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William Shakespeare
William Shakespeare

Chapter VII · Chapter 7

Chapter 7 of William Shakespeare is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
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A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
There are fine scenes of shepherds at home, among the sheep bells and clean wind.
There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

William Shakespeare

Chapter VII · Chapter 7

Chapter 7 of William Shakespeare is here in full — 391 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.
Line 2
There are fine scenes of shepherds at home, among the sheep bells and clean wind.
/ðer ɑːr faɪn siːnz ʌv ˈʃepərdz æt hoʊm əˈmʌŋ ðə ʃiːp belz ənd kliːn waɪnd/
Line 3
There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."
Line 4
To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.
/tuː ˈʃeɪkspiːr ðə ˈmædʒɪkəli ˈhæpi mæn ðə ˈɡoʊɪŋ bæk tuː ðem mʌst hæv bɪn ə taɪm fɔːr ˌθæŋksˈɡɪvɪŋ/
Line 5
But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

daffodils noun US /ˈdæfədɪlz/

plural of “daffodil” — any of numerous varieties of Narcissus plants having showy often yellow flowers with a trumpet-shaped central crown

From this reading “There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."”

Juno's noun US /ˈdʒuːnoʊz/

possessive form of “juno” — (Roman mythology) queen of the Olympian gods who protected marriage; wife and sister of Jupiter; counterpart of Greek Hera

From this reading “There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."”

magically adverb US /ˈmædʒɪkəli/

in a magical manner

From this reading “A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.”

Phoebus noun US /ˈfiːbəs/

(Greek mythology) Greek god of light; god of prophecy and poetry and music and healing; son of Zeus and Leto; twin brother of Artemis

From this reading “There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."”

poet's noun US /ˈpoʊəts/

possessive form of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading “A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.”

primroses noun US /ˈprɪmroʊzəz/

plural of “primrose” — any of numerous short-stemmed plants of the genus Primula having tufted basal leaves and showy flowers clustered in umbels or heads

From this reading “There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."”

supremely adverb US /suːˈpriːməli/

to the maximum degree

From this reading “But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.”

thanksgiving noun US /ˌθæŋksˈɡɪvɪŋ/

fourth Thursday in November in the United States; second Monday in October in Canada; commemorates a feast held in 1621 by the Pilgrims and the Wampanoag

From this reading “To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.”

All words in this reading · 99

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

abundantadjectiveUS /əˈbʌndənt/

present in great quantity

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

atprepositionUS /æt/

in or near a particular place or position

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

backadverbUS /bæk/

in or to or toward a former location

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

beholdverbUS /bɪˈhoʊld/

see with attention

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

bellsnounUS /belz/

plural of “bell” — a hollow device made of metal that makes a ringing sound when struck

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

breathnounUS /breθ/

the process of taking in and expelling air during breathing

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

BrightadjectiveUS /braɪt/

emitting or reflecting light readily or in large amounts

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

cleanadjectiveUS /kliːn/

free from dirt or impurities; or having clean habits

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

Cotswoldnoun

sheep with long wool originating in the Cotswold Hills

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

Cytherea's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

daffodilsnounUS /ˈdæfədɪlz/

plural of “daffodil” — any of numerous varieties of Narcissus plants having showy often yellow flowers with a trumpet-shaped central crown

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

daresnounUS /derz/

plural of “dare” — a challenge to do something dangerous or foolhardy

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

delightverbUS /dɪˈlaɪt/

give pleasure to or be pleasing to

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

dieverbUS /daɪ/

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

dimadjectiveUS /dɪm/

lacking in light; not bright or harsh

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

eighteenadjectiveUS /eɪˈtiːn/

being one more than seventeen

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

ereconjunctionUS /er/

an old word for “before”

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

eyesnounUS /aɪz/

opinion or judgment

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

fulness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

homenounUS /hoʊm/

where you live at a particular time

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

Juno'snounUS /ˈdʒuːnoʊz/

possessive form of “juno” — (Roman mythology) queen of the Olympian gods who protected marriage; wife and sister of Jupiter; counterpart of Greek Hera

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

lidsnounUS /lɪdz/

plural of “lid” — either of two folds of skin that can be moved to cover or open the eye

