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William Blake
William Blake

Chapter XII

Chapter 12 of William Blake is here in full — 338 sentences across 68 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/67 · 5 lines
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ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.
Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.
In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.
Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.
Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

William Blake

Chapter XII

Chapter 12 of William Blake is here in full — 338 sentences across 68 reading sections, with audio for every sentence and word.

Reading 1/67 · 5 reading units · Lines 1–5

Line 1
ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.
Line 2
Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.
Line 3
In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.
Line 4
Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.
Line 5
Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

amble verb US /ˈæmbəl/

walk leisurely

From this reading “Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.”

Blake's noun US /bleɪks/

possessive form of “blake” — visionary British poet and painter (1757-1827)

From this reading “ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.”

Canterbury noun US /ˈkæntərberi/

a town in Kent in southeastern England; site of the cathedral where Thomas a Becket was martyred in 1170; seat of the archbishop and primate of the Anglican Church

From this reading “ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.”

engraving noun US /ɪnˈɡreɪvɪŋ/

a print made from an engraving

From this reading “ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.”

engravings noun US /ɪnˈɡreɪvɪŋz/

plural of “engraving” — a print made from an engraving

From this reading “ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.”

exhibiting verb US /ɪɡˈzɪbɪtɪŋ/

-ing form of “exhibit” — show an attribute, property, knowledge, or skill

From this reading “Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.”

repels verb US /rɪˈpelz/

third-person singular of “repel” — cause to move back by force or influence

From this reading “Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.”

traditionally adverb US /trəˈdɪʃənəli/

according to tradition; in a traditional manner

From this reading “Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

motley throng noun + noun

In this reading “Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.”

at once preposition + adverb

without delay or hesitation; with no time intervening

In this reading “Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.”

in spite preposition + noun

In this reading “Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.”

compared with verb + particle counted as “compare with”

In this reading “Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.”

first sight adjective + noun

In this reading “Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.”

same subject adjective + noun

In this reading “Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

afraidadjectiveUS /əˈfreɪd/

filled with fear or apprehension

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

ambleverbUS /ˈæmbəl/

walk leisurely

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

astonishes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

atprepositionUS /æt/

in or near a particular place or position

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

Blake'snounUS /bleɪks/

possessive form of “blake” — visionary British poet and painter (1757-1827)

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

byprepositionUS /baɪ/

showing who or what does the action

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

CanterburynounUS /ˈkæntərberi/

a town in Kent in southeastern England; site of the cathedral where Thomas a Becket was martyred in 1170; seat of the archbishop and primate of the Anglican Church

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

charmingadjectiveUS /ˈtʃɑːrmɪŋ/

pleasing or delighting

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

comparedverbUS /kəmˈperd/

past form of “compare” — examine and note the similarities or differences of

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

daintyadjectiveUS /ˈdeɪnti/

delicately beautiful

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

DRAWINGSnounUS /ˈdrɔːɪŋz/

plural of “drawing” — an illustration that is drawn by hand and published in a book, magazine, or newspaper

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

dustverbUS /dʌst/

remove the dust from

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

engravingnounUS /ɪnˈɡreɪvɪŋ/

a print made from an engraving

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

ENGRAVINGSnounUS /ɪnˈɡreɪvɪŋz/

plural of “engraving” — a print made from an engraving

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

EspeciallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

exhibitingverbUS /ɪɡˈzɪbɪtɪŋ/

-ing form of “exhibit” — show an attribute, property, knowledge, or skill

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

faithfuladjectiveUS /ˈfeɪθfəl/

steadfast in affection or allegiance

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

fascinationnounUS /ˌfæsəˈneɪʃən/

the state of being intensely interested (as by awe or terror)

