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Writing for Vaudeville
Writing for Vaudeville

Chapter XXIII · Chapter 23

Chapter 23 of Writing for Vaudeville is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/52 · 5 lines
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WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.
In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.
Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.
I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.
As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Writing for Vaudeville

Chapter XXIII · Chapter 23

Chapter 23 of Writing for Vaudeville is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/52 · 5 reading units · Lines 1–5

Line 1
WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.
Line 2
In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.
Line 3
Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.
/nɑːt ˈoʊnli bɪˈkɔːz ɪt wɪl biː ˈɪntrəstɪŋ bʌt bɪˈkɔːz sʌtʃ æn ˈɪnsaɪt wɪl help tuː ə klɪr ˌʌndərˈstændɪŋ ʌv ˈmeθədz aɪ ʃæl æsk juː tuː ɡlæns ˈɪntuː ə ˈpɑːpjələr sɔːŋ ˈpʌblɪʃərz prəˈfeʃənəl dɪˈpɑːrtmənt/
Line 4
I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.
Line 5
As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.
/æz ðə wɔːlz ʌv ðiːz ruːmz ɑːr ˈnevər ˈveri θɪk ənd ˈɔːfən ɑːr mɪr pɑːrˈtɪʃənz ˈrʌnɪŋ ˈoʊnli ˌtuːˈθɜːrdz ʌv ðə weɪ tuː ðə ˈsiːlɪŋ ðə ˈdɪskɔːrd ʌv kənˈflɪktɪŋ sɔːŋz ɪz səmˈtaɪmz əˈpɔːlɪŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cabaret noun US /ˌkæbərˈeɪ/

a spot that is open late at night and that provides entertainment (as singers or dancers) as well as dancing and food and drink

From this reading “I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.”

irrespective adverb US /ˌɪrəˈspektɪv/

in spite of everything; without regard to drawbacks

From this reading “In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.”

lyrics noun US /ˈlɪrɪks/

plural of “lyric” — the text of a popular song or musical-comedy number

From this reading “WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.”

partitions noun US /pɑːrˈtɪʃənz/

plural of “partition” — a vertical structure that divides or separates (as a wall divides one room from another)

From this reading “As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.”

publisher's noun US /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

From this reading “Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.”

rehearse verb US /riˈhɜːrs/

engage in a rehearsal

From this reading “I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.”

styles noun US /staɪlz/

plural of “style” — how something is done or how it happens

From this reading “WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.”

vaudeville noun US /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading “I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.”

All words in this reading · 111

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

appallingnounUS /əˈpɔːlɪŋ/

an experience that appalls

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

boynounUS /bɔɪ/

a youthful male person

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

cabaretnounUS /ˌkæbərˈeɪ/

a spot that is open late at night and that provides entertainment (as singers or dancers) as well as dancing and food and drink

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

ceilingnounUS /ˈsiːlɪŋ/

the overhead upper surface of a covered space

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

chaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

clearverbUS /klɪr/

rid of obstructions

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

combinedadjectiveUS /kəmˈbaɪnd/

made or joined or united into one

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

conflictingadjectiveUS /kənˈflɪktɪŋ/

in disagreement

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

containingverbUS /kənˈteɪnɪŋ/

-ing form of “contain” — include or contain; have as a component

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

departmentnounUS /dɪˈpɑːrtmənt/

a specialized division of a large organization

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

differverbUS /ˈdɪfər/

be different

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

discordnounUS /ˈdɪskɔːrd/

lack of agreement or harmony

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

elementsnounUS /ˈeləmənts/

violent or severe weather (viewed as caused by the action of the four elements)

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

entireadjectiveUS /ɪnˈtaɪər/

constituting the full quantity or extent; complete

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

floornounUS /flɔːr/

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

grindverbUS /ɡraɪnd/

press or grind with a crushing noise

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

half-a-dozen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

helpverbUS /help/

give help or assistance; be of service

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

identicaladjectiveUS /aɪˈdentɪkəl/

exactly alike; incapable of being perceived as different

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

insightnounUS /ˈɪnsaɪt/

clear or deep perception of a situation

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

irrespectiveadverbUS /ˌɪrəˈspektɪv/

in spite of everything; without regard to drawbacks

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

lyricsnounUS /ˈlɪrɪks/

plural of “lyric” — the text of a popular song or musical-comedy number

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

madadjectiveUS /mæd/

roused to anger

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

MAKINGnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

methodsnounUS /ˈmeθədz/

plural of “method” — a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

nodeterminerUS /noʊ/

not any; not one

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

organsnounUS /ˈɔːrɡənz/

edible viscera of a butchered animal

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

partitionsnounUS /pɑːrˈtɪʃənz/

plural of “partition” — a vertical structure that divides or separates (as a wall divides one room from another)

