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Wild Wales: The People, Language, & Scenery
Wild Wales: The People, Language, & Scenery

Chapter I

Chapter 1 of Wild Wales: The People, Language, & Scenery is here in full — 385 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for Wild Wales: The People, Language, & Scenery
Context Illustration Reading 1/77 · 5 lines
English subtitles · tap any word to listen 1 / 5
I have been invited by the editor of this series to say a few words upon Borrow’s Wild Wales.”
The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, Aylwin,” and in my poem, The Coming of Love,” I have shown myself to be a true lover of Walesa true lover, indeed, of most things Cymric.
Let me begin by saying that although the book is an entirely worthy compeer of Lavengro and The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.
And it differs in this respect even from The Bible in Spain.”
Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Wild Wales: The People, Language, & Scenery

Chapter I

Chapter 1 of Wild Wales: The People, Language, & Scenery is here in full — 385 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/77 · 5 reading units · Lines 1–5

Line 1
I have been invited by the editor of this series to say a few words upon Borrow’sWild Wales.”
Line 2
The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Walesa true lover, indeed, of most things Cymric.
Line 3
Let me begin by saying that although the book is an entirely worthy compeer ofLavengroandThe Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.
Line 4
And it differs in this respect even fromThe Bible in Spain.”
/ənd ɪt ˈdɪfərz ɪn ðɪs rɪˈspekt ˈiːvɪn frʌm ðə ˈbaɪbəl ɪn speɪn/
Line 5
Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

differs verb US /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading “And it differs in this respect even from “The Bible in Spain.””

narrative noun US /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

Principality noun US /ˌprɪnsɪˈpælɪti/

territory ruled by a prince

From this reading “Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.”

privilege noun US /ˈprɪvlədʒ/

a special advantage or immunity or benefit not enjoyed by all

From this reading “The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.”

Romany noun US /ˈrɑːməni/

a member of a people with dark skin and hair who speak Romany and who traditionally live by seasonal work and fortunetelling

From this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

Rye noun US /raɪ/

the seed of the cereal grass

From this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

tour noun US /tʊr/

a journey or route all the way around a particular place or area

From this reading “Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.”

Wales noun US /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading “I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

walking tour adjective + noun

In this reading “Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.”

entirely different adverb + adjective

In this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

few words adjective + noun

In this reading “I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.””

young man adjective + noun

a teenager or a young adult male

In this reading “The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.”

true lover adjective + noun

In this reading “The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.”

latter days adjective + noun

In this reading “The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.”

different form adjective + noun

In this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

by saying preposition + noun

In this reading “Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.”

All words in this reading · 104

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

autobiographicadjective

of or relating to or characteristic of an autobiographer

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

Aylwin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

belongsverbUS /bɪˈlɔːŋz/

third-person singular of “belong” — be owned by; be in the possession of

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

BiblenounUS /ˈbaɪbəl/

the sacred writings of the Christian religions

From this reading And it differs in this respect even from “The Bible in Spain.”

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

booksnounUS /bʊks/

Bound written or printed works.

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

Borrow's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

byprepositionUS /baɪ/

showing who or what does the action

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

ComingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

compeernoun

a person who is of equal standing with another in a group

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

Cymricnoun

a Celtic language of Wales

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

differsverbUS /ˈdɪfərz/

third-person singular of “differ” — be different

From this reading And it differs in this respect even from “The Bible in Spain.”

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

editornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

enjoyingverbUS /ˌenˈdʒɔɪɪŋ/

-ing form of “enjoy” — derive or receive pleasure from; get enjoyment from; take pleasure in

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading And it differs in this respect even from “The Bible in Spain.”

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

friendshipnounUS /ˈfrendʃɪp/

the state of being friends (or friendly)

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

invitationnounUS /ˌɪnvɪˈteɪʃən/

a request (spoken or written) to participate or be present or take part in something

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

invitedverbUS /ˌɪnˈvaɪtəd/

past form of “invite” — increase the likelihood of

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

justadverbUS /dʒʌst/

and nothing more

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

Lavengro

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

Letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

LovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

mostadverbUS /moʊst/

used to form the superlative

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

partlyadverbUS /ˈpɑːrtli/

to some extent; in some degree; not wholly

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

PrincipalitynounUS /ˌprɪnsɪˈpælɪti/

territory ruled by a prince

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

privilegenounUS /ˈprɪvlədʒ/

a special advantage or immunity or benefit not enjoyed by all

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

proposeverbUS /prəˈpoʊz/

make a proposal, declare a plan for something

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

recordnounUS /rəˈkɔːrd/

anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading And it differs in this respect even from “The Bible in Spain.”

