Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Women in Love
Women in Love

Chapter XI · Chapter 11

Chapter 11 of Women in Love is here in full — 335 sentences across 67 reading sections, with audio for every sentence and word.

Cover illustration for Women in Love
Context Illustration Reading 1/67 · 5 lines
English subtitles · tap any word to listen 1 / 5
CARPETING He set off down the bank, and she went unwillingly with him.
Yet she would not have stayed away, either.
We know each other well, you and I, already,” he said.
She did not answer.
In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Women in Love

Chapter XI · Chapter 11

Chapter 11 of Women in Love is here in full — 335 sentences across 67 reading sections, with audio for every sentence and word.

Reading 1/67 · 5 reading units · Lines 1–5

Line 1
CARPETING He set off down the bank, and she went unwillingly with him.
/ˈkɑːrpətɪŋ hiː set ɔːf daʊn ðə bæŋk ənd ʃiː went ənˈwɪlɪŋli wɪð hɪm/
Line 2
Yet she would not have stayed away, either.
/jet ʃiː wʊd nɑːt hæv steɪd əˈweɪ ˈiːðər/
Line 3
We know each other well, you and I, already,” he said.
/wiː noʊ iːtʃ ˈʌðər wel juː ənd aɪ ɔːlˈredi hiː sed/
Line 4
She did not answer.
/ʃiː dɪd nɑːt ˈænsər/
Line 5
In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bluish adjective US /ˈbluːɪʃ/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

cages noun US /ˈkeɪdʒɪz/

plural of “cage” — an enclosure made or wire or metal bars in which birds or animals can be kept

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

canaries noun US /kəˈneriz/

a group of mountainous islands in the Atlantic off the northwest coast of Africa forming Spanish provinces

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

carpeting noun US /ˈkɑːrpətɪŋ/

floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)

From this reading “CARPETING He set off down the bank, and she went unwillingly with him.”

dusk noun US /dʌsk/

the time of day immediately following sunset

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

glistening adjective US /ˈɡlɪsənɪŋ/

reflecting light

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

luminous adjective US /ˈluːmənəs/

softly bright or radiant

From this reading “In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.”

unwillingly adverb US /ənˈwɪlɪŋli/

in an unwilling manner

From this reading “CARPETING He set off down the bank, and she went unwillingly with him.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading “We know each other well, you and I, already,” he said.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

answerverbUS /ˈænsər/

react verbally

From this reading She did not answer.

atprepositionUS /æt/

in or near a particular place or position

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Yet she would not have stayed away, either.

banknounUS /bæŋk/

sloping land (especially the slope beside a body of water)

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

bluishadjectiveUS /ˈbluːɪʃ/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

cagesnounUS /ˈkeɪdʒɪz/

plural of “cage” — an enclosure made or wire or metal bars in which birds or animals can be kept

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

canariesnounUS /kəˈneriz/

a group of mountainous islands in the Atlantic off the northwest coast of Africa forming Spanish provinces

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

CARPETINGnounUS /ˈkɑːrpətɪŋ/

floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

darkishadjective

slightly dark

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading She did not answer.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

dozennounUS /ˈdʌzən/

the cardinal number that is the sum of eleven and one

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

dusknounUS /dʌsk/

the time of day immediately following sunset

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading “We know each other well, you and I, already,” he said.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Yet she would not have stayed away, either.

foulardnoun

a light plain-weave or twill-weave silk or silklike fabric (usually with a printed design)

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

Gerald

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

glisteningadjectiveUS /ˈɡlɪsənɪŋ/

reflecting light

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Yet she would not have stayed away, either.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

Hermione

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “We know each other well, you and I, already,” he said.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

kitchennounUS /ˈkɪtʃən/

a room equipped for preparing meals

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading “We know each other well, you and I, already,” he said.

labourer's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

luminousadjectiveUS /ˈluːmənəs/

softly bright or radiant

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

millverbUS /mɪl/

move about in a confused manner

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Yet she would not have stayed away, either.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading “We know each other well, you and I, already,” he said.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “We know each other well, you and I, already,” he said.

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

setverbUS /set/

put into a certain place or abstract location

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

shrillyadverb

in a shrill voice

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

stayedverbUS /steɪd/

past form of “stay” — stay the same; remain in a certain state

From this reading Yet she would not have stayed away, either.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

strangelyadverbUS /ˈstreɪndʒli/

in a strange manner

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

topnounUS /tɑːp/

the upper part of anything

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

unwillinglyadverbUS /ənˈwɪlɪŋli/

in an unwilling manner

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

voicesnounUS /ˈvɔɪsəz/

plural of “voice” — the distinctive quality or pitch or condition of a person's speech

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading “We know each other well, you and I, already,” he said.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading “We know each other well, you and I, already,” he said.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

whilstconjunctionUS /waɪlst/

an old and formal word for “while”

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

whitenounUS /waɪt/

a Caucasian

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

whopronounUS /huː/

which person or people

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading In the large darkish kitchen of the mill, the labourer’s wife was talking shrilly to Hermione and Gerald, who stood, he in white and she in a glistening bluish foulard, strangely luminous in the dusk of the room; whilst from the cages on the walls, a dozen or more canaries sang at the top of their voices.

withprepositionUS /wɪð/

in the company of; together with

From this reading CARPETING He set off down the bank, and she went unwillingly with him.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Yet she would not have stayed away, either.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet she would not have stayed away, either.

youpronounUS /juː/

the person or people being spoken to

From this reading “We know each other well, you and I, already,” he said.

Chapter 11 of Women in Love by D. H. (David Herbert) Lawrence holds 335 sentences, grouped into 67 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of Women in Love contain?

Chapter 11 holds 335 sentences of Women in Love, unabridged, divided into 67 reading sections.

This page carries chapter 11 of Women in Love by D. H. (David Herbert) Lawrence exactly as it stands in the public-domain source edition, without abridgement. It runs to 335 sentences, grouped into 67 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of Women in Love?

Work through the 67 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 67 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Women in Love

Common questions about reading Women in Love by D. H. (David Herbert) Lawrence on this page, its source edition and its audio.

Is this the complete text of Women in Love?

Yes. All 14607 sentences of Project Gutenberg eBook #4240 are kept, with a record of which sentences cover which part.

Which edition of Women in Love is used?

Project Gutenberg eBook #4240, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Women in Love take to read?

About 600 minutes of reading across 2922 sections of 5 sentences each, at an unhurried pace.

How to read Women in Love section by section

How to work through Women in Love section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of Women in Love to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Women in Love

Words and structures a reader meets early in Women in Love, each tappable for pronunciation and meaning.

Brangwens
A word that appears in the opening chapter of Women in Love; the reader can tap it to hear it and see its dictionary entry.
Beldover
A word that appears in the opening chapter of Women in Love; the reader can tap it to hear it and see its dictionary entry.
Wedding-party
A word that appears in the opening chapter of Women in Love; the reader can tap it to hear it and see its dictionary entry.
Gathered
A word that appears in the opening chapter of Women in Love; the reader can tap it to hear it and see its dictionary entry.