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Writing for Vaudeville
Writing for Vaudeville

Chapter IX · Chapter 9

Chapter 9 of Writing for Vaudeville is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/40 · 5 lines
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PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.
Before "taking your pen in hand," stop for a moment of self-analysis.
You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:
How much of my two-act have I thought out clearly so that it is playing before my very eyes?
If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Writing for Vaudeville

Chapter IX · Chapter 9

Chapter 9 of Writing for Vaudeville is here in full — 203 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/40 · 5 reading units · Lines 1–5

Line 1
PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.
Line 2
Before "taking your pen in hand," stop for a moment of self-analysis.
Line 3
You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:
Line 4
How much of my two-act have I thought out clearly so that it is playing before my very eyes?
Line 5
If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acceptable adjective US /ækˈseptəbəl/

worthy of acceptance or satisfactory

From this reading “If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.”

angle noun US /ˈæŋɡəl/

the space between two lines or planes that intersect; the inclination of one line to another; measured in degrees or radians

From this reading “PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.”

determine verb US /dəˈtɜːrmən/

establish after a calculation, investigation, experiment, survey, or study

From this reading “You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:”

mapped verb US /mæpt/

inflected form of “map” — make a map of; show or establish the features of details of

From this reading “PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.”

moves noun US /muːvz/

plural of “move” — the act of deciding to do something

From this reading “If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.”

rings noun US /rɪŋz/

gymnastic apparatus consisting of a pair of heavy metal circles (usually covered with leather) suspended by ropes; used for gymnastic exercises

From this reading “If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.”

selected adjective US /səˈlektɪd/

chosen in preference to another

From this reading “PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.”

theme noun US /θiːm/

the subject matter of a conversation or discussion

From this reading “PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.”

All words in this reading · 77

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

acceptableadjectiveUS /ækˈseptəbəl/

worthy of acceptance or satisfactory

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

anglenounUS /ˈæŋɡəl/

the space between two lines or planes that intersect; the inclination of one line to another; measured in degrees or radians

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

bitnounUS /bɪt/

a small piece or quantity of something

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

byprepositionUS /baɪ/

showing who or what does the action

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

chooser's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

chosennounUS /ˈtʃoʊzən/

one who is the object of choice; who is given preference

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

clearlyadverbUS /ˈklɪrli/

without doubt or question

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

determineverbUS /dəˈtɜːrmən/

establish after a calculation, investigation, experiment, survey, or study

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

earsnounUS /ɪrz/

plural of “ear” — the sense organ for hearing and equilibrium

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

eyesnounUS /aɪz/

opinion or judgment

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

laugh-lines

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

likelyadjectiveUS /ˈlaɪkli/

has a good chance of being the case or of coming about

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

mappedverbUS /mæpt/

inflected form of “map” — make a map of; show or establish the features of details of

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

movesnounUS /muːvz/

plural of “move” — the act of deciding to do something

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

PAPERnounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

pointsnounUS /pɔɪnts/

plural of “point” — a geometric element that has position but no extension

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

PUTTINGnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

ringsnounUS /rɪŋz/

gymnastic apparatus consisting of a pair of heavy metal circles (usually covered with leather) suspended by ropes; used for gymnastic exercises

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

selectedadjectiveUS /səˈlektɪd/

chosen in preference to another

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

self-analysisnoun

a penetrating examination of your own beliefs and motives

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

self-examinationnoun

the contemplation of your own thoughts and desires and conduct

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

stopverbUS /stɑːp/

come to a halt, stop moving

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

succeedverbUS /səkˈsiːd/

attain success or reach a desired goal

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading Before "taking your pen in hand," stop for a moment of self-analysis.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading If you have thought it all out, so that every bit of business moves before your eyes, as every point rings in your ears, you are very likely to turn out an acceptable two-act--if you have not played a "chooser's" part, and your points are real points.

TWO-ACT

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading How much of my two-act have I thought out clearly so that it is playing before my very eyes?

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading You can now determine how likely you are to succeed as a writer of the two-act, by this simple self-examination:

YoupronounUS /juː/

the person or people being spoken to

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading PUTTING THE TWO-ACT ON PAPER You have selected your theme, chosen your characters, thought out every angle of business, and mapped nearly all of your points, as well as your big laugh-lines: now you are ready to put your two-act on paper.

Chapter 9 of Writing for Vaudeville by Brett Page holds 203 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Writing for Vaudeville contain?

Chapter 9 holds 203 sentences of Writing for Vaudeville, unabridged, divided into 41 reading sections.

This page carries chapter 9 of Writing for Vaudeville by Brett Page exactly as it stands in the public-domain source edition, without abridgement. It runs to 203 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Writing for Vaudeville?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Writing for Vaudeville

Common questions about reading Writing for Vaudeville by Brett Page on this page, its source edition and its audio.

Is this the complete text of Writing for Vaudeville?

Yes. All 8934 sentences of Project Gutenberg eBook #5328 are kept, with a record of which sentences cover which part.

Which edition of Writing for Vaudeville is used?

Project Gutenberg eBook #5328, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Writing for Vaudeville take to read?

About 600 minutes of reading across 1787 sections of 5 sentences each, at an unhurried pace.

How to read Writing for Vaudeville section by section

How to work through Writing for Vaudeville section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of Writing for Vaudeville to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Writing for Vaudeville

Words and structures a reader meets early in Writing for Vaudeville, each tappable for pronunciation and meaning.

French
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Workman
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Lived
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Valley
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.