Chapter 13 of Which? Or, Between Two Women is here in full — 197 sentences across 40 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter XIII
Chapter 13 of Which? Or, Between Two Women is here in full — 197 sentences across 40 reading sections, with audio for every sentence and word.
LOVE'S CONFLICTS. What Philip had just heard filled his heart with grief and consternation. How had Antoinette succeeded in reaching Paris? What had been her object in coming? Dolores repeated the story exactly as Antoinette had told it.
Chapter 13 of Which? Or, Between Two Women is here in full — 197 sentences across 40 reading sections, with audio for every sentence and word.
Reading 1/39 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
plural of “conflict” — an open clash between two opposing groups (or individuals)
From this reading “LOVE'S CONFLICTS.”
fear resulting from the awareness of danger
From this reading “What Philip had just heard filled his heart with grief and consternation.”
indicating exactness or preciseness
From this reading “Dolores repeated the story exactly as Antoinette had told it.”
intense sorrow caused by loss of a loved one (especially by death)
From this reading “What Philip had just heard filled his heart with grief and consternation.”
possessive form of “love” — a strong positive emotion of regard and affection
From this reading “LOVE'S CONFLICTS.”
Englishman and husband of Elizabeth II (born 1921)
From this reading “What Philip had just heard filled his heart with grief and consternation.”
the act of physically reaching or thrusting out
From this reading “How had Antoinette succeeded in reaching Paris?”
past form of “succeed” — attain success or reach a desired goal
From this reading “How had Antoinette succeeded in reaching Paris?”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading What Philip had just heard filled his heart with grief and consternation.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading How had Antoinette succeeded in reaching Paris?
at the same time that; because; in the way that
From this reading Dolores repeated the story exactly as Antoinette had told it.
the past participle of “be”
From this reading What had been her object in coming?
the act of drawing spatially closer to something
From this reading What had been her object in coming?
plural of “conflict” — an open clash between two opposing groups (or individuals)
From this reading LOVE'S CONFLICTS.
fear resulting from the awareness of danger
From this reading What Philip had just heard filled his heart with grief and consternation.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Dolores repeated the story exactly as Antoinette had told it.
indicating exactness or preciseness
From this reading Dolores repeated the story exactly as Antoinette had told it.
(usually followed by “with” or used as a combining form) generously supplied with
From this reading What Philip had just heard filled his heart with grief and consternation.
intense sorrow caused by loss of a loved one (especially by death)
From this reading What Philip had just heard filled his heart with grief and consternation.
the past form of “have”, used to form the past perfect
From this reading What Philip had just heard filled his heart with grief and consternation.
detected or perceived by the sense of hearing
From this reading What Philip had just heard filled his heart with grief and consternation.
the locus of feelings and intuitions
From this reading What Philip had just heard filled his heart with grief and consternation.
belonging to a woman, girl, or female animal already mentioned
From this reading What had been her object in coming?
belonging to a man, boy, or male animal already mentioned
From this reading What Philip had just heard filled his heart with grief and consternation.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading How had Antoinette succeeded in reaching Paris?
inside something, or within a place, period, or state
From this reading How had Antoinette succeeded in reaching Paris?
a thing, animal, or idea already mentioned
From this reading Dolores repeated the story exactly as Antoinette had told it.
and nothing more
From this reading What Philip had just heard filled his heart with grief and consternation.
possessive form of “love” — a strong positive emotion of regard and affection
From this reading LOVE'S CONFLICTS.
a tangible and visible entity; an entity that can cast a shadow
From this reading What had been her object in coming?
the capital and largest city of France; and international center of culture and commerce
From this reading How had Antoinette succeeded in reaching Paris?
Englishman and husband of Elizabeth II (born 1921)
From this reading What Philip had just heard filled his heart with grief and consternation.
the act of physically reaching or thrusting out
From this reading How had Antoinette succeeded in reaching Paris?
recurring again and again
From this reading Dolores repeated the story exactly as Antoinette had told it.
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading Dolores repeated the story exactly as Antoinette had told it.
past form of “succeed” — attain success or reach a desired goal
From this reading How had Antoinette succeeded in reaching Paris?
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Dolores repeated the story exactly as Antoinette had told it.
inflected form of “tell” — express in words
From this reading Dolores repeated the story exactly as Antoinette had told it.
used to ask for information about something
From this reading What Philip had just heard filled his heart with grief and consternation.
in the company of; together with
From this reading What Philip had just heard filled his heart with grief and consternation.
Chapter 13 of Which? Or, Between Two Women by Ernest Daudet holds 197 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 13 holds 197 sentences of Which? Or, Between Two Women, unabridged, divided into 40 reading sections.
This page carries chapter 13 of Which? Or, Between Two Women by Ernest Daudet exactly as it stands in the source edition, without abridgement. It runs to 197 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 40 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 40 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
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Words and structures a reader meets early in Which? Or, Between Two Women, each tappable for pronunciation and meaning.
