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William Shakespeare: A Critical Study
William Shakespeare: A Critical Study

Chapter XXX

Chapter 30 of William Shakespeare: A Critical Study is here in full — 381 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for William Shakespeare: A Critical Study
Context Illustration Reading 1/76 · 5 lines
English subtitles · tap any word to listen 1 / 5
In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.
But in all their dramatic poetry of this nature they never surpassed that of the English poet.
He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.
Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.
A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

William Shakespeare: A Critical Study

Chapter XXX

Chapter 30 of William Shakespeare: A Critical Study is here in full — 381 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/76 · 5 reading units · Lines 1–5

Line 1
In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.
/ɪn ðɪs ˈepəsoʊd ənd θruːˈaʊt ðɪs læst ˈpɪriəd ʌv hɪz ˈpoʊətri ˈʃeɪkspiːr ˈentərd ə relm wɪtʃ ðə ˌɪmædʒəˈneɪʃən ʌv ðə ˈlætən ˈreɪsəz ˌɪˈmiːdiːətli siːzd əˈpɑːn ənd meɪd ðer oʊn/
Line 2
But in all their dramatic poetry of this nature they never surpassed that of the English poet.
/bʌt ɪn ɔːl ðer drəˈmætɪk ˈpoʊətri ʌv ðɪs ˈneɪtʃər ðeɪ ˈnevər sərˈpæst ðæt ʌv ðə ˈɪŋɡlɪʃ ˈpoʊət/
Line 3
He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.
Line 4
Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.
Line 5
A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.
/ə ˈdʒentli ˈtʌtʃɪŋ ˈeləmənt ɪz ˌɪntrəˈduːst ˈɪntuː ðɪs ˈmuːvɪŋ pleɪ wen ðə tuː ˈbrʌðərz ber hɜːr fɔːrθ ənd sɪŋ ˈoʊvər hɜːr biːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bier noun US /biːr/

a coffin along with its stand

From this reading “A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.”

brotherly adjective US /ˈbrʌðərli/

like or characteristic of or befitting a brother

From this reading “He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.”

charmingly adverb US /ˈtʃɑːrmɪŋli/

in a charming manner

From this reading “Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.”

erotic adjective US /ɪˈrɑːtɪk/

giving sexual pleasure; sexually arousing

From this reading “He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.”

high-minded adjective US /ˌhaɪˈmaɪndɪd/

of high moral or intellectual value; elevated in nature or style

From this reading “Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.”

narcotic adjective US /nɑːrˈkɑːtɪk/

of or relating to or designating narcotics

From this reading “Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.”

portrayed adjective US /pɔːrˈtreɪd/

represented graphically by sketch or design or lines

From this reading “He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.”

surpassed verb US /sərˈpæst/

past form of “surpass” — distinguish oneself

From this reading “But in all their dramatic poetry of this nature they never surpassed that of the English poet.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

brotherly love adjective + noun

a kindly and lenient attitude toward people

In this reading “He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.”

dramatic poetry adjective + noun

In this reading “But in all their dramatic poetry of this nature they never surpassed that of the English poet.”

seized upon verb + particle counted as “seize upon”

In this reading “In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.”

introduced into verb + particle counted as “introduce into”

In this reading “A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.”

two brothers noun + noun counted as “two brother”

In this reading “A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.”

supplied by verb + particle counted as “supply by”

In this reading “Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

afterprepositionUS /ˈæftər/

later than; following

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

bearverbUS /ber/

have

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

biernounUS /biːr/

a coffin along with its stand

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

boynounUS /bɔɪ/

a youthful male person

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

brotherlyadjectiveUS /ˈbrʌðərli/

like or characteristic of or befitting a brother

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

brothersnounUS /ˈbrʌðərz/

plural of “brother” — a male with the same parents as someone else

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

budnounUS /bʌd/

a partially opened flower

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

charminglyadverbUS /ˈtʃɑːrmɪŋli/

in a charming manner

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

companionshipnounUS /kəmˈpænjənʃɪp/

the state of being with someone

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

demandsnounUS /dɪˈmændz/

plural of “demand” — an urgent or peremptory request

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

destroyedadjectiveUS /dɪˈstrɔɪd/

spoiled or ruined or demolished

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

disguisedadjectiveUS /dɪsˈɡaɪzd/

having its true character concealed with the intent of misleading

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

drunkadjectiveUS /drʌŋk/

stupefied or excited by a chemical substance (especially alcohol)

