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What's Mine's Mine — Volume 3
What's Mine's Mine — Volume 3

Chapter V · Chapter 5

Chapter 5 of What's Mine's Mine — Volume 3 is here in full — 210 sentences across 42 reading sections, with audio for every sentence and word.

Cover illustration for What's Mine's Mine — Volume 3
Context Illustration Reading 1/42 · 5 lines
English subtitles · tap any word to listen 1 / 5
LOVE GLOOMING.
Ian, the light of his mother's eyes, was gone, and she felt forsaken.
Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.
Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.
Things were ripening to a change.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

What's Mine's Mine — Volume 3

Chapter V · Chapter 5

Chapter 5 of What's Mine's Mine — Volume 3 is here in full — 210 sentences across 42 reading sections, with audio for every sentence and word.

Reading 1/42 · 5 reading units · Lines 1–5

Line 1
LOVE GLOOMING.
Line 2
Ian, the light of his mother's eyes, was gone, and she felt forsaken.
Line 3
Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.
Line 4
Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.
Line 5
Things were ripening to a change.
/θɪŋz wɜːr ˈraɪpənɪŋ tuː ə tʃeɪndʒ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cottage noun US /ˈkɑːtədʒ/

a small house with a single story

From this reading “Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.”

departure noun US /dɪˈpɑːrtʃər/

the act of departing

From this reading “Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.”

forsaken verb US /fɔːrˈseɪkən/

inflected form of “forsake” — leave someone who needs or counts on you; leave in the lurch

From this reading “Ian, the light of his mother's eyes, was gone, and she felt forsaken.”

missed adjective US /mɪst/

not caught with the senses or the mind

From this reading “Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.”

mother's noun US /ˈmʌðərz/

possessive form of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading “Ian, the light of his mother's eyes, was gone, and she felt forsaken.”

occasions noun US /əˈkeɪʒənz/

something you have to do

From this reading “Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.”

occupied adjective US /ˈɑːkjəpaɪd/

held or filled or in use

From this reading “Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.”

ripening noun US /ˈraɪpənɪŋ/

coming to full development; becoming mature

From this reading “Things were ripening to a change.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Things were ripening to a change.

Alister

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading Things were ripening to a change.

Christina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

cottagenounUS /ˈkɑːtədʒ/

a small house with a single story

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

eyesnounUS /aɪz/

opinion or judgment

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

feltverbUS /felt/

mat together and make felt-like

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

forsakenverbUS /fɔːrˈseɪkən/

inflected form of “forsake” — leave someone who needs or counts on you; leave in the lurch

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

GLOOMINGadjective

depressingly dark

From this reading LOVE GLOOMING.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

Ian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

LOVEnounUS /lʌv/

a strong positive emotion of regard and affection

From this reading LOVE GLOOMING.

MercynounUS /ˈmɜːrsi/

leniency and compassion shown toward offenders by a person or agency charged with administering justice

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

metverbUS /met/

inflected form of “meet” — come together

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

missedadjectiveUS /mɪst/

not caught with the senses or the mind

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

mother'snounUS /ˈmʌðərz/

possessive form of “mother” — a woman who has given birth to a child (also used as a term of address to your mother)

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

occasionsnounUS /əˈkeɪʒənz/

something you have to do

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

refusedverbUS /rəˈfjuːzd/

past form of “refuse” — show unwillingness towards

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

ripeningnounUS /ˈraɪpənɪŋ/

coming to full development; becoming mature

From this reading Things were ripening to a change.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

ThingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Things were ripening to a change.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Mercy and he met, but not for some time in open company, as Christina refused to go near the cottage.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Ian, the light of his mother's eyes, was gone, and she felt forsaken.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Things were ripening to a change.

withprepositionUS /wɪð/

in the company of; together with

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

yetconjunctionUS /jet/

but in spite of that

From this reading Alister was too much occupied with Mercy to feel his departure as on former occasions, yet he missed him every hour of the day.

Chapter 5 of What's Mine's Mine — Volume 3 by George MacDonald holds 210 sentences, grouped into 42 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of What's Mine's Mine — Volume 3 contain?

Chapter 5 holds 210 sentences of What's Mine's Mine — Volume 3, unabridged, divided into 42 reading sections.

This page carries chapter 5 of What's Mine's Mine — Volume 3 by George MacDonald exactly as it stands in the source edition, without abridgement. It runs to 210 sentences, grouped into 42 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of What's Mine's Mine — Volume 3?

Work through the 42 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 42 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading What's Mine's Mine — Volume 3

Common questions about reading What's Mine's Mine — Volume 3 by George MacDonald on this page, its source edition and its audio.

Is this the complete text of What's Mine's Mine — Volume 3?

Yes. All 2783 sentences of Project Gutenberg eBook #5968 are kept, with a record of which sentences cover which part.

Which edition of What's Mine's Mine — Volume 3 is used?

Project Gutenberg eBook #5968, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does What's Mine's Mine — Volume 3 take to read?

About 231 minutes of reading across 557 sections of 5 sentences each, at an unhurried pace.

How to read What's Mine's Mine — Volume 3 section by section

How to work through What's Mine's Mine — Volume 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 20 chapters of What's Mine's Mine — Volume 3 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in What's Mine's Mine — Volume 3

Words and structures a reader meets early in What's Mine's Mine — Volume 3, each tappable for pronunciation and meaning.

Terrible
A word that appears in the opening chapter of What's Mine's Mine — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Discovery
A word that appears in the opening chapter of What's Mine's Mine — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Entirely
A word that appears in the opening chapter of What's Mine's Mine — Volume 3; the reader can tap it to hear it and see its dictionary entry.
Chief
A word that appears in the opening chapter of What's Mine's Mine — Volume 3; the reader can tap it to hear it and see its dictionary entry.