Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.
AdeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
abundant
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
all
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
amongprepositionUS /əˈmʌŋ/
surrounded by; in the middle of a group
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
atprepositionUS /æt/
in or near a particular place or position
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
back
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
beauty
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
beenauxiliary verbUS /bɪn/
the past participle of “be”
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
beforeprepositionUS /bɪˈfɔːr/
earlier than; in front of
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
behold
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
bells
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From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
breath
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
Bright
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
ButconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
canmodal verbUS /kæn/
to be able to, or to be allowed to
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
clean
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From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
comenounUS /come/
an important story-specific word used in this passage
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
Cotswold
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
country
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
Cytherea's
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
daffodils
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
dares
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
deep
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
delight
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
die
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
dim
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
eighteen
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
ereconjunctionUS /er/
an old word for “before”
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
eyes
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
finenounUS /fine/
an important story-specific word used in this passage
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
firstnounUS /first/
an important story-specific word used in this passage
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
flowers
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
fulness
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
going
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From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
happy
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From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
haveauxiliary verbUS /hæv/
used with a past participle to form the perfect tenses
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
hisdeterminerUS /hɪz/
belonging to a man, boy, or male animal already mentioned
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
home
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From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
Juno's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
lids
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From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
lovely
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
magically
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
majesty
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
man
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From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
March
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
mindnounUS /mind/
an important story-specific word used in this passage
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
mustmodal verbUS /mʌst/
used to say something is necessary, or almost certainly true
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
orconjunctionUS /ɔːr/
used to join alternatives or possibilities
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
pale
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
partnounUS /part/
an important story-specific word used in this passage
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
Phoebus
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
play
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
poem
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
poet's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
primroses
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
rolling
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
romance
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
sang
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
scenes
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From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
Shakespeare
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From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
sheep
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
shepherds
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From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
sixteen
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
strengthnounUS /ˈstrength/
a story-specific word describing an important person, object, action, or idea in this passage
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
supremely
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
swallow
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
sweeter
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
takenounUS /take/
an important story-specific word used in this passage
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
talk
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
thanconjunctionUS /ðæn/
used to introduce the second part of a comparison
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
thanksgiving
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
ThatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
thempronounUS /ðem/
the people or things already mentioned, as the object
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
There
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
theypronounUS /ðeɪ/
the people, animals, or things already mentioned, as the subject
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
thisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
timenounUS /time/
an important story-specific word used in this passage
From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
times
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
tranquil
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
turning
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From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
unmarried
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
very
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
violets
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
windnounUS /wind/
an important story-specific word used in this passage
From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.
winds
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
withprepositionUS /wɪð/
in the company of; together with
From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
world
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From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
years
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.