloʊ/

a boy or man

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

finaladjectiveUS /ˈfaɪnəl/

occurring at or forming an end or termination

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

Gilfoyle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Gilfoyle was as decent a fellow as ever villain was.

goesnounUS /ɡoʊz/

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

grease-paint

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

heroicadjectiveUS /hɪˈroʊɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

hissedverbUS /hɪst/

past form of “hiss” — make a sharp hissing sound, as if to show disapproval

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

impossibleadjectiveUS /ˌɪmˈpɑːsəbəl/

not capable of occurring or being accomplished or dealt with

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

likelyadjectiveUS /ˈlaɪkli/

has a good chance of being the case or of coming about

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

melodramanounUS /ˈmelədrɑːmə/

an extravagant comedy in which action is more salient than characterization

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

milk-and-crackers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

onceadverbUS /wʌns/

on one occasion

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

partsnounUS /pɑːrts/

the local environment

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

removeverbUS /riˈmuːv/

remove something concrete, as by lifting, pushing, or taking off, or remove something abstract

From this reading Gilfoyle could not even remove his grease-paint.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

returnsnounUS /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

rolenounUS /roʊl/

the actions and activities assigned to or required or expected of a person or group

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

scoursnounUS /ˈskaʊərz/

diarrhea in livestock

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

seatsnounUS /siːts/

an area that includes places where several people can sit

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

slinks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Circumstances and not himself cast him in an evil role, and as actors know, once so established, it is almost impossible to return to heroic parts.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

villainnounUS /ˈvɪlən/

a wicked or evil person; someone who does evil deliberately

From this reading The villain in melodrama is as likely as not to be as decent a fellow as any.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Gilfoyle was as decent a fellow as ever villain was.

WhenconjunctionUS /wen/

at the time that

From this reading When he slinks from the stage in his final hissed exit he goes to his dressing-room, scours off his grease-paint, and probably returns to his devoted family or seats himself before a bowl of milk-and-crackers in his club.

Chapter 24 of We Can't Have Everything: A Novel by Rupert Hughes holds 138 sentences, grouped into 28 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of We Can't Have Everything: A Novel contain?

Chapter 24 holds 138 sentences of We Can't Have Everything: A Novel, unabridged, divided into 28 reading sections.

This page carries chapter 24 of We Can't Have Everything: A Novel by Rupert Hughes exactly as it stands in the source edition, without abridgement. It runs to 138 sentences, grouped into 28 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of We Can't Have Everything: A Novel?

Work through the 28 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 28 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading We Can't Have Everything: A Novel

Common questions about reading We Can't Have Everything: A Novel by Rupert Hughes on this page, its source edition and its audio.

Is this the complete text of We Can't Have Everything: A Novel?

Yes. All 13105 sentences of Project Gutenberg eBook #7077 are kept, with a record of which sentences cover which part.

Which edition of We Can't Have Everything: A Novel is used?

Project Gutenberg eBook #7077, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does We Can't Have Everything: A Novel take to read?

About 600 minutes of reading across 2621 sections of 5 sentences each, at an unhurried pace.

How to read We Can't Have Everything: A Novel section by section

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  3. Listen and tap

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Vocabulary met early in We Can't Have Everything: A Novel

Words and structures a reader meets early in We Can't Have Everything: A Novel, each tappable for pronunciation and meaning.

Kedzie
A word that appears in the opening chapter of We Can't Have Everything: A Novel; the reader can tap it to hear it and see its dictionary entry.
Thropp
A word that appears in the opening chapter of We Can't Have Everything: A Novel; the reader can tap it to hear it and see its dictionary entry.
Never
A word that appears in the opening chapter of We Can't Have Everything: A Novel; the reader can tap it to hear it and see its dictionary entry.
Fifth
A word that appears in the opening chapter of We Can't Have Everything: A Novel; the reader can tap it to hear it and see its dictionary entry.