Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
William Shakespeare: A Critical Study
William Shakespeare: A Critical Study

Chapter XVI

Chapter 16 of William Shakespeare: A Critical Study is here in full — 379 sentences across 76 reading sections, with audio for every sentence and word.

Cover illustration for William Shakespeare: A Critical Study
Context Illustration Reading 1/75 · 5 lines
English subtitles · tap any word to listen 1 / 5
Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.
Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.
The second act of the tragedy is in its way a masterpiece.
As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.
This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

William Shakespeare: A Critical Study

Chapter XVI

Chapter 16 of William Shakespeare: A Critical Study is here in full — 379 sentences across 76 reading sections, with audio for every sentence and word.

Reading 1/75 · 5 reading units · Lines 1–5

Line 1
Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.
Line 2
Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.
Line 3
The second act of the tragedy is in its way a masterpiece.
/ðə ˈsekənd ækt ʌv ðə ˈtrædʒədi ɪz ɪn ɪts weɪ ə ˈmæstərpiːs/
Line 4
As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.
/æz suːn æz ˈdʒɑːnsən ˈentərz əˈpɑːn ðə pəˈlɪtəkəl ˈækʃən ˈprɑːpər hiː trænˈskraɪbz ˈendləs ˈspiːtʃəz frʌm ˈsɪsəroʊ ənd bɪˈkʌmz ˌɪnˈtɑːlərəbli ˈtiːdiəs bʌt soʊ lɔːŋ æz hiː kiːps tuː ðə ˌreprəzenˈteɪʃən ʌv ˈmænərz ənd siːks æz ɪn hɪz ˈkɑːmədiz tuː peɪnt ə kwaɪt ˌʌniˈmoʊʃənəl ˈpɪktʃər ʌv ðə ˈpɪriəd hiː ʃoʊz hɪmˈself æt hɪz best/
Line 5
This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Cicero noun US /ˈsɪsəroʊ/

a linear unit of the size of type slightly larger than an em

From this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

comedies noun US /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

intolerably adverb US /ˌɪnˈtɑːlərəbli/

to an unacceptable degree

From this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

Jonson noun US /ˈdʒɑːnsən/

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading “Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.”

masterpiece noun US /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading “The second act of the tragedy is in its way a masterpiece.”

Pembroke noun US /ˈpembroʊk/

the smaller and straight-legged variety of corgi having pointed ears and a short tail

From this reading “Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.”

transcribes verb US /trænˈskraɪbz/

third-person singular of “transcribe” — write out from speech, notes, etc.

From this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

unemotional adjective US /ˌʌniˈmoʊʃənəl/

unsusceptible to or destitute of or showing no emotion

From this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

same principles adjective + noun counted as “same principle”

In this reading “Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.”

some time adjective + noun

In this reading “Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.”

takes place verb + noun counted as “take place”

come to pass

In this reading “This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.”

same period adjective + noun

In this reading “Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.”

enters upon verb + particle counted as “enter upon”

take possession of

In this reading “As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.”

act of verb + particle

In this reading “The second act of the tragedy is in its way a masterpiece.”

appeared in verb + particle counted as “appear in”

In this reading “Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1611

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The second act of the tragedy is in its way a masterpiece.

accordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading The second act of the tragedy is in its way a masterpiece.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

AlthoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

atprepositionUS /æt/

in or near a particular place or position

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

belongsverbUS /bɪˈlɔːŋz/

third-person singular of “belong” — be owned by; be in the possession of

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

bestnounUS /best/

the supreme effort one can make

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

betrayedverbUS /bɪˈtreɪd/

past form of “betray” — reveal unintentionally

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

Catiline

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

CiceronounUS /ˈsɪsəroʊ/

a linear unit of the size of type slightly larger than an em

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

comediesnounUS /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

comparisonnounUS /kəmˈperəsən/

the act of examining resemblances

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

conspiratorsnounUS /kənˈspɪrətərz/

plural of “conspirator” — a member of a conspiracy

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

Cæsar

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

dedicatedadjectiveUS /ˈdedəkeɪtəd/

devoted to a cause or ideal or purpose

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

endlessadjectiveUS /ˈendləs/

tiresomely long; seemingly without end

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

entersverbUS /ˈentərz/

third-person singular of “enter” — to come or go into

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

executedadjectiveUS /ˈeksəkjuːtɪd/

put to death as punishment

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

fittedadjectiveUS /ˈfɪtəd/

being the right size and shape to fit as desired

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

Fulvia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

inferioradjectiveUS /ˌɪnˈfɪriər/

of or characteristic of low rank or importance

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

intolerablyadverbUS /ˌɪnˈtɑːlərəbli/

to an unacceptable degree

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

JonsonnounUS /ˈdʒɑːnsən/

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

Jonson's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

Julius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

keepsnounUS /kiːps/

plural of “keep” — the financial means whereby one lives

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

mannersnounUS /ˈmænərz/

social deportment

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

masterpiecenounUS /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading The second act of the tragedy is in its way a masterpiece.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The second act of the tragedy is in its way a masterpiece.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

paintverbUS /peɪnt/

make a painting

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

PembrokenounUS /ˈpembroʊk/

the smaller and straight-legged variety of corgi having pointed ears and a short tail

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

politicaladjectiveUS /pəˈlɪtəkəl/

involving or characteristic of politics or parties or politicians

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

principlesnounUS /ˈprɪnsəpəlz/

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

Sallust

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The second act of the tragedy is in its way a masterpiece.

secretnounUS /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

seeksnounUS /siːks/

plural of “seek” — the movement of a read/write head to a specific data track on a disk

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

Sejanus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

showsnounUS /ʃoʊz/

plural of “show” — the act of publicly exhibiting or entertaining

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

soonadverbUS /suːn/

in the near future

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

speechesnounUS /ˈspiːtʃəz/

plural of “speech” — the act of delivering a formal spoken communication to an audience

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

tediousadjectiveUS /ˈtiːdiəs/

so lacking in interest as to cause mental weariness

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading The second act of the tragedy is in its way a masterpiece.

transcribesverbUS /trænˈskraɪbz/

third-person singular of “transcribe” — write out from speech, notes, etc.

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

unemotionaladjectiveUS /ˌʌniˈmoʊʃənəl/

unsusceptible to or destitute of or showing no emotion

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading As soon as Jonson enters upon the political action proper, he transcribes endless speeches from Cicero, and becomes intolerably tedious; but so long as he keeps to the representation of manners, and seeks, as in his comedies, to paint a quite unemotional picture of the period, he shows himself at his best.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

waynounUS /weɪ/

how something is done or how it happens

From this reading The second act of the tragedy is in its way a masterpiece.

whopronounUS /huː/

which person or people

From this reading This second act takes place at the house of Fulvia, the lady who, according to Sallust, betrayed to Cicero the conspirators' secret.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

withprepositionUS /wɪð/

in the company of; together with

From this reading Although executed on the same principles, it is on the whole inferior to _Sejanus_; but it is better fitted for comparison with _Julius Cæsar_ in so far as its action belongs to the same period, and Cæsar himself appears in it.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Jonson's _Catiline_, written some time later, appeared in 1611, and was dedicated to Pembroke.

Chapter 16 of William Shakespeare: A Critical Study by Georg Brandes holds 379 sentences, grouped into 76 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of William Shakespeare: A Critical Study contain?

Chapter 16 holds 379 sentences of William Shakespeare: A Critical Study, unabridged, divided into 76 reading sections.

This page carries chapter 16 of William Shakespeare: A Critical Study by Georg Brandes exactly as it stands in the source edition, without abridgement. It runs to 379 sentences, grouped into 76 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of William Shakespeare: A Critical Study?

Work through the 76 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 76 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading William Shakespeare: A Critical Study

Common questions about reading William Shakespeare: A Critical Study by Georg Brandes on this page, its source edition and its audio.

Is this the complete text of William Shakespeare: A Critical Study?

Yes. All 12402 sentences of Project Gutenberg eBook #50724 are kept, with a record of which sentences cover which part.

Which edition of William Shakespeare: A Critical Study is used?

Project Gutenberg eBook #50724, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does William Shakespeare: A Critical Study take to read?

About 600 minutes of reading across 2481 sections of 5 sentences each, at an unhurried pace.

How to read William Shakespeare: A Critical Study section by section

How to work through William Shakespeare: A Critical Study section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 32 chapters of William Shakespeare: A Critical Study to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in William Shakespeare: A Critical Study

Words and structures a reader meets early in William Shakespeare: A Critical Study, each tappable for pronunciation and meaning.

Published
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Copenhagen
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Three
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Volumes
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.