RomanynounUS /ˈrɑːməni/

a member of a people with dark skin and hair who speak Romany and who traditionally live by seasonal work and fortunetelling

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

RyenounUS /raɪ/

the seed of the cereal grass

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

sayverbUS /seɪ/

express in words

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

sayingnounUS /ˈseɪɪŋ/

a word or phrase that particular people use in particular situations

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

shownverbUS /ʃoʊn/

inflected form of “show” — give an exhibition of to an interested audience

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

SpainnounUS /speɪn/

a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power

From this reading And it differs in this respect even from “The Bible in Spain.”

splendidadjectiveUS /ˈsplendɪd/

having great beauty and splendor

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

tournounUS /tʊr/

a journey or route all the way around a particular place or area

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

uncolouredadjective

without color

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

UnlikeadjectiveUS /ənˈlaɪk/

marked by dissimilarity

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

WalesnounUS /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

walkingadjectiveUS /ˈwɔːkɪŋ/

close enough to be walked to

From this reading Unlike that splendid book, it is just a simple, uncoloured record of a walking tour through the Principality.

WildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading I have been invited by the editor of this series to say a few words upon Borrow’s “Wild Wales.”

worthyadjectiveUS /ˈwɜːr.ði/

Having or showing the qualities or abilities that merit recognition in character or magic.

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Let me begin by saying that although the book is an entirely worthy compeer of “Lavengro” and “The Romany Rye,” and although like them it is written in the autobiographic form, it belongs, as I propose to show further on, to an entirely different form of narrative from those two famous books.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The invitation has come to me, he says, partly because during the latter days of Borrow’s life I had the privilege as a very young man of enjoying his friendship, and partly because in my story, “Aylwin,” and in my poem, “The Coming of Love,” I have shown myself to be a true lover of Wales—a true lover, indeed, of most things Cymric.

Chapter 1 of Wild Wales: The People, Language, & Scenery by George Borrow holds 385 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Wild Wales: The People, Language, & Scenery contain?

Chapter 1 holds 385 sentences of Wild Wales: The People, Language, & Scenery, unabridged, divided into 77 reading sections.

This page carries chapter 1 of Wild Wales: The People, Language, & Scenery by George Borrow exactly as it stands in the source edition, without abridgement. It runs to 385 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Wild Wales: The People, Language, & Scenery?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Wild Wales: The People, Language, & Scenery

Common questions about reading Wild Wales: The People, Language, & Scenery by George Borrow on this page, its source edition and its audio.

Is this the complete text of Wild Wales: The People, Language, & Scenery?

Yes. All 10903 sentences of Project Gutenberg eBook #37665 are kept, with a record of which sentences cover which part.

Which edition of Wild Wales: The People, Language, & Scenery is used?

Project Gutenberg eBook #37665, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Wild Wales: The People, Language, & Scenery take to read?

About 600 minutes of reading across 2181 sections of 5 sentences each, at an unhurried pace.

How to read Wild Wales: The People, Language, & Scenery section by section

How to work through Wild Wales: The People, Language, & Scenery section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Wild Wales: The People, Language, & Scenery to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Wild Wales: The People, Language, & Scenery

Words and structures a reader meets early in Wild Wales: The People, Language, & Scenery, each tappable for pronunciation and meaning.

Invited
A word that appears in the opening chapter of Wild Wales: The People, Language, & Scenery; the reader can tap it to hear it and see its dictionary entry.
Editor
A word that appears in the opening chapter of Wild Wales: The People, Language, & Scenery; the reader can tap it to hear it and see its dictionary entry.
Series
A word that appears in the opening chapter of Wild Wales: The People, Language, & Scenery; the reader can tap it to hear it and see its dictionary entry.
Words
A word that appears in the opening chapter of Wild Wales: The People, Language, & Scenery; the reader can tap it to hear it and see its dictionary entry.