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

lovelyadjectiveUS /ˈlʌvli/

appealing to the emotions as well as the eye

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

magicallyadverbUS /ˈmædʒɪkəli/

in a magical manner

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

majestynounUS /ˈmædʒəsti/

impressiveness in scale or proportion

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

MarchverbUS /mɑːrtʃ/

march in a procession

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

paleadjectiveUS /peɪl/

very light colored; highly diluted with white

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

PhoebusnounUS /ˈfiːbəs/

(Greek mythology) Greek god of light; god of prophecy and poetry and music and healing; son of Zeus and Leto; twin brother of Artemis

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

playverbUS /pleɪ/

participate in games or sport

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

poet'snounUS /ˈpoʊəts/

possessive form of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

primrosesnounUS /ˈprɪmroʊzəz/

plural of “primrose” — any of numerous short-stemmed plants of the genus Primula having tufted basal leaves and showy flowers clustered in umbels or heads

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

rollingadjectiveUS /ˈroʊlɪŋ/

uttered with a trill

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

sheepnounUS /ʃiːp/

woolly usually horned ruminant mammal related to the goat

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

shepherdsnounUS /ˈʃepərdz/

plural of “shepherd” — a clergyman who watches over a group of people

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

sixteenadjectiveUS /sɪkˈstiːn/

being one more than fifteen

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

supremelyadverbUS /suːˈpriːməli/

to the maximum degree

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

swallowverbUS /ˈswɑːloʊ/

pass through the esophagus as part of eating or drinking

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

sweeteradjectiveUS /ˈswiːtər/

comparative of “sweet” — having or denoting the characteristic taste of sugar

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

takeverbUS /teɪk/

carry out

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

thanksgivingnounUS /ˌθæŋksˈɡɪvɪŋ/

fourth Thursday in November in the United States; second Monday in October in Canada; commemorates a feast held in 1621 by the Pilgrims and the Wampanoag

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading To Shakespeare, the magically happy man, the going back to them must have been a time for thanksgiving.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

tranquiladjectiveUS /ˈtræŋkwəl/

(of a body of water) free from disturbance by heavy waves

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

unmarriedadjectiveUS /ənˈmerid/

not married or related to the unmarried state

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

veryadjectiveUS /ˈveri/

precisely as stated

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

violetsnounUS /ˈvaɪələts/

plural of “violet” — any of numerous low-growing violas with small flowers

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading There are fine scenes of shepherds at home, among the sheep bells and clean wind.

windsnounUS /wɪndz/

plural of “wind” — air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

withprepositionUS /wɪð/

in the company of; together with

From this reading There is a very lovely talk of flowers-- "daffodils, That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength."

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading But to the supremely happy man all times are times of thanksgiving, deep, tranquil and abundant, for the delight, the majesty and the beauty of the fulness of the rolling world.

yearsnounUS /jɪrz/

a late time of life

From this reading A part of the romance of this poem is the turning back of the poet's mind to the Cotswold country, of which he sang so magically, in his first play, sixteen or eighteen years before.

Chapter 7 of William Shakespeare by John Masefield holds 391 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of William Shakespeare contain?

Chapter 7 holds 391 sentences of William Shakespeare, unabridged, divided into 79 reading sections.

This page carries chapter 7 of William Shakespeare by John Masefield exactly as it stands in the source edition, without abridgement. It runs to 391 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of William Shakespeare?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading William Shakespeare

Common questions about reading William Shakespeare by John Masefield on this page, its source edition and its audio.

Is this the complete text of William Shakespeare?

Yes. All 2903 sentences of Project Gutenberg eBook #27264 are kept, with a record of which sentences cover which part.

Which edition of William Shakespeare is used?

Project Gutenberg eBook #27264, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does William Shakespeare take to read?

About 241 minutes of reading across 581 sections of 5 sentences each, at an unhurried pace.

How to read William Shakespeare section by section

How to work through William Shakespeare section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of William Shakespeare to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in William Shakespeare

Words and structures a reader meets early in William Shakespeare, each tappable for pronunciation and meaning.

Minor
A word that appears in the opening chapter of William Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Punctuation
A word that appears in the opening chapter of William Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Errors
A word that appears in the opening chapter of William Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Corrected
A word that appears in the opening chapter of William Shakespeare; the reader can tap it to hear it and see its dictionary entry.