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Wordsworth
Wordsworth

Chapter X · Chapter 10

Chapter 10 of Wordsworth is here in full — 235 sentences across 47 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/47 · 5 lines
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NATURAL RELIGION.
It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.
"The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."
How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?
The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Wordsworth

Chapter X · Chapter 10

Chapter 10 of Wordsworth is here in full — 235 sentences across 47 reading sections, with audio for every sentence and word.

Reading 1/47 · 5 reading units · Lines 1–5

Line 1
NATURAL RELIGION.
/ˈnætʃərəl rɪˈlɪdʒən/
Line 2
It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.
/ɪt wɪl hæv bɪn ˈɑːbviəs frʌm ðə priˈsiːdɪŋ ˈpeɪdʒəz æz wel æz frʌm ðə toʊn ʌv ˈʌðər ˈkrɪtɪsɪzəmz ɑːn ˈwɜːrdzwərθ ðæt hɪz ɪkˈspoʊnənts ɑːr nɑːt ˈkɑːntent tuː triːt hɪz ˈpoʊəmz ɑːn ˈneɪtʃər ˈsɪmpli æz ˈɡreɪsfəl dɪˈskrɪptɪv ˈpiːsəz bʌt spiːk ʌv hɪm ɪn tɜːrmz ˈjuːʒəwəli rɪˈzɜːrvd fɔːr ðə ərˈɪdʒəneɪtərz ʌv sʌm ɡreɪt rɪˈlɪdʒəs ˈmuːvmənt/
Line 3
"The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."
Line 4
How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?
Line 5
The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.
/ðə ˌekspləˈneɪʃən ʌv ðɪs əˈnɑːməli laɪz æz ɪz wel noʊn ɪn ˈsʌmθɪŋ nuː ənd ˌɪndəˈvɪdʒəwəl ɪn ðə weɪ ɪn wɪtʃ ˈwɜːrdzwərθ rɪˈɡɑːrdɪd ˈneɪtʃər ˈsʌmθɪŋ mɔːr ɔːr les dɪˈsɜːrnəbəl ɪn moʊst ʌv hɪz wɜːrks ənd rɪˈdiːmɪŋ ˈiːvɪn sʌm ʌv ðə ˈslaɪtəst ʌv ðem frʌm ˌɪnsɪɡˈnjɪfɪkəns waɪl kənˈfɜːrɪŋ ɑːn ðə mɔːr ˈsɪriəs ənd səˈsteɪnd ˈpiːsəz æn ˌɪmˈpɔːrtəns ʌv ə ˈdɪfərənt ˈɔːrdər frʌm ðæt wɪtʃ əˈtætʃɪz tuː ˈiːvɪn ðə moʊst ˈbrɪljənt prəˈdʌkʃənz ʌv hɪz kənˈtempəreriz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

anomaly noun US /əˈnɑːməli/

deviation from the normal or common order or form or rule

From this reading “The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.”

attaches noun US /əˈtætʃɪz/

plural of “attache” — a specialist assigned to the staff of a diplomatic mission

From this reading “The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.”

conferring verb US /kənˈfɜːrɪŋ/

inflected form of “confer” — have a conference in order to talk something over

From this reading “The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.”

Elijah noun US /eˈlaɪdʒə/

a Hebrew prophet in the Old Testament who opposed the worship of idols; he was persecuted for rebuking Ahab and Jezebel (king and queen of Israel); he was taken up to heaven in a chariot of fire (circa 9th century BC)

From this reading “"The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."”

exponents noun US /ɪkˈspoʊnənts/

plural of “exponent” — a person who pleads for a cause or propounds an idea

From this reading “It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.”

originators noun US /ərˈɪdʒəneɪtərz/

plural of “originator” — someone who creates new things

From this reading “It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.”

redeeming adjective US /rɪˈdiːmɪŋ/

bringing about salvation or redemption from sin

From this reading “The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.”

reviewers noun US /riˈvjuːərz/

plural of “reviewer” — someone who reads manuscripts and judges their suitability for publication

From this reading “How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

admirationnounUS /ˌædmərˈeɪʃən/

a feeling of delighted approval and liking

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

affectverbUS /əˈfekt/

have an effect upon

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

anomalynounUS /əˈnɑːməli/

deviation from the normal or common order or form or rule

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

atprepositionUS /æt/

in or near a particular place or position

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

attachesnounUS /əˈtætʃɪz/

plural of “attache” — a specialist assigned to the staff of a diplomatic mission

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

awenounUS /ɑː/

an overwhelming feeling of wonder or admiration

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

BabesnounUS /beɪbz/

plural of “babe” — a very young child (birth to 1 year) who has not yet begun to walk or talk

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

bestnounUS /best/

the supreme effort one can make

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

brilliantadjectiveUS /ˈbrɪljənt/

of surpassing excellence

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

classedverbUS /klæst/

past form of “class” — arrange or order by classes or categories

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

conferringverbUS /kənˈfɜːrɪŋ/

inflected form of “confer” — have a conference in order to talk something over

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

contemporariesnounUS /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

contentnounUS /ˈkɑːntent/

(usually plural) everything that is included in a collection and that is held or included in something

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

criticismsnounUS /ˈkrɪtɪsɪzəmz/

plural of “criticism” — disapproval expressed by pointing out faults or shortcomings

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

crushedadjectiveUS /krʌʃt/

treated so as to have a permanently wrinkled appearance

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

DenounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

descriptiveadjectiveUS /dɪˈskrɪptɪv/

serving to describe or inform or characterized by description

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

discernibleadjectiveUS /dɪˈsɜːrnəbəl/

perceptible by the senses or intellect

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

ElijahnounUS /eˈlaɪdʒə/

a Hebrew prophet in the Old Testament who opposed the worship of idols; he was persecuted for rebuking Ahab and Jezebel (king and queen of Israel); he was taken up to heaven in a chariot of fire (circa 9th century BC)

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

exceptionaladjectiveUS /ɪkˈsepʃənəl/

far beyond what is usual in magnitude or degree

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

explanationnounUS /ˌekspləˈneɪʃən/

a statement that makes something comprehensible by describing the relevant structure or operation or circumstances etc.

