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Whipperginny
Whipperginny

Chapter I

Chapter 1 of Whipperginny is here in full — 378 sentences across 76 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/75 · 5 lines
English subtitles · tap any word to listen 1 / 5
_Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.
_The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.
_Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.
The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.
To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Whipperginny

Chapter I

Chapter 1 of Whipperginny is here in full — 378 sentences across 76 reading sections, with audio for every sentence and word.

Reading 1/75 · 5 reading units · Lines 1–5

Line 1
_Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.
Line 2
_The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.
Line 3
_Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.
Line 4
The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.
/ðə ˈɪntərluːd ɪn ðə ˈmɪdəl ʌv ðə bʊk wɑːz ˈrɪtən bɪˈfɔːr ðə əˈpɪrəns ʌv ðiːz les ˈlɪrɪkəl ˈpiːsəz bʌt mʌst biː red æz æn əˈpɑːlədʒiː fɔːr ðə bʊk ˈbiːɪŋ naʊ ˈiːvɪn les ˌhoʊməˈdʒiːniəs ðæn bɪˈfɔːr/
Line 5
To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

ambergris noun US /ˈæmbərɡrɪs/

waxy substance secreted by the sperm whale and found floating at sea or washed ashore; used in perfume

disciplinary adjective US /ˈdɪsəpləneri/

relating to discipline in behavior

From this reading “_The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.”

excretory adjective US /ˈekskrətɔːri/

of or relating to the process of excretion

From this reading “To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.”

homogeneous adjective US /ˌhoʊməˈdʒiːniəs/

all of the same or similar kind or nature

From this reading “The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.”

Interlude noun US /ˈɪntərluːd/

an intervening period or episode

From this reading “The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.”

lyrical adjective US /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading “The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.”

neurosis noun US /nʊˈroʊsəs/

a mental or personality disturbance not attributable to any known neurological or organic dysfunction

From this reading “_The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.”

Unicorn noun US /ˈjuːnɪkɔːrn/

an imaginary creature represented as a white horse with a long horn growing from its forehead

From this reading “_Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Imperial Court adjective + noun

In this reading “To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.”

under the stress preposition + article + noun counted as “under … stress”

In this reading “_The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.”

three years noun + noun

In this reading “_Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.”

in the middle preposition + article + noun counted as “in … middle”

In this reading “The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.”

new series adjective + noun

In this reading “_Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.”

All words in this reading · 166

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1918

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

1920

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

accustomedadjectiveUS /əˈkʌstəmd/

commonly used or practiced; usual

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

aggressiveadjectiveUS /əˈɡresɪv/

having or showing determination and energetic pursuit of your ends

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

amatoryadjective

expressive of or exciting sexual love or romance

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

ambergrisnounUS /ˈæmbərɡrɪs/

waxy substance secreted by the sperm whale and found floating at sea or washed ashore; used in perfume

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

apologynounUS /əˈpɑːlədʒiː/

an expression of regret at having caused trouble for someone

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

ArcadianounUS /ɑːrˈkeɪdiə/

a department of Greece in the central Peloponnese

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

atprepositionUS /æt/

in or near a particular place or position

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

bankruptverbUS /ˈbæŋkrəpt/

reduce to bankruptcy

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

BednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

BritainnounUS /ˈbrɪtən/

a monarchy in northwestern Europe occupying most of the British Isles; divided into England and Scotland and Wales and Northern Ireland; “Great Britain” is often used loosely to refer to the United Kingdom

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

ChinesenounUS /tʃaɪˈniːz/

any of the Sino-Tibetan languages spoken in China; regarded as dialects of a single language (even though they are mutually unintelligible) because they share an ideographic writing system

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

continuesverbUS /kənˈtɪnjuːz/

third-person singular of “continue” — continue a certain state, condition, or activity

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

continuingadjectiveUS /kənˈtɪnjuːɪŋ/

remaining in force or being carried on without letup

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

costnounUS /kɑːst/

the total spent for goods or services including money and time and labor

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

CountrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

CourtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

coververbUS /ˈkʌvər/

provide with a covering or cause to be covered

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

demandnounUS /dɪˈmænd/

an urgent or peremptory request

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

desirenounUS /dɪˈzaɪər/

the feeling that accompanies an unsatisfied state

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

detachmentnounUS /dɪˈtætʃmənt/

avoiding emotional involvement

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

disciplinaryadjectiveUS /ˈdɪsəpləneri/

relating to discipline in behavior

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

DoenounUS /doʊ/

the federal department responsible for maintaining a national energy policy of the United States; created in 1977

