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William Blake, the Man
William Blake, the Man

Chapter III

Chapter 3 of William Blake, the Man is here in full — 132 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
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THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.
Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.
We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.
We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."
(There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

William Blake, the Man

Chapter III

Chapter 3 of William Blake, the Man is here in full — 132 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.
Line 2
Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.
/jet ðeɪ wɜːr rɪˈmɑːrkəbəl ˈwɪmən ənd baɪ ðer dæʃ tuː ˈkæptʃər fɔːr ðemˈselvz sʌm ʌv ðə ˈtreʒərz ʌv mænz ˈlɜːrnɪŋ ðeɪ helpt tuː ˈoʊ.pən ʌp ə nuː weɪ fɔːr ðə ˈmɑːdərn ˈwʊmən/
Line 3
We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.
/wiː kæn dɪˈspens noʊ daʊt wɪð ˈmɪsɪz ˈmɑːntəɡjuːz eˈseɪ ɪn wɪtʃ ʃiː dɪˈfendz ˈʃeɪkspiːr əˈɡenst ðə ræʃ ˈɔːnslɔːt ʌv voʊlˈter/
Line 4
We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."
Line 5
(There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

defends verb US /dɪˈfendz/

third-person singular of “defend” — argue or speak in defense of

From this reading “We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.”

Dialogues noun US /ˈdaɪəlɔːɡz/

plural of “dialogue” — a conversation between two persons

dispense verb US /dɪˈspens/

administer or bestow, as in small portions

From this reading “We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.”

forgo verb US /fɔːrˈɡoʊ/

do without or cease to hold or adhere to

From this reading “(There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.”

Montagu's noun US /ˈmɑːntəɡjuːz/

possessive form of “montagu” — United States anthropologist (born in England) who popularized anthropology (1905-)

From this reading “We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.”

onslaught noun US /ˈɔːnslɔːt/

a sudden and severe onset of trouble

From this reading “We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.”

Voltaire noun US /voʊlˈter/

French writer who was the embodiment of 18th century Enlightenment (1694-1778)

From this reading “We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.”

Walpole noun US /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading “(There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

long time adjective + noun

a prolonged period of time

In this reading “THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.”

without loss preposition + noun

In this reading “(There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.”

butt of verb + particle

In this reading “THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.”

remarkable women adjective + noun counted as “remarkable woman”

In this reading “Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.”

make good verb + adjective

act as promised

In this reading “THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.”

speaks with verb + particle counted as “speak with”

In this reading “We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."”

All words in this reading · 126

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

absolutelyadverbUS /ˌæbsəˈluːtli/

completely and without qualification; used informally as intensifiers

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

accentnounUS /əkˈsent/

distinctive manner of oral expression

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

Berenice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

BLUE-STOCKINGS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

buttverbUS /bʌt/

lie adjacent to another or share a boundary

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

captureverbUS /ˈkæptʃər/

succeed in representing or expressing something intangible

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

claimnounUS /kleɪm/

an assertion of a right (as to money or property)

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

CleopatranounUS /ˌkliːəˈpætrə/

beautiful and charismatic queen of Egypt; mistress of Julius Caesar and later of Mark Antony; killed herself to avoid capture by Octavian (69-30 BC)

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

dashverbUS /dæʃ/

run or move very quickly or hastily

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

DeadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

defendsverbUS /dɪˈfendz/

third-person singular of “defend” — argue or speak in defense of

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

DialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

DialoguesnounUS /ˈdaɪəlɔːɡz/

plural of “dialogue” — a conversation between two persons

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

dispenseverbUS /dɪˈspens/

administer or bestow, as in small portions

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

DuchessnounUS /ˈdʌtʃəs/

the wife of a duke or a woman holding ducal title in her own right

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

engagedadjectiveUS /enˈɡeɪdʒd/

having ones attention or mind or energy engaged

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

entertainingadjectiveUS /ˌentərˈteɪnɪŋ/

agreeably diverting

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

EssaynounUS /eˈseɪ/

an analytic or interpretive literary composition

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

forgetverbUS /fərˈɡet/

dismiss from the mind; stop remembering

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

forgoverbUS /fɔːrˈɡoʊ/

do without or cease to hold or adhere to

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

fourthnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

genuineadjectiveUS /ˈdʒenjəwən/

not fake or counterfeit

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

helpedverbUS /helpt/

past form of “help” — give help or assistance; be of service

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

HoracenounUS /ˈhɔːrəs/

Roman lyric poet said to have influenced English poetry (65-8 BC)

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

immortalitynounUS /ˌɪmɔːrˈtælɪti/

the quality or state of being immortal

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

IndeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

learningnounUS /ˈlɜːrnɪŋ/

the cognitive process of acquiring skill or knowledge

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

letter-writers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

lettersnounUS /ˈletərz/

the literary culture

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

livelyadjectiveUS /ˈlaɪvli/

full of life and energy

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

LordnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

lossnounUS /lɔːs/

something that is lost

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

Lyttelton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

makeverbUS /meɪk/

engage in

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

man'snounUS /mænz/

possessive form of “man” — an adult person who is male (as opposed to a woman)

