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Writing for Vaudeville
Writing for Vaudeville

Chapter IV · Chapter 4

Chapter 4 of Writing for Vaudeville is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/26 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.
The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.
Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.
2.
Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Writing for Vaudeville

Chapter IV · Chapter 4

Chapter 4 of Writing for Vaudeville is here in full — 134 sentences across 27 reading sections, with audio for every sentence and word.

Reading 1/26 · 5 reading units · Lines 1–5

Line 1
THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.
Line 2
The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.
Line 3
Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.
Line 4
2.
Line 5
Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

boxed adjective US /bɑːkst/

enclosed in or set off by a border or box

From this reading “Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.”

designed adjective US /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading “The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.”

matching adjective US /ˈmætʃɪŋ/

being two identical

From this reading “Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.”

represent verb US /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading “The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.”

scenery noun US /ˈsiːnəri/

the painted structures of a stage set that are intended to suggest a particular locale

From this reading “THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.”

theatres noun US /ˈθiːətərz/

plural of “theatre” — a building where theatrical performances or motion-picture shows can be presented

From this reading “THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.”

universally adverb US /ˌjuːnəˈvɜːrsəli/

everywhere

From this reading “The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.”

vaudeville noun US /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading “THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

2

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 2.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

boxedadjectiveUS /bɑːkst/

enclosed in or set off by a border or box

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

COMMONLYadverbUS /ˈkɑːmənli/

under normal conditions

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

countedverbUS /ˈkaʊntɪd/

past form of “count” — determine the number or amount of

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

designedadjectiveUS /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

dropverbUS /drɑːp/

let fall to the ground

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

dropsnounUS /drɑːps/

plural of “drop” — a shape that is spherical and small

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

FOUNDverbUS /faʊnd/

set up or found

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

FournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

likelyadjectiveUS /ˈlaɪkli/

has a good chance of being the case or of coming about

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

matchingadjectiveUS /ˈmætʃɪŋ/

being two identical

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

Olio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

OpenverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

prettyadjectiveUS /ˈprɪti/

pleasing by delicacy or grace; not imposing

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

rearnounUS /rɪr/

the back of a military formation or procession

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

representverbUS /ˌreprɪˈzent/

take the place of or be parallel or equivalent to

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

scenenounUS /siːn/

the place where some action occurs

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

SCENERYnounUS /ˈsiːnəri/

the painted structures of a stage set that are intended to suggest a particular locale

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

SetsnounUS /sets/

plural of “set” — a group of things of the same kind that belong together and are so used

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

THEATRESnounUS /ˈθiːətərz/

plural of “theatre” — a building where theatrical performances or motion-picture shows can be presented

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

thereadverbUS /ðer/

in or at that place or location

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

ThreenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

universallyadverbUS /ˌjuːnəˈvɜːrsəli/

everywhere

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

UsuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

VAUDEVILLEnounUS /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading THE SCENERY COMMONLY FOUND IN VAUDEVILLE THEATRES 1.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The Olio In every vaudeville theatre there is an Olio and, although the scene which it is designed to represent may be different in each house, the street Olio is common enough to be counted as universally used.

whileconjunctionUS /waɪl/

during the time that

From this reading Usually there are two drops in "One," either of which may be the Olio, and one of them is likely to represent a street, while the other is pretty sure to be a palace scene.

wingsnounUS /wɪŋz/

a means of flight or ascent

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

withprepositionUS /wɪð/

in the company of; together with

From this reading Open Sets Usually in Four--and sometimes in Three--there are to be found in nearly every vaudeville theatre two different drops, which with their matching wings [1] form the two common "open sets"--or scenes composed merely of a rear drop and side wings, and not boxed in.

Chapter 4 of Writing for Vaudeville by Brett Page holds 134 sentences, grouped into 27 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Writing for Vaudeville contain?

Chapter 4 holds 134 sentences of Writing for Vaudeville, unabridged, divided into 27 reading sections.

This page carries chapter 4 of Writing for Vaudeville by Brett Page exactly as it stands in the public-domain source edition, without abridgement. It runs to 134 sentences, grouped into 27 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Writing for Vaudeville?

Work through the 27 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 27 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Writing for Vaudeville

Common questions about reading Writing for Vaudeville by Brett Page on this page, its source edition and its audio.

Is this the complete text of Writing for Vaudeville?

Yes. All 8934 sentences of Project Gutenberg eBook #5328 are kept, with a record of which sentences cover which part.

Which edition of Writing for Vaudeville is used?

Project Gutenberg eBook #5328, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Writing for Vaudeville take to read?

About 600 minutes of reading across 1787 sections of 5 sentences each, at an unhurried pace.

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How to work through Writing for Vaudeville section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Writing for Vaudeville

Words and structures a reader meets early in Writing for Vaudeville, each tappable for pronunciation and meaning.

French
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Workman
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Lived
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Valley
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.