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

dwellverbUS /dwel/

think moodily or anxiously about something

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

episodenounUS /ˈepəsoʊd/

a happening that is distinctive in a series of related events

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

eroticadjectiveUS /ɪˈrɑːtɪk/

giving sexual pleasure; sexually arousing

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

gentlyadverbUS /ˈdʒentli/

in a gradual manner

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

high-mindedadjectiveUS /ˌhaɪˈmaɪndɪd/

of high moral or intellectual value; elevated in nature or style

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

idylnoun

a musical composition that evokes rural life

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

Imogen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

lastadjectiveUS /læst/

immediately past

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

LatinadjectiveUS /ˈlætən/

of or relating to the ancient Latins or the Latin language

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

lover'snounUS /ˈlʌvərz/

possessive form of “lover” — a person who loves someone or is loved by someone

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

narcoticadjectiveUS /nɑːrˈkɑːtɪk/

of or relating to or designating narcotics

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

offeredverbUS /ˈɔːfərd/

past form of “offer” — make available or accessible, provide or furnish

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

ownverbUS /oʊn/

have ownership or possession of

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

physiciannounUS /fəˈzɪʃən/

a licensed medical practitioner

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

playverbUS /pleɪ/

participate in games or sport

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

poisonverbUS /ˈpɔɪzən/

spoil as if by poison

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

portrayedadjectiveUS /pɔːrˈtreɪd/

represented graphically by sketch or design or lines

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

queennounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

racesnounUS /ˈreɪsəz/

plural of “race” — any competition

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

realmnounUS /relm/

a domain in which something is dominant

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

refrainedverbUS /rɪˈfreɪnd/

past form of “refrain” — resist doing something

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

seizedverbUS /siːzd/

past form of “seize” — take hold of; grab

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

singverbUS /sɪŋ/

deliver by singing

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

sisternounUS /ˈsɪstər/

a female person who has the same parents as another person

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

strong-natured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

suppliedverbUS /səˈplaɪd/

inflected form of “supply” — give something useful or necessary to

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

surpassedverbUS /sərˈpæst/

past form of “surpass” — distinguish oneself

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But in all their dramatic poetry of this nature they never surpassed that of the English poet.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

throughoutprepositionUS /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

touchingadjectiveUS /ˈtʌtʃɪŋ/

arousing affect

From this reading A gently touching element is introduced into this moving play when the two brothers bear her forth and sing over her bier.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

unconsciousadjectiveUS /ˌʌnˈkɑːnʃəs/

not conscious; lacking awareness and the capacity for sensory perception as if asleep or dead

From this reading He refrained entirely from the erotic in this idyl, and instead of the demands of a lover's passion, he portrayed unconscious brotherly love offered to a sister disguised as a boy.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

whenconjunctionUS /wen/

at the time that

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In this episode, and throughout this last period of his poetry, Shakespeare entered a realm which the imagination of the Latin races immediately seized upon and made their own.

youthsnounUS /juːðz/

plural of “youth” — a young person (especially a young man or boy)

From this reading Imogen and the two strong-natured, high-minded youths dwell charmingly together, but their companionship is destroyed in the bud when Imogen, after having drunk the narcotic supplied by the physician to the queen instead of poison, lies as one dead.

Chapter 30 of William Shakespeare: A Critical Study by Georg Brandes holds 381 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 30 of William Shakespeare: A Critical Study contain?

Chapter 30 holds 381 sentences of William Shakespeare: A Critical Study, unabridged, divided into 77 reading sections.

This page carries chapter 30 of William Shakespeare: A Critical Study by Georg Brandes exactly as it stands in the source edition, without abridgement. It runs to 381 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 30 of William Shakespeare: A Critical Study?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 30 be read aloud to me?

Yes — every sentence and every individual word in chapter 30 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading William Shakespeare: A Critical Study

Common questions about reading William Shakespeare: A Critical Study by Georg Brandes on this page, its source edition and its audio.

Is this the complete text of William Shakespeare: A Critical Study?

Yes. All 12402 sentences of Project Gutenberg eBook #50724 are kept, with a record of which sentences cover which part.

Which edition of William Shakespeare: A Critical Study is used?

Project Gutenberg eBook #50724, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does William Shakespeare: A Critical Study take to read?

About 600 minutes of reading across 2481 sections of 5 sentences each, at an unhurried pace.

How to read William Shakespeare: A Critical Study section by section

How to work through William Shakespeare: A Critical Study section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in William Shakespeare: A Critical Study

Words and structures a reader meets early in William Shakespeare: A Critical Study, each tappable for pronunciation and meaning.

Published
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Copenhagen
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Three
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.
Volumes
A word that appears in the opening chapter of William Shakespeare: A Critical Study; the reader can tap it to hear it and see its dictionary entry.