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

emotionaladjectiveUS /ɪˈmoʊʃənəl/

determined or actuated by emotion rather than reason

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

escapistnoun

a person who escapes into a world of fantasy

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

evidencesnounUS /ˈevədənsəz/

plural of “evidence” — your basis for belief or disbelief; knowledge on which to base belief

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

exactingadjectiveUS /ɪɡˈzæktɪŋ/

having complicated nutritional requirements; especially growing only in special artificial cultures

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

excretoryadjectiveUS /ˈekskrətɔːri/

of or relating to the process of excretion

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

foundverbUS /faʊnd/

set up or found

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

GlassnounUS /ɡlæs/

a brittle transparent solid with irregular atomic structure

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

greateradjectiveUS /ˈɡreɪtər/

greater in size or importance or degree

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

GuildnounUS /ɡɪld/

a formal association of people with similar interests

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

homogeneousadjectiveUS /ˌhoʊməˈdʒiːniəs/

all of the same or similar kind or nature

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

HonourableadjectiveUS /ˈɑːnərəbəl/

worthy of being honored; entitled to honor and respect

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

ImperialadjectiveUS /ˌɪmˈpɪriəl/

relating to or associated with an empire

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

intensitynounUS /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

InterludenounUS /ˈɪntərluːd/

an intervening period or episode

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

ladiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

lordsnounUS /lɔːrdz/

plural of “lord” — terms referring to the Judeo-Christian God

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

lyricaladjectiveUS /ˈlɪrɪkəl/

suitable for or suggestive of singing

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

MirrornounUS /ˈmɪrər/

polished surface that forms images by reflecting light

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

moodnounUS /muːd/

a characteristic (habitual or relatively temporary) state of feeling

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

mostadverbUS /moʊst/

used to form the superlative

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

neednounUS /niːd/

a condition requiring relief

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

neurosisnounUS /nʊˈroʊsəs/

a mental or personality disturbance not attributable to any known neurological or organic dysfunction

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

nodeterminerUS /noʊ/

not any; not one

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

painfuladjectiveUS /ˈpeɪnfəl/

causing physical or psychological pain

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

partsnounUS /pɑːrts/

the local environment

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

Perfumers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

petulantadjectiveUS /ˈpetʃələnt/

easily irritated or annoyed

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

philosophynounUS /fɪˈlɑː.sə.fi/

The study of the fundamental nature of knowledge, reality, and existence. (Triết học, đạo lý nhân sinh.)

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

PiernounUS /pɪr/

a platform built out from the shore into the water and supported by piles; provides access to ships and boats

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

PostverbUS /poʊst/

affix in a public place or for public notice

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

predecessorsnounUS /ˈpredəsesərz/

plural of “predecessor” — one who precedes you in time (as in holding a position or office)

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

prevailingadjectiveUS /prɪˈveɪlɪŋ/

most frequent or common

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

PrintedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

problemsnounUS /ˈprɑːbləmz/

plural of “problem” — a state of difficulty that needs to be resolved

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

protestsnounUS /ˈproʊtests/

plural of “protest” — a formal and solemn declaration of objection

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

proverbnounUS /ˈprɑːvərb/

a condensed but memorable saying embodying some important fact of experience that is taken as true by many people

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

psychologynounUS /saɪˈkɑːlədʒi/

the science of mental life

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

ratheradverbUS /ˈræðər/

on the contrary

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

readverbUS /red/

interpret something that is written or printed

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

recentlyadverbUS /ˈriːsəntli/

in the recent past

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

recoveringadjectiveUS /rəˈkʌvərɪŋ/

returning to health after illness or debility

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

religionnounUS /rɪˈlɪdʒən/

a strong belief in a supernatural power or powers that control human destiny

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

rhymesnounUS /raɪmz/

plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

SentimentnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

similarlyadverbUS /ˈsɪmələrli/

in like or similar manner

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

stocknounUS /stɑːk/

the capital raised by a corporation through the issue of shares entitling holders to an ownership interest

