used before a singular noun to mean one of a group, when it is not a particular one
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
used to join words or parts of a sentence that go together
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
Ariel
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
artisansnounUS /ˈɑːrtəzənz/
plural of “artisan” — a skilled worker who practices some trade or handicraft
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
at the same time that; because; in the way that
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
astrayadverbUS /əˈstreɪ/
away from the right path or direction
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
beenauxiliary verbUS /bɪn/
the past participle of “be”
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
beguiledadjectiveUS /bɪˈɡaɪld/
filled with wonder and delight
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
in the space, time, or range separating two things
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
third-person singular of “bring” — take something or somebody with oneself somewhere
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
used to introduce something that contrasts with what came before
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
showing who or what does the action
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
a period of 100 years
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
comedynounUS /ˈkɑːmədi/
light and humorous drama with a happy ending
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
comparisonnounUS /kəmˈperəsən/
the act of examining resemblances
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
contrastnounUS /ˈkɑːntræst/
the opposition or dissimilarity of things that are compared
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
creationnounUS /kriˈeɪʃən/
the human act of creating
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
time for Earth to make a complete rotation on its axis
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
DenmarknounUS /ˈdenmɑːrk/
a constitutional monarchy in northern Europe; consists of the mainland of Jutland and many islands between the North Sea and the Baltic Sea
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
developmentnounUS /dɪˈveləpmənt/
act of improving by expanding or enlarging or refining
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
A series of thoughts, images, or emotions during sleep.
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
elementnounUS /ˈeləmənt/
an abstract part of something
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
ElvesnounUS /elvz/
an acronym for emissions of light and very low frequency perturbations due to electromagnetic pulse sources
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
the feelings expressed on a person's face
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
exquisitelyadverbUS /ˌekˈskwɪzɪtli/
in a delicate manner
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
externaladjectiveUS /ɪkˈstɜːrnəl/
happening or arising or located outside or beyond some limits or especially surface
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
fairiesnounUS /ˈferiz/
plural of “fairy” — a small being, human in form, playful and having magical powers
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
a small being, human in form, playful and having magical powers
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
feweradjectiveUS /ˈfjuːər/
(comparative of “few” used with count nouns) quantifier meaning a smaller number of
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
firstadjectiveUS /fɜːrst/
preceding all others in time or space or degree
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
intended to be given to, or used by, somebody
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
many times at short intervals
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
showing where something starts, or who sent it
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
GermanynounUS /ˈdʒɜːrməni/
a republic in central Europe; split into East Germany and West Germany after World War II and reunited in 1990
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
(Christian theology) a state of sanctification by God; the state of one who is under such divine influence
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
Heiberg
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
humorousadjectiveUS /ˈhjuːmərəs/
full of or characterized by humor
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
imitatedverbUS /ˈɪməteɪtɪd/
past form of “imitate” — reproduce someone's behavior or looks
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
imitationsnounUS /ˌɪmɪˈteɪʃənz/
plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
immortaladjUS /ɪˈmɔːr.t̬əl/
Living forever; never dying or decaying. (Bất tử, trường tồn vĩnh cửu.)
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
inside something, or within a place, period, or state
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
being or characteristic of a single thing or person
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
free from evil or guilt
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
an occurrence of something
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
past form of “introduce” — cause to come to know personally
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
the form of “be” used with he, she, it, or a singular noun
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
belonging to the thing or animal already mentioned
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
a unit of electrical energy equal to the work done when a current of one ampere passes through a resistance of one ohm for one second
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
lackingadjectiveUS /ˈlækɪŋ/
inadequate in amount or degree
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
immediately past
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
happening at a time subsequent to a reference time
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
love-illusions
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
being nothing more than specified
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
12 o'clock at night; the middle of the night
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
MidsummernounUS /ˈmɪdˈsʌmər/
June 21, when the sun is at its northernmost point
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
Night'snounUS /naɪts/
possessive form of “night” — the time after sunset and before sunrise while it is dark outside
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/
coming next after the eighteenth in position
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
not any; not one
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
used to make a word, phrase, or sentence negative
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
NutcrackersnounUS /ˈnʌtkrækərz/
plural of “nutcracker” — a compound lever used to crack nuts open
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
belonging to, or connected with, somebody or something
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
and nothing more
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
not the same one or ones already mentioned or implied
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
(plural) any group of human beings (men or women or children) collectively
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
physiognomies
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
literature in metrical form
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
prosenounUS /proʊz/
ordinary writing as distinguished from verse
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
PucknounUS /pʌk/
a mischievous sprite of English folklore
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
retainverbUS /rɪˈteɪn/
hold back within
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
socially incorrect in behavior
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
the cardinal number that is the sum of six and one
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
A dark area or shape produced by a body coming between rays of light and a surface.
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
Shakespeare'snounUS /ˈʃeɪkspiːrz/
possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
SleepersnounUS /ˈsliːpərz/
plural of “sleeper” — a rester who is sleeping
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
to a small degree or extent
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
sportivenessnoun
lively high-spirited playfulness
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
any distinct time period in a sequence of events
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
TempestnounUS /ˈtempəst/
a violent commotion or disturbance
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
used to introduce the second part of a comparison
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
thaumaturgynoun
any art that invokes supernatural powers
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
belonging to the people or things already mentioned
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
used for a person or thing that is near, or that has just been mentioned
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
the cardinal number that is the sum of one and one and one
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
Tieck
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
used before the base form of a verb to make the infinitive
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.
create by training and teaching
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
the cardinal number that is the sum of nineteen and one
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
victimisedadjective
(of persons) taken advantage of
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
plural of “voice” — the distinctive quality or pitch or condition of a person's speech
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
migratory
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
structure consisting of a sloping way down to the water from the place where ships are built or repaired
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)
From this reading The fairy element introduced into the comedy brings in its train not only the many love-illusions, but other and external forms of thaumaturgy as well.
which person or people
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
in the company of; together with
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
the hard fibrous lignified substance under the bark of trees
From this reading People are beguiled by wandering voices, led astray in the midnight wood, and victimised in many innocent ways.
everything that exists anywhere
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
set down in writing in any of various ways
From this reading The contrast between the rude artisans' prose and the poetry of the fairy world is exquisitely humorous, and has been frequently imitated in the nineteenth century: in Germany by Tieck; in Denmark by J. L. Heiberg, who has written no fewer than three imitations of _A Midsummer Night's Dream--The Elves, The Day of the Seven Sleepers_, and _The Nutcrackers_.
a late time of life
From this reading Puck, for instance, is a mere shadow in comparison with a creation of twenty years later, the immortal Ariel of _The Tempest_.
but in spite of that
From this reading The fairies retain from first to last their grace and sportiveness, but the individual physiognomies, in this stage of Shakespeare's development, are as yet somewhat lacking in expression.