Chapter XII
Chapter 12 of Woman and Puppet, Etc. is here in full — 24 sentences across 5 reading sections, with audio for every sentence and word.
They left us alone. “Defend yourself. Lie. You lie so well!” I cried.
Chapter 12 of Woman and Puppet, Etc. is here in full — 24 sentences across 5 reading sections, with audio for every sentence and word.
Chapter XII
Chapter 12 of Woman and Puppet, Etc. is here in full — 24 sentences across 5 reading sections, with audio for every sentence and word.
They left us alone. “Defend yourself. Lie. You lie so well!” I cried.
Chapter 12 of Woman and Puppet, Etc. is here in full — 24 sentences across 5 reading sections, with audio for every sentence and word.
Reading 1/4 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
Having no one else present.
From this reading “They left us alone.”
inflected form of “cry” — utter a sudden loud cry
From this reading “I cried.”
argue or speak in defense of
From this reading ““Defend yourself.”
location near or direction toward the left side; i.e. the side to the north when a person or object faces east
From this reading “They left us alone.”
be located or situated somewhere; occupy a certain position
From this reading “Lie.”
(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)
From this reading “You lie so well!””
used when the person spoken to is also the object of the action
From this reading ““Defend yourself.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
Having no one else present.
From this reading They left us alone.
inflected form of “cry” — utter a sudden loud cry
From this reading I cried.
argue or speak in defense of
From this reading “Defend yourself.
the person speaking or writing, as the subject of the verb
From this reading I cried.
location near or direction toward the left side; i.e. the side to the north when a person or object faces east
From this reading They left us alone.
be located or situated somewhere; occupy a certain position
From this reading Lie.
for that reason; with the result that
From this reading You lie so well!”
the people, animals, or things already mentioned, as the subject
From this reading They left us alone.
the speaker and others, as the object of a verb or preposition
From this reading They left us alone.
(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)
From this reading You lie so well!”
the person or people being spoken to
From this reading You lie so well!”
used when the person spoken to is also the object of the action
From this reading “Defend yourself.
Chapter 12 of Woman and Puppet, Etc. by Pierre Louÿs holds 24 sentences, grouped into 5 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 12 holds 24 sentences of Woman and Puppet, Etc., unabridged, divided into 5 reading sections.
This page carries chapter 12 of Woman and Puppet, Etc. by Pierre Louÿs exactly as it stands in the source edition, without abridgement. It runs to 24 sentences, grouped into 5 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 5 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 5 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Woman and Puppet, Etc. by Pierre Louÿs on this page, its source edition and its audio.
Yes. All 2315 sentences of Project Gutenberg eBook #51107 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #51107, unabridged. The Project Gutenberg header, footer and licence are removed.
About 192 minutes of reading across 463 sections of 5 sentences each, at an unhurried pace.
How to work through Woman and Puppet, Etc. section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 33 chapters of Woman and Puppet, Etc. to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Woman and Puppet, Etc., each tappable for pronunciation and meaning.