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

feltverbUS /felt/

mat together and make felt-like

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

gracefullyadverbUS /ˈɡreɪsfəli/

in a graceful manner

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

grimadjectiveUS /ɡrɪm/

not to be placated or appeased or moved by entreaty

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

habitedadjective

dressed in a habit

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

heightenedverbUS /ˈhaɪtənd/

past form of “heighten” — become more extreme

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

highwaynounUS /ˈhaɪweɪ/

a major road for any form of motor transport

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

hobby-horse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

motleynounUS /ˈmɑːtli/

a collection containing a variety of sorts of things

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

onceadverbUS /wʌns/

on one occasion

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

PilgrimagenounUS /ˈpɪlɡrəmədʒ/

a journey to a sacred place

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

pleasesverbUS /ˈpliːzɪz/

third-person singular of “please” — give pleasure to or be pleasing to

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

positionsnounUS /pəˈzɪʃənz/

plural of “position” — the particular portion of space occupied by something

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

prejudicenounUS /ˈpredʒədɪs/

a partiality that prevents objective consideration of an issue or situation

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

PRINTnounUS /prɪnt/

the text appearing in a book, newspaper, or other printed publication

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

processionnounUS /prəˈseʃən/

(theology) the origination of the Holy Spirit at Pentecost

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

ranksnounUS /ræŋks/

plural of “rank” — a row or line of people (especially soldiers or police) standing abreast of one another

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

repelsverbUS /rɪˈpelz/

third-person singular of “repel” — cause to move back by force or influence

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

rideverbUS /raɪd/

sit and travel on the back of animal, usually while controlling its motions

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

ROOMnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

setverbUS /set/

put into a certain place or abstract location

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

sightnounUS /saɪt/

an instance of visual perception

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

spectatornounUS /ˈspekteɪtər/

a close observer; someone who looks at something (such as an exhibition of some kind)

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

spitenounUS /spaɪt/

feeling a need to see others suffer

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

sprucenounUS /spruːs/

light soft moderately strong wood of spruce trees; used especially for timbers and millwork

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

Stothard's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

tennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

thereinadverbUS /ðeˈrɪn/

(formal) in or into that thing or place

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

throngnounUS /θrɔːŋ/

a large gathering of people

From this reading Stothard's motley throng are gracefully habited, and appear dainty and spruce in spite of the dust of the highway as they amble along.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

traditionallyadverbUS /trəˈdɪʃənəli/

according to tradition; in a traditional manner

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

unfavourablyadverb

showing disapproval; in a disparaging way

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

varietynounUS /vərˈaɪəti/

a collection containing a variety of sorts of things

From this reading In Stothard's composition the variety of the company, and especially of the horses they ride, is charming.

VeryadjectiveUS /ˈveri/

precisely as stated

From this reading Very different are the grim ranks of Blake's procession, the ten horses therein exhibiting only three positions among them, and those positions being all traditionally faithful to the hobby-horse type.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

whileconjunctionUS /waɪl/

during the time that

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

withprepositionUS /wɪð/

in the company of; together with

From this reading Especially will this prejudice be heightened if the engraving from Stothard's picture of the same subject be set against Blake's and compared with it, for Blake's astonishes and repels on first sight, while Stothard's pleases at once.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading ENGRAVINGS AND DRAWINGS IN THE PRINT ROOM I am afraid that the first view of Blake's engraving of "The Canterbury Pilgrimage" will prejudice the spectator unfavourably towards our artist, even if the work by him already seen has made its fascination felt.

Chapter 12 of William Blake by Irene Langridge holds 338 sentences, grouped into 68 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of William Blake contain?

Chapter 12 holds 338 sentences of William Blake, unabridged, divided into 68 reading sections.

This page carries chapter 12 of William Blake by Irene Langridge exactly as it stands in the source edition, without abridgement. It runs to 338 sentences, grouped into 68 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of William Blake?

Work through the 68 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 68 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading William Blake

Common questions about reading William Blake by Irene Langridge on this page, its source edition and its audio.

Is this the complete text of William Blake?

Yes. All 2311 sentences of Project Gutenberg eBook #37407 are kept, with a record of which sentences cover which part.

Which edition of William Blake is used?

Project Gutenberg eBook #37407, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does William Blake take to read?

About 192 minutes of reading across 463 sections of 5 sentences each, at an unhurried pace.

How to read William Blake section by section

How to work through William Blake section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of William Blake to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in William Blake

Words and structures a reader meets early in William Blake, each tappable for pronunciation and meaning.

Early
A word that appears in the opening chapter of William Blake; the reader can tap it to hear it and see its dictionary entry.
Years
A word that appears in the opening chapter of William Blake; the reader can tap it to hear it and see its dictionary entry.
Greatest
A word that appears in the opening chapter of William Blake; the reader can tap it to hear it and see its dictionary entry.
Spirits
A word that appears in the opening chapter of William Blake; the reader can tap it to hear it and see its dictionary entry.