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

exponentsnounUS /ɪkˈspoʊnənts/

plural of “exponent” — a person who pleads for a cause or propounds an idea

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

eyenounUS /aɪ/

the organ of sight

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

facultiesnounUS /ˈfækəltiz/

plural of “faculty” — one of the inherent cognitive or perceptual powers of the mind

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

gracefuladjectiveUS /ˈɡreɪsfəl/

characterized by beauty of movement, style, form, or execution

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

insignificancenounUS /ˌɪnsɪɡˈnjɪfɪkəns/

the quality of having little or no significance

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

likeverbUS /laɪk/

prefer or wish to do something

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

mostadverbUS /moʊst/

used to form the superlative

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

NATURALadjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading NATURAL RELIGION.

NaturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

originatorsnounUS /ərˈɪdʒəneɪtərz/

plural of “originator” — someone who creates new things

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

outwardadjectiveUS /ˈaʊtwərd/

relating to physical reality rather than with thoughts or the mind

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

ownverbUS /oʊn/

have ownership or possession of

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

PaulnounUS /pɔːl/

United States feminist (1885-1977)

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

planet-struck

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

prefigured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

productionsnounUS /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

Quincey

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

redeemingadjectiveUS /rɪˈdiːmɪŋ/

bringing about salvation or redemption from sin

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

RELIGIONnounUS /rɪˈlɪdʒən/

a strong belief in a supernatural power or powers that control human destiny

From this reading NATURAL RELIGION.

religiousadjectiveUS /rɪˈlɪdʒəs/

concerned with sacred matters or religion or the church

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

reservedadjectiveUS /rɪˈzɜːrvd/

set aside for the use of a particular person or party

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

revelationnounUS /ˌrevəˈleɪʃən/

the speech act of making something evident

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

reviewersnounUS /riˈvjuːərz/

plural of “reviewer” — someone who reads manuscripts and judges their suitability for publication

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

sayverbUS /seɪ/

express in words

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

sensenounUS /sens/

a general conscious awareness

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

Sixpencenoun

a small coin of the United Kingdom worth six pennies; not minted since 1970

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

slightestadjectiveUS /ˈslaɪtəst/

superlative of “slight” — (quantifier used with mass nouns) small in quantity or degree; not much or almost none or (with “a”) at least some

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

SongnounUS /sɔːŋ/

a short musical composition with words

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

speakverbUS /spiːk/

express in speech

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

sustainedadjectiveUS /səˈsteɪnd/

maintained at length without interruption or weakening

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

termsnounUS /tɜːrmz/

status with respect to the relations between people or groups

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

tonenounUS /toʊn/

the quality of a person's voice

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

treatverbUS /triːt/

interact in a certain way

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading "The very image of Wordsworth," says De Quincey, for instance, "as I prefigured it to my own planet-struck eye, crushed my faculties as before Elijah or St. Paul."

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

waynounUS /weɪ/

how something is done or how it happens

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

whileconjunctionUS /waɪl/

during the time that

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

withprepositionUS /wɪð/

in the company of; together with

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

WoodnounUS /wʊd/

the hard fibrous lignified substance under the bark of trees

From this reading How was it that poems so simple in outward form that the reviewers of the day classed them with the _Song of Sixpence_, or at best with the _Babes in the Wood_, could affect a critic like De Quincey,--I do not say with admiration, but with this exceptional sense of revelation and awe?

WordsworthnounUS /ˈwɜːrdzwərθ/

a romantic English poet whose work was inspired by the Lake District where he spent most of his life (1770-1850)

From this reading It will have been obvious from the preceding pages, as well as from the tone of other criticisms on Wordsworth, that his exponents are not content to treat his poems on Nature simply as graceful descriptive pieces, but speak of him in terms usually reserved for the originators of some great religious movement.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading The explanation of this anomaly lies, as is well known, in something new and individual in the way in which Wordsworth regarded Nature; something more or less discernible in most of his works, and redeeming even some of the slightest of them from insignificance, while conferring on the more serious and sustained pieces an importance of a different order from that which attaches to even the most brilliant productions of his contemporaries.

Chapter 10 of Wordsworth by F. W. H. (Frederic William Henry) Myers holds 235 sentences, grouped into 47 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Wordsworth contain?

Chapter 10 holds 235 sentences of Wordsworth, unabridged, divided into 47 reading sections.

This page carries chapter 10 of Wordsworth by F. W. H. (Frederic William Henry) Myers exactly as it stands in the source edition, without abridgement. It runs to 235 sentences, grouped into 47 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Wordsworth?

Work through the 47 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 47 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Wordsworth

Common questions about reading Wordsworth by F. W. H. (Frederic William Henry) Myers on this page, its source edition and its audio.

Is this the complete text of Wordsworth?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Wordsworth is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Wordsworth take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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How to work through Wordsworth section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Wordsworth to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Wordsworth

Words and structures a reader meets early in Wordsworth, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Wordsworth, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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