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

performersnounUS /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

pianonounUS /piˈænoʊ/

a keyboard instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

POPULARadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

professionaladjectiveUS /prəˈfeʃənəl/

engaged in a profession or engaging in as a profession or means of livelihood

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

publisher'snounUS /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

receptionnounUS /rɪˈsepʃən/

the manner in which something is greeted

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

rehearseverbUS /riˈhɜːrs/

engage in a rehearsal

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

repetitionnounUS /ˌrepəˈtɪʃən/

an event that repeats

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

rhythmnounUS /ˈrɪðəm/

the basic rhythmic unit in a piece of music

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

roomsnounUS /ruːmz/

apartment consisting of a series of connected rooms used as a living unit (as in a hotel)

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

runningadjectiveUS /ˈrʌnɪŋ/

(of fluids) moving or issuing in a stream

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

sawverbUS /sɔː/

cut with a saw

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

SONGnounUS /sɔːŋ/

a short musical composition with words

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

songsnounUS /sɔːŋz/

plural of “song” — a short musical composition with words

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

stylesnounUS /staɪlz/

plural of “style” — how something is done or how it happens

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

thickadjectiveUS /θɪk/

not thin; of a specific thickness or of relatively great extent from one surface to the opposite usually in the smallest of the three solid dimensions

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

turnsnounUS /tɜːrnz/

plural of “turn” — a circular segment of a curve

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

two-thirdsnounUS /ˌtuːˈθɜːrdz/

two of three equal parts of a divisible whole

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

understandingnounUS /ˌʌndərˈstændɪŋ/

the cognitive condition of someone who understands

From this reading Not only because it will be interesting, but because such an insight will help to a clear understanding of methods I shall ask you to glance into a popular song publisher's professional department.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

vaudevillenounUS /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

waynounUS /weɪ/

how something is done or how it happens

From this reading As the walls of these rooms are never very thick, and often are mere partitions running only two-thirds of the way to the ceiling, the discord of conflicting songs is sometimes appalling.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

whereconjunctionUS /wer/

in or at the place that

From this reading I. A POPULAR SONG IN THE MAKING A very large room--an entire floor, usually--is divided into a reception room, where vaudeville and cabaret performers are waiting their turns to rehearse, and half-a-dozen little rooms, each containing a piano.

whistleverbUS /ˈwɪsəl/

make whistling sounds

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

withprepositionUS /wɪð/

in the company of; together with

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

WRITINGnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading WRITING THE POPULAR SONG In the preceding chapters we saw how the elements of a popular song are nearly identical in music and in lyrics, no matter how the styles of songs may differ.

youpronounUS /juː/

the person or people being spoken to

From this reading In this chapter we shall see how these elements may be combined--irrespective of styles--into a song that the boy on the street will whistle, and the hand organs grind out until you nearly go mad with the repetition of its rhythm.

Chapter 23 of Writing for Vaudeville by Brett Page holds 263 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 23 of Writing for Vaudeville contain?

Chapter 23 holds 263 sentences of Writing for Vaudeville, unabridged, divided into 53 reading sections.

This page carries chapter 23 of Writing for Vaudeville by Brett Page exactly as it stands in the public-domain source edition, without abridgement. It runs to 263 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 23 of Writing for Vaudeville?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 23 be read aloud to me?

Yes — every sentence and every individual word in chapter 23 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Writing for Vaudeville

Common questions about reading Writing for Vaudeville by Brett Page on this page, its source edition and its audio.

Is this the complete text of Writing for Vaudeville?

Yes. All 8934 sentences of Project Gutenberg eBook #5328 are kept, with a record of which sentences cover which part.

Which edition of Writing for Vaudeville is used?

Project Gutenberg eBook #5328, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Writing for Vaudeville take to read?

About 600 minutes of reading across 1787 sections of 5 sentences each, at an unhurried pace.

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How to work through Writing for Vaudeville section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Writing for Vaudeville

Words and structures a reader meets early in Writing for Vaudeville, each tappable for pronunciation and meaning.

French
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Workman
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Lived
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Valley
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.