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Woman's Work in English Fiction, from
Woman's Work in English Fiction, from

Chapter IX

Chapter 9 of Woman's Work in English Fiction, from is here in full — 80 sentences across 16 reading sections, with audio for every sentence and word.

Cover illustration for Woman's Work in English Fiction, from
Context Illustration Reading 1/16 · 5 lines
English subtitles · tap any word to listen 1 / 5
Amelia Opie.
Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.
These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.
Such are the novels of Amelia Opie and Mary Brunton.
Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Woman's Work in English Fiction, from

Chapter IX

Chapter 9 of Woman's Work in English Fiction, from is here in full — 80 sentences across 16 reading sections, with audio for every sentence and word.

Reading 1/16 · 5 reading units · Lines 1–5

Line 1
Amelia Opie.
Line 2
Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.
Line 3
These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.
/ðiːz ˈnɑːvəlz ʃʊd biː prəˈzɜːrvd nɑːt ˌnesəˈserəli fɔːr ðer ˈlɪtəreri ˈeksələns bʌt bɪˈkɔːz ðeɪ ber ðə ˌɪmˈprɪnt ʌv æn eɪdʒ/
Line 4
Such are the novels of Amelia Opie and Mary Brunton.
Line 5
Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Amelia noun US /əˈmiːljə/

congenital absence of an arm or leg

From this reading “Amelia Opie.”

excellence noun US /ˈeksələns/

the quality of excelling; possessing good qualities in high degree

From this reading “These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.”

furor noun US /ˈfjʊrɔːr/

an interest followed with exaggerated zeal

From this reading “Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.”

historical adjective US /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading “Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.”

imprint noun US /ˌɪmˈprɪnt/

a distinctive influence

From this reading “These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.”

novels noun US /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading “These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.”

occasioned verb US /əˈkeɪʒənd/

past form of “occasion” — give occasion to

From this reading “Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.”

touches noun US /ˈtʌtʃəz/

plural of “touch” — the event of something coming in contact with the body

From this reading “Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

at the height preposition + article + noun counted as “at … height”

In this reading “Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

agenounUS /eɪdʒ/

how long something has existed

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

Alderson

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

AmelianounUS /əˈmiːljə/

congenital absence of an arm or leg

From this reading Amelia Opie.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Such are the novels of Amelia Opie and Mary Brunton.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Such are the novels of Amelia Opie and Mary Brunton.

atprepositionUS /æt/

in or near a particular place or position

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

bearverbUS /ber/

have

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

Brunton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

excellencenounUS /ˈeksələns/

the quality of excelling; possessing good qualities in high degree

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

furornounUS /ˈfjʊrɔːr/

an interest followed with exaggerated zeal

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

generationnounUS /ˌdʒenərˈeɪʃən/

all the people living at the same time or of approximately the same age

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

heightnounUS /haɪt/

the vertical dimension of extension; distance from the base of something to the top

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

historicaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

homenounUS /hoʊm/

where you live at a particular time

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

imprintnounUS /ˌɪmˈprɪnt/

a distinctive influence

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

necessarilyadverbUS /ˌnesəˈserəli/

in an essential manner

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

Norwich

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

novelsnounUS /ˈnɑːvəlz/

plural of “novel” — an extended fictional work in prose; usually in the form of a story

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

occasionedverbUS /əˈkeɪʒənd/

past form of “occasion” — give occasion to

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

Opie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Amelia Opie.

preservedadjectiveUS /prəˈzɜːrvd/

prevented from decaying or spoiling and prepared for future use

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

RevolutionnounUS /ˌrevəˈluːʃən/

a drastic and far-reaching change in ways of thinking and behaving

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such are the novels of Amelia Opie and Mary Brunton.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading These novels should be preserved, not necessarily for their literary excellence, but because they bear the imprint of an age.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

touchesnounUS /ˈtʌtʃəz/

plural of “touch” — the event of something coming in contact with the body

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Mary Brunton Every novel that touches upon the life of its generation naturally in course of time becomes historical.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading Mrs. Opie, then Miss Alderson, left her quiet home in Norwich to visit London at the height of the furor occasioned by the French Revolution.

Chapter 9 of Woman's Work in English Fiction, from by Clara Helen Whitmore holds 80 sentences, grouped into 16 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Woman's Work in English Fiction, from contain?

Chapter 9 holds 80 sentences of Woman's Work in English Fiction, from, unabridged, divided into 16 reading sections.

This page carries chapter 9 of Woman's Work in English Fiction, from by Clara Helen Whitmore exactly as it stands in the source edition, without abridgement. It runs to 80 sentences, grouped into 16 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Woman's Work in English Fiction, from?

Work through the 16 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 16 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Woman's Work in English Fiction, from

Common questions about reading Woman's Work in English Fiction, from by Clara Helen Whitmore on this page, its source edition and its audio.

Is this the complete text of Woman's Work in English Fiction, from?

Yes. All 2773 sentences of Project Gutenberg eBook #34613 are kept, with a record of which sentences cover which part.

Which edition of Woman's Work in English Fiction, from is used?

Project Gutenberg eBook #34613, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Woman's Work in English Fiction, from take to read?

About 231 minutes of reading across 555 sections of 5 sentences each, at an unhurried pace.

How to read Woman's Work in English Fiction, from section by section

How to work through Woman's Work in English Fiction, from section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of Woman's Work in English Fiction, from to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Woman's Work in English Fiction, from

Words and structures a reader meets early in Woman's Work in English Fiction, from, each tappable for pronunciation and meaning.

Restoration
A word that appears in the opening chapter of Woman's Work in English Fiction, from; the reader can tap it to hear it and see its dictionary entry.
Mid-victorian
A word that appears in the opening chapter of Woman's Work in English Fiction, from; the reader can tap it to hear it and see its dictionary entry.
Period
A word that appears in the opening chapter of Woman's Work in English Fiction, from; the reader can tap it to hear it and see its dictionary entry.
Clara
A word that appears in the opening chapter of Woman's Work in English Fiction, from; the reader can tap it to hear it and see its dictionary entry.