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

MercurynounUS /ˈmɜːrkjəri/

a heavy silvery toxic univalent and bivalent metallic element; the only metal that is liquid at ordinary temperatures

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

Modishadjective

in the current fashion or style

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

Montagu'snounUS /ˈmɑːntəɡjuːz/

possessive form of “montagu” — United States anthropologist (born in England) who popularized anthropology (1905-)

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

nodeterminerUS /noʊ/

not any; not one

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

onslaughtnounUS /ˈɔːnslɔːt/

a sudden and severe onset of trouble

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

ourselvespronounUS /aʊərˈselvz/

used when we are both doing the action and receiving it

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

politeadjectiveUS /pəˈlaɪt/

showing regard for others in manners, speech, behavior, etc.

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

PortlandnounUS /ˈpɔːrtlənd/

freshwater port and largest city in Oregon; located in northwestern Oregon on the Willamette River which divides the city into east and west sections; renowned for its beautiful natural setting among the mountains

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

PosteritynounUS /pɑːˈsterəti/

all of the offspring of a given progenitor

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

princenounUS /prɪns/

a male member of a royal family other than the sovereign (especially the son of a sovereign)

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

rashnounUS /ræʃ/

any red eruption of the skin

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

remarkableadjectiveUS /rɪˈmɑːrkəbəl/

unusual or striking

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

speaksverbUS /spiːks/

third-person singular of “speak” — express in speech

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

spitefuladjectiveUS /ˈspaɪtfəl/

showing malicious ill will and a desire to hurt; motivated by spite

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

superioradjectiveUS /suːˈpɪriər/

of high or superior quality or performance

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

tellsnounUS /telz/

plural of “tell” — a Swiss patriot who lived in the early 14th century and who was renowned for his skill as an archer

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

ThereadverbUS /ðer/

in or at that place or location

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

timenounUS /taɪm/

an instance or single occasion for some event

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

treasuresnounUS /ˈtreʒərz/

plural of “treasure” — accumulated wealth in the form of money or jewels etc.

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

VoltairenounUS /voʊlˈter/

French writer who was the embodiment of 18th century Enlightenment (1694-1778)

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

WalpolenounUS /ˈwɔːlpoʊl/

English writer and historian; son of Sir Robert Walpole (1717-1797)

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

waynounUS /weɪ/

how something is done or how it happens

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

whatpronounUS /wʌt/

used to ask for information about something

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

whopronounUS /huː/

which person or people

From this reading THE BLUE-STOCKINGS Posterity is spiteful towards those who do not make good their claim to immortality; and for a long time the Blue-stockings have been the butt of the superior modern.

withprepositionUS /wɪð/

in the company of; together with

From this reading We can dispense no doubt with Mrs Montagu's _Essay_, in which she defends Shakespeare against the rash onslaught of Voltaire.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

wittyadjectiveUS /ˈwɪti/

combining clever conception and facetious expression

From this reading (There was a fourth Dialogue returned to her by Lord Lyttelton in which Cleopatra tells Berenice only what every woman knows.) But we cannot forgo without loss to ourselves her letters to the Duchess of Portland and many other friends, which are lively, witty, and entertaining, and second in her time only to those of that prince of letter-writers, Horace Walpole.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

womennounUS /ˈwɪmən/

plural of “woman” — an adult female person (as opposed to a man)

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

YetconjunctionUS /jet/

but in spite of that

From this reading Yet they were remarkable women, and by their dash to capture for themselves some of the treasures of man's learning they helped to open up a new way for the modern woman.

youpronounUS /juː/

the person or people being spoken to

From this reading We may even forget her three _Dialogues of the Dead_, although Mrs Modish speaks with the genuine accent of the polite world: "Indeed, Mr Mercury, I cannot have the pleasure of waiting upon you now, I am engaged, absolutely engaged."

Chapter 3 of William Blake, the Man by Charles Gardner holds 132 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of William Blake, the Man contain?

Chapter 3 holds 132 sentences of William Blake, the Man, unabridged, divided into 27 reading sections.

This page carries chapter 3 of William Blake, the Man by Charles Gardner exactly as it stands in the source edition, without abridgement. It runs to 132 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of William Blake, the Man?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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About 207 minutes of reading across 498 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in William Blake, the Man

Words and structures a reader meets early in William Blake, the Man, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of William Blake, the Man; the reader can tap it to hear it and see its dictionary entry.
Vision
A word that appears in the opening chapter of William Blake, the Man; the reader can tap it to hear it and see its dictionary entry.
Vesture
A word that appears in the opening chapter of William Blake, the Man; the reader can tap it to hear it and see its dictionary entry.
Redemption
A word that appears in the opening chapter of William Blake, the Man; the reader can tap it to hear it and see its dictionary entry.