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Wild Flowers
Wild Flowers

Chapter I · Chapter 1

Chapter 1 of Wild Flowers is here in full — 498 sentences across 100 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/99 · 5 lines
English subtitles · tap any word to listen 1 / 5
PASTORAL AND LOCAL POETRY.
By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".
WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.
A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."
My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Wild Flowers

Chapter I · Chapter 1

Chapter 1 of Wild Flowers is here in full — 498 sentences across 100 reading sections, with audio for every sentence and word.

Reading 1/99 · 5 reading units · Lines 1–5

Line 1
PASTORAL AND LOCAL POETRY.
/ˈpæstərəl ənd ˈloʊkəl ˈpoʊətri/
Line 2
By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".
/baɪ ˈrɑːbərt ˈbluːmfiːld ˈɔːθər ʌv ðə ˈfɑːrmərz bɔɪ ənd ˈrʊrəl teɪlz/
Line 3
WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.
Line 4
A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."
Line 5
My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bloomfield noun US /ˈbluːmfiːld/

United States linguist who adopted a behavioristic approach to linguistics (1887-1949)

From this reading “By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".”

Farmer's noun US /ˈfɑːrmərz/

possessive form of “farmer” — a person who operates a farm

From this reading “By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".”

Herculean adjective US /hərˈkjuːliən/

displaying superhuman strength or power

From this reading “A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."”

John's noun US /dʒɑːnz/

possessive form of “john” — a room or building equipped with one or more toilets

From this reading “WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.”

pastoral adjective US /ˈpæstərəl/

of or relating to a pastor

From this reading “PASTORAL AND LOCAL POETRY.”

Printer noun US /ˈprɪntər/

someone whose occupation is printing

From this reading “WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.”

representations noun US /ˌreprəzənˈteɪʃənz/

plural of “representation” — a presentation to the mind in the form of an idea or image

From this reading “A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."”

wright noun US /raɪt/

United States writer of detective novels (1888-1939)

From this reading “WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

32

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

abideverbUS /əˈbaɪd/

dwell

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

admitverbUS /ədˈmɪt/

declare to be true or admit the existence or reality or truth of

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading PASTORAL AND LOCAL POETRY.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

BLOOMFIELDnounUS /ˈbluːmfiːld/

United States linguist who adopted a behavioristic approach to linguistics (1887-1949)

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

BoynounUS /bɔɪ/

a youthful male person

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

casenounUS /keɪs/

an occurrence of something

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

Clerkenwall

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

crab-tree

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

destinedadjectiveUS /ˈdestɪnd/

headed or intending to head in a certain direction; often used as a combining form as in “college-bound students”

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

Dr

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

eminencenounUS /ˈemənəns/

high status importance owing to marked superiority

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

Farmer'snounUS /ˈfɑːrmərz/

possessive form of “farmer” — a person who operates a farm

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

fortunatelyadverbUS /ˈfɔːrtʃənətli/

by good fortune

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

HerculeanadjectiveUS /hərˈkjuːliən/

displaying superhuman strength or power

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

John'snounUS /dʒɑːnz/

possessive form of “john” — a room or building equipped with one or more toilets

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

JohnsonnounUS /ˈdʒɑːnsən/

English writer and lexicographer (1709-1784)

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

justadverbUS /dʒʌst/

and nothing more

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

justnessnoun

conformity with some esthetic standard of correctness or propriety

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

likeverbUS /laɪk/

prefer or wish to do something

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

LOCALadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading PASTORAL AND LOCAL POETRY.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

MydeterminerUS /maɪ/

belonging to the person speaking

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

NodeterminerUS /noʊ/

not any; not one

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

NothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

PASTORALadjectiveUS /ˈpæstərəl/

of or relating to a pastor

From this reading PASTORAL AND LOCAL POETRY.

perhapsadverbUS /pərˈhæps/

by chance

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

POETRYnounUS /ˈpoʊətri/

literature in metrical form

From this reading PASTORAL AND LOCAL POETRY.

prefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

PrinternounUS /ˈprɪntər/

someone whose occupation is printing

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

representationsnounUS /ˌreprəzənˈteɪʃənz/

plural of “representation” — a presentation to the mind in the form of an idea or image

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

ROBERTnounUS /ˈrɑːbərt/

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

RuraladjectiveUS /ˈrʊrəl/

living in or characteristic of farming or country life

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

SquareverbUS /skwer/

make square

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

suspectverbUS /səˈspekt/

imagine to be the case or true or probable

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

TalesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading By ROBERT BLOOMFIELD Author of "The Farmer's Boy" and "Rural Tales".

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

unlessconjunctionUS /ənˈles/

except if; if not

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

villagenounUS /ˈvɪlədʒ/

a community of people smaller than a town

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

wepronounUS /wiː/

the speaker together with one or more other people

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

whatpronounUS /wʌt/

used to ask for information about something

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

whereconjunctionUS /wer/

in or at the place that

From this reading My representations of nature, whatever may be said of their _justness_, are not _general_, unless we admit, what I suspect to be the case, that nature in a village is very much like nature every where else.

whosedeterminerUS /huːz/

belonging to which person

From this reading A man of the first eminence, in whose day (fortunately perhaps for me) I was not destined to appear before the public, or to abide the Herculean crab-tree of his criticism, Dr. Johnson, has said, in his preface to Shakspeare, that--"Nothing can please many, and please long, but just representations of general nature."

WRIGHTnounUS /raɪt/

United States writer of detective novels (1888-1939)

From this reading WRIGHT, Printer, No. 32, St. John's Square, Clerkenwall.

Chapter 1 of Wild Flowers by Robert Bloomfield holds 498 sentences, grouped into 100 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Wild Flowers contain?

Chapter 1 holds 498 sentences of Wild Flowers, unabridged, divided into 100 reading sections.

This page carries chapter 1 of Wild Flowers by Robert Bloomfield exactly as it stands in the source edition, without abridgement. It runs to 498 sentences, grouped into 100 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Wild Flowers?

Work through the 100 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 100 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Wild Flowers

Common questions about reading Wild Flowers by Robert Bloomfield on this page, its source edition and its audio.

Is this the complete text of Wild Flowers?

Yes. All 498 sentences of Project Gutenberg eBook #9094 are kept, with a record of which sentences cover which part.

Which edition of Wild Flowers is used?

Project Gutenberg eBook #9094, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Wild Flowers take to read?

About 41 minutes of reading across 100 sections of 5 sentences each, at an unhurried pace.

How to read Wild Flowers section by section

How to work through Wild Flowers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of Wild Flowers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Wild Flowers

Words and structures a reader meets early in Wild Flowers, each tappable for pronunciation and meaning.

Pastoral
A word that appears in the opening chapter of Wild Flowers; the reader can tap it to hear it and see its dictionary entry.
Local
A word that appears in the opening chapter of Wild Flowers; the reader can tap it to hear it and see its dictionary entry.
Poetry
A word that appears in the opening chapter of Wild Flowers; the reader can tap it to hear it and see its dictionary entry.
Robert
A word that appears in the opening chapter of Wild Flowers; the reader can tap it to hear it and see its dictionary entry.