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Writing for Vaudeville
Writing for Vaudeville

Chapter VI

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Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.
Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.
But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.
True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.
In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Writing for Vaudeville

Chapter VI

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.
Line 2
Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.
Line 3
But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.
Line 4
True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.
Line 5
In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

Learner Dictionary

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

About preposition US /əˈbaʊt/

on the subject of; concerning

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

Anything pronoun US /ˈeniθɪŋ/

any thing at all

From this reading “But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.”

Art auxiliary verb US /ɑːrt/

an old form of “are”, used with “thou”

From this reading “But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.”

Before preposition US /bɪˈfɔːr/

earlier than; in front of

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

Between preposition US /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

Even noun US /even/

an important story-specific word used in this passage

From this reading “Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.”

Every determiner US /ˈevəri/

all the members of a group, with none left out

From this reading “True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.”

Has auxiliary verb US /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

Know noun US /know/

an important story-specific word used in this passage

From this reading “Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.”

Let auxiliary verb US /let/

used to make a suggestion or a command including the speaker

From this reading “But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.”

Make noun US /make/

an important story-specific word used in this passage

From this reading “Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.”

May modal verb US /meɪ/

used to say something is possible, or to give permission

From this reading “True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.”

Mind noun US /mind/

an important story-specific word used in this passage

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

Must modal verb US /mʌst/

used to say something is necessary, or almost certainly true

From this reading “True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.”

One pronoun US /wʌn/

used to mean any person in general, including the speaker

From this reading “True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.”

Those determiner US /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading “True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.”

Through noun US /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading “But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.”

Yet conjunction US /jet/

but in spite of that

From this reading “WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.”

All words in this reading · 137

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

actual

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

all

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

atprepositionUS /æt/

in or near a particular place or position

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

best

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

brick

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

bricks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

CHOOSING

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

clay

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

combine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

compared

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

composite

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

comprehend

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

conclusions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

definitely

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

difference

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

evennounUS /even/

an important story-specific word used in this passage

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

experienced

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

flash

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

form

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

formed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

former

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

forms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

general

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

glance

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

going

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

half-purposes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

human

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

humor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

hundreds

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

ideas

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

identically

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

impossible

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

impression

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

just

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

knownounUS /know/

an important story-specific word used in this passage

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

knows

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

lies

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

makenounUS /make/

an important story-specific word used in this passage

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

making

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

material

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

mindnounUS /mind/

an important story-specific word used in this passage

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

miniature

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

minute

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

mis-spoken

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

MONOLOGUE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

novice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

only

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

particularly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

passes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

pencil

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

phrases

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

picture

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

points

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

precede

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

precise

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

preparing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

processes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

purposes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

ready

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

say

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

seems

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

sentences

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

simple

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

singleness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

some

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

sounds

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

spoken

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

startling

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

striking

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

stroke

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

subject

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

surprising

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

taken

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

takes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

THEME

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

throughnounUS /ˈthrough/

a story-specific word describing an important person, object, action, or idea in this passage

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

together

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

treat

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

True

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

turns

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

twisting

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

unerringly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

unhesitating

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

untrained

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

up

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

usually

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

various

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

whatpronounUS /wʌt/

used to ask for information about something

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

whereconjunctionUS /wer/

in or at the place that

From this reading True as this is of writing in general, it seems to me particularly true of writing the monologue, for the monologue is one of those precise forms of the art of writing that may best be compared to the miniature, where every stroke must be true and unhesitating and where all combine unerringly to form the composite whole.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

whole

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

withprepositionUS /wɪð/

in the company of; together with

From this reading Not only does the former know what his subject is, but he usually knows how he is going to treat it, and even some striking phrases and turns of sentences are ready in his mind, together with the hundreds of minute points which, taken together, make up the singleness of impression of the whole.

words

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

work

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But just as it is impossible for the human mind--untrained, let us say, in the art of making bricks--to picture at a glance the various processes through which the clay passes before it takes brick form, so it is identically as impossible for the mind of the novice to comprehend in a flash the various purposes and half-purposes that precede the actual work of writing anything.

working

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In preparing monologue material the writer usually is working in the _sounds_ of spoken--and mis-spoken--words, and the humor that lies in the twisting of ideas into surprising conclusions.

write

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

writer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

WRITING

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.

yetconjunctionUS /jet/

but in spite of that

From this reading WRITING THE MONOLOGUE I. CHOOSING A THEME Before an experienced writer takes up his pencil he has formed definitely in his mind just what he is going to write about--that is the simple yet startling difference between the experienced writer and the novice.