Chapter XIII · Chapter 13

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the mental attitude that something is believable and should be accepted as true

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

generally approved or compelling recognition

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

later than; following

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

the form of “a” used before a word that begins with a vowel sound

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

used to join words or parts of a sentence that go together

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the act of bringing something to bear; using it for a particular purpose

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

at the same time that; because; in the way that

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

in or near a particular place or position

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

earnest and conscientious activity intended to do or accomplish something

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

for the reason that

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

third-person singular of “become” — enter or assume a certain state or condition

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

earlier than; in front of

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

plural of “begin” — Israeli statesman (born in Russia) who (as prime minister of Israel) negotiated a peace treaty with Anwar Sadat (then the president of Egypt) (1913-1992)

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

of short duration or distance

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to introduce something that contrasts with what came before

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

an occurrence of something

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

object formed by a mold

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

a subdivision of a written work; usually numbered and titled

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

arousing or provoking laughter

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

intentionally conceived

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

the process of giving careful thought to something

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

carefully weighed

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

plural of “demand” — an urgent or peremptory request

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

an extended communication (often interactive) dealing with some particular topic

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

suitable to or characteristic of drama

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

an abstract part of something

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

determined or actuated by emotion rather than reason

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

divisible by two

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

all the members of a group, with none left out

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

preceding all others in time or space or degree

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

to travel behind, go after, come after

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

-ing form of “force” — to cause to do through pressure or necessity, by physical, moral or intellectual means

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

set up or found

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

anything that provides inspiration for later work

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

the form of “have” used with he, she, it, or a singular noun

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

a man, boy, or male animal already mentioned, as the subject

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

in or at this place; where the speaker or writer is

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

greater than normal in degree or intensity or amount

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

belonging to a man, boy, or male animal already mentioned

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

the content of cognition; the main thing you are thinking about

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

inside something, or within a place, period, or state

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

in truth (often tends to intensify)

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

not capable of being separated

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

past form of “insist” — be emphatic or resolute and refuse to budge

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

existing as an essential constituent or characteristic

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

moving to the inside of something

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

the form of “be” used with he, she, it, or a singular noun

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

a thing, animal, or idea already mentioned

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

metal device shaped in such a way that when it is inserted into the appropriate lock the lock's mechanism can be rotated

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

a formation of people or things one beside another

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

a vaguely specified concern

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to say something is possible, or to give permission

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

a particular point in time

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

used to form the superlative

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

the condition of being essential or indispensable

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

not any; not one

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to make a word, phrase, or sentence negative

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

someone who has entered a religious order but has not taken final vows

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

belonging to, or connected with, somebody or something

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

touching and supported by a surface

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

and nothing more

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to join alternatives or possibilities

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

not allowed to continue to bat or run

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

coincide partially or wholly

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

something determined in relation to something that includes it

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

to a distinctly greater extent or degree than is common

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

(of sound) set to a certain pitch or key; usually used as a combining form

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

situated in a particular spot or position

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

(of games) engaged in

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

a short play

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

a secret scheme to do something (especially something underhand or illegal)

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

having a point

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

capable of happening or existing

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

be earlier in time; go back further

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

third-person singular of “precede” — be earlier in time; go back further

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

just preceding something else in time or order

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

first in rank or degree

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

an anticipated outcome that is intended or that guides your planned actions

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

put into a certain place or abstract location

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

third-person singular of “require” — require as useful, just, or proper

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the place where some action occurs

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

act as a barrier between; stand between

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

serial arrangement in which things follow in logical order or a recurrent pattern

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

concerned with work or important matters rather than play or trivialities

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

any distinct time period in a sequence of events

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

a thing constructed; a complex entity constructed of many parts

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

past form of “succeed” — attain success or reach a desired goal

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

of the kind already mentioned

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

status with respect to the relations between people or groups

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

used to introduce what somebody said, thought, or felt

From this reading Indeed, at that moment even the most self-sure becomes conscious of the demands of the dramatic.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

a well-substantiated explanation of some aspect of the natural world; an organized system of accepted knowledge that applies in a variety of circumstances to explain a specific set of phenomena

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

the process of using your mind to consider something carefully

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

used for a person or thing that is near, or that has just been mentioned

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

in spite of the fact that

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the content of cognition; the main thing you are thinking about

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used before the base form of a verb to make the infinitive

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

the quality of a person's voice

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

a source of difficulty

From this reading This discussion is placed here in the sequence of chapters, because it first begins to trouble the novice after he has accepted his germ idea, and before he has succeeded in casting it into a stage story.

being or moving higher in position or greater in some value; being above a former position or level

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

a formal word for “on”

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

urgently needed; absolutely necessary

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the amount of 3-dimensional space occupied by an object

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

used to ask for information about something

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to introduce two or more possibilities

From this reading THE DRAMATIC--THE VITAL ELEMENT OF PLOT What the dramatic is--no matter whether it be serious or comic in tone--requires some consideration in a volume such as this, even though but a brief discussion is possible and only a line of thought may be pointed out.

used to introduce a clause giving more about a thing just mentioned

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

used to talk about the future, or about willingness

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

in the company of; together with

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

the words that are spoken

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

the act of creating written works

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.

but in spite of that

From this reading Yet this chapter will be found to overlap some that precede it and some that follow--particularly the chapter on plot structure, of which this discussion may be considered an integral part--as is the case in every attempt to put into formal words, principles separate in theory, but inseparable in application.

belonging to the person or people being spoken to

From this reading In the previous chapter, the conscious thought that precedes even the acceptance of a germ idea was insisted on--it was "played up," as the stage phrase terms a scene in which the emotional key is pitched high--with the purpose of forcing upon your attention the prime necessity of thinking out--not yet writing--the playlet.