used before a singular noun to mean one of a group, when it is not a particular one
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
ABILITYnounUS /əˈbɪlətiː/
the quality of being able to perform; a quality that permits or facilitates achievement or accomplishment
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
advancesnounUS /ədˈvænsəz/
plural of “advance” — a movement forward
From this reading He advances towards those melancholy trees.
the form of “a” used before a word that begins with a vowel sound
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
used to join words or parts of a sentence that go together
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
anglenounUS /ˈæŋɡəl/
the space between two lines or planes that intersect; the inclination of one line to another; measured in degrees or radians
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
separated or at a distance in place or position or time
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
arrivingverbUS /ərˈaɪvɪŋ/
-ing form of “arrive” — reach a destination; arrive by movement or progress
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
at the same time that; because; in the way that
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
make a request or demand for something to somebody
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
in or near a particular place or position
From this reading SCENE--The banks of the lake at Fawley.
writes (books or stories or articles or the like) professionally (for pay)
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
English botanist who accompanied Captain Cook on his first voyage to the Pacific Ocean (1743-1820)
From this reading SCENE--The banks of the lake at Fawley.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
beforehandadjectiveUS /bɪˈfɔːrhænd/
being ahead of time or need
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
bendingnounUS /ˈbendɪŋ/
movement that causes the formation of a curve
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the supreme effort one can make
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
in the space, time, or range separating two things
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
of short duration or distance
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a structure that has a roof and walls and stands more or less permanently in one place
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
buttressesnounUS /ˈbʌtrəsəz/
plural of “buttress” — a support usually of stone or brick; supports the wall of a building
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
showing who or what does the action
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
camp-stool
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
to be able to, or to be allowed to
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
contemplatingverbUS /ˈkɑːntəmpleɪtɪŋ/
-ing form of “contemplate” — look at thoughtfully; observe deep in thought
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
cordialadjectiveUS /ˈkɔːrdʒəl/
diffusing warmth and friendliness
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
Darrell
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
the property created by the space between two objects or points
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
used to form questions and negatives, and to give emphasis
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
doenounUS /doʊ/
the federal department responsible for maintaining a national energy policy of the United States; created in 1977
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the sense organ for hearing and equilibrium
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
edgedadjectiveUS /edʒd/
having a specified kind of border or edge
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
emergingadjectiveUS /ɪˈmɜːrdʒɪŋ/
coming to maturity
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
ENDEAVOURS
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
the organ of sight
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Fairthorn
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
an event (or a course of events) that will inevitably happen in the future
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
Fawley
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading SCENE--The banks of the lake at Fawley.
FINALadjectiveUS /ˈfaɪnəl/
occurring at or forming an end or termination
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
intended to be given to, or used by, somebody
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
gapsnounUS /ɡæps/
plural of “gap” — a conspicuous disparity or difference as between two figures
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
cause to have, in the abstract sense or physical sense
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
in a grave and sober manner
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
hadauxiliary verbUS /hæd/
the past form of “have”, used to form the past perfect
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
havingauxiliary verbUS /ˈhævɪŋ/
the -ing form of “have”
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a man, boy, or male animal already mentioned, as the subject
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
belonging to a woman, girl, or female animal already mentioned
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the male already mentioned, as the object of a verb or preposition
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
used when the man or boy doing the action is also its object
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
belonging to a man, boy, or male animal already mentioned
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
a period of time equal to 1/24th of a day
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
affected by an impairment of normal physical or mental function
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
restless or short-tempered under delay or opposition
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
inside something, or within a place, period, or state
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the form of “be” used with he, she, it, or a singular noun
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
IsaacnounUS /ˈaɪzək/
(Old Testament) the second patriarch; son of Abraham and Sarah who was offered by Abraham as a sacrifice to God; father of Jacob and Esau
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
a thing, animal, or idea already mentioned
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
and nothing more
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
apprehended with certainty
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a body of (usually fresh) water surrounded by land
From this reading SCENE--The banks of the lake at Fawley.