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

stressnounUS /stres/

the relative prominence of a syllable or musical note (especially with regard to stress or pitch)

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

supplyverbUS /səˈplaɪ/

give something useful or necessary to

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

unceasingadjectiveUS /ənˈsiːsɪŋ/

continuing forever or indefinitely

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

UnicornnounUS /ˈjuːnɪkɔːrn/

an imaginary creature represented as a white horse with a long horn growing from its forehead

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading _The Pier Glass_, a volume which followed _Country Sentiment_, similarly contains a few pieces continuing the mood of this year, the desire to escape from a painful war neurosis into an Arcadia of amatory fancy, but the prevailing mood of _The Pier Glass_ is aggressive and disciplinary, under the stress of the same neurosis, rather than escapist.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

weighverbUS /weɪ/

have a certain weight

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

weightnounUS /weɪt/

the vertical force exerted by a mass as a result of gravity

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

whalenounUS /weɪl/

a very large person; impressive in size or qualities

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

whenconjunctionUS /wen/

at the time that

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

whileconjunctionUS /waɪl/

during the time that

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

Whipperginny

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

WhitenounUS /waɪt/

a Caucasian

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

whopronounUS /huː/

which person or people

From this reading To those who demand unceasing emotional stress in poetry at whatever cost to the poet--I was one of these myself until recently--I have no apology to offer; but only this proverb from the Chinese, that _the petulant protests of all the lords and ladies of the Imperial Court will weigh little with the whale when, recovering from his painful excretory condition, he need no longer supply the Guild of Honourable Perfumers with their accustomed weight of ambergris_.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading _Whipperginny_ for a while continues so, but in most of the later pieces will be found evidences of greater detachment in the poet and the appearance of a new series of problems in religion, psychology and philosophy, no less exacting than their predecessors, but, it may be said, of less emotional intensity.

withprepositionUS /wɪð/

in the company of; together with

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

WoodnounUS /wʊd/

the hard fibrous lignified substance under the bark of trees

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading The “Interlude” in the middle of the book was written before the appearance of these less lyrical pieces, but must be read as an apology for the book being now even less homogeneous than before.

YearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

yearsnounUS /jɪrz/

a late time of life

From this reading _Printed in Great Britain_ The poems in this volume cover a period of three years, beginning at the New Year of 1920, except for the rhymes “Henry and Mary,” “What did I dream?” and “Mirror, Mirror!” with parts of “An English Wood,” “The Bed Post” and of “Unicorn and the White Doe,” which are bankrupt stock of 1918, the year in which I was writing _Country Sentiment_.

Chapter 1 of Whipperginny by Robert Graves holds 378 sentences, grouped into 76 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Whipperginny contain?

Chapter 1 holds 378 sentences of Whipperginny, unabridged, divided into 76 reading sections.

This page carries chapter 1 of Whipperginny by Robert Graves exactly as it stands in the source edition, without abridgement. It runs to 378 sentences, grouped into 76 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Whipperginny?

Work through the 76 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 76 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Whipperginny

Common questions about reading Whipperginny by Robert Graves on this page, its source edition and its audio.

Is this the complete text of Whipperginny?

Yes. All 378 sentences of Project Gutenberg eBook #58642 are kept, with a record of which sentences cover which part.

Which edition of Whipperginny is used?

Project Gutenberg eBook #58642, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Whipperginny take to read?

About 31 minutes of reading across 76 sections of 5 sentences each, at an unhurried pace.

How to read Whipperginny section by section

How to work through Whipperginny section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of Whipperginny to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Whipperginny

Words and structures a reader meets early in Whipperginny, each tappable for pronunciation and meaning.

Printed
A word that appears in the opening chapter of Whipperginny; the reader can tap it to hear it and see its dictionary entry.
Great
A word that appears in the opening chapter of Whipperginny; the reader can tap it to hear it and see its dictionary entry.
Britain
A word that appears in the opening chapter of Whipperginny; the reader can tap it to hear it and see its dictionary entry.
Poems
A word that appears in the opening chapter of Whipperginny; the reader can tap it to hear it and see its dictionary entry.