immediately past
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
leaflessadjectiveUS /ˈliːfləs/
having no leaves
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
lendingnounUS /ˈlendɪŋ/
disposing of money or property with the expectation that the same thing (or an equivalent) will be returned
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Lionel
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
no longer in your possession or control; unable to be found or recovered
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
malignantadjectiveUS /məˈlɪɡnənt/
dangerous to health; characterized by progressive and uncontrolled growth (especially of a tumor)
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Manor-house
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
used to say something is possible, or to give permission
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a feeling of thoughtful sadness
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
MorleynounUS /ˈmɔːrli/
United States chemist and physicist who collaborated with Michelson in the Michelson-Morley experiment (1838-1923)
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
being excited or provoked to the expression of an emotion
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
a form of address for a married woman
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
nibblesnounUS /ˈnɪbəlz/
plural of “nibble” — a small byte
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
in the historical present; at this point in the narration of a series of past events
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
sporadically and infrequently
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
belonging to, or connected with, somebody or something
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
touching and supported by a surface
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
being directly across from each other; facing
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
overprepositionUS /ˈoʊvər/
above and across; more than
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the rate of moving (especially walking or running)
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
pleasing by delicacy or grace; not imposing
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
hitting a golf ball that is on the green using a putter
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
challenge the accuracy, probity, or propriety of
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
quitted
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
reclinedverbUS /rɪˈklaɪnd/
past form of “recline” — move the upper body backwards and down
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
referredverbUS /rəˈfɜːrd/
inflected form of “refer” — make reference to
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a statement (either spoken or written) that is made to reply to a question or request or criticism or accusation
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
the place where some action occurs
From this reading SCENE--The banks of the lake at Fawley.
(of persons) having the torso erect and legs bent with the body supported on the buttocks
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
a place within a region identified relative to a center or reference location
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
having few parts; not complex or complicated or involved
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
term of address for a man
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
sketchnounUS /sketʃ/
preliminary drawing for later elaboration
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
not moving quickly; taking a comparatively long time
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
without speed (“slow” is sometimes used informally for “slowly”)
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Sophy
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
a flight of stairs or a flight of steps
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
swansnounUS /swɑːnz/
plural of “swan” — stately heavy-bodied aquatic bird with very long neck and usually white plumage as adult
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
takenadjectiveUS /ˈteɪkən/
understood in a certain way; made sense of
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
used to introduce the second part of a comparison
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
the people, animals, or things already mentioned, as the subject
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the plural of “that”: the people or things further away, or already known
From this reading He advances towards those melancholy trees.
from one end or side of something to the other
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
an instance or single occasion for some event
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
used before the base form of a verb to make the infinitive
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
make physical contact with, come in contact with
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
in the direction of
From this reading He advances towards those melancholy trees.
plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
uncomfortablyadverbUS /ənˈkʌmfərtəbli/
in physical discomfort
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
Waife
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
the act of observing; taking a patient look
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
binary compound that occurs at room temperature as a clear colorless odorless tasteless liquid; freezes into ice below 0 degrees centigrade and boils above 100 degrees centigrade; widely used as a solvent
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
used to ask for information about something
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
used to introduce a clause giving more about a thing just mentioned
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
the form of “who” used as the object of a verb or preposition
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
belonging to which person
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
used to talk about the future, or about willingness
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
in the company of; together with
From this reading IN WHICH THE AUTHOR ENDEAVOURS, TO THE BEST OF HIS ABILITY, TO GIVE A FINAL REPLY TO THE QUESTION, "WHAT WILL HE DO WITH IT?"
wondersnounUS /ˈwʌndərz/
plural of “wonder” — the feeling aroused by something strange and surprising
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
the words that are spoken
From this reading Darrell, having just quitted Waife and George, to whose slow pace he can ill time his impatient steps, wonders why Lionel, whom, on arriving, he had, with brief cordial words, referred to Sophy for his fate, has taken more than an hour to ask a simple question, to which the reply may be pretty well known beforehand.
but in spite of that
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
distant but within sight (“yon” is dialectal)
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.
(used of living things especially persons) in an early period of life or development or growth
From this reading George is lending his arm to Waife; Mrs. Morley, seated on her camp-stool at the opposite side of the water, is putting the last touch to her sketch of the Manor-house; Sir Isaac, reclined, is gravely contemplating the swans; the doe, bending over him, occasionally nibbles his ear; Fairthorn has uncomfortably edged himself into an angle of the building, between two buttresses, and is watching, with malignant eye, two young forms, at a distance, as they moved slowly yonder, side by side, yet apart, now lost, now emerging, through the gaps between melancholy leafless trees.