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Writing for Vaudeville
Writing for Vaudeville

Chapter XXV · Chapter 25

Chapter 25 of Writing for Vaudeville is here in full — 4773 sentences across 955 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/954 · 5 lines
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HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.
For this reason I shall devote this final chapter to a brief discussion of the subject.
Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.
Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.
So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Writing for Vaudeville

Chapter XXV · Chapter 25

Chapter 25 of Writing for Vaudeville is here in full — 4773 sentences across 955 reading sections, with audio for every sentence and word.

Reading 1/954 · 5 reading units · Lines 1–5

Line 1
HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.
Line 2
For this reason I shall devote this final chapter to a brief discussion of the subject.
/fɔːr ðɪs ˈriːzən aɪ ʃæl dɪˈvoʊt ðɪs ˈfaɪnəl ˈtʃæptər tuː ə briːf dɪˈskʌʃən ʌv ðə səbˈdʒekt/
Line 3
Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.
Line 4
Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.
/ˈeniwʌn ʌv ðə ˈfeɪməs ɪɡˈzæmpəlz ˈprɪntɪd ɪn ðɪs ˈvɑːljuːm kʊd biː soʊ ˈteɪkən ənd ɪts ˈhɪstəri toʊld bʌt noʊ wʌn wʊd ˈkɑːmbaɪn ɪn ɪts ɪkˈspɪriəns ɔːl ðə pɔɪnts ðæt ʃʊd biː ˈɡɪvən/
Line 5
So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.
/soʊ aɪ ʃæl æsk juː tuː ˌɪˈmædʒən ðæt ðə ækt huːz kəˈmɜːrʃəl ˈstɔːri aɪ æm əˈbaʊt tuː tel ˌreprɪˈzents ɪn ˌɪtˈself ˈevəri kaɪnd ʌv ækt tuː biː siːn ɪn ˈvɑːdvɪl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.”

booked adjective US /bʊkt/

reserved in advance

From this reading “HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.”

booking noun US /ˈbʊkɪŋ/

employment for performers or performing groups that lasts for a limited period of time

From this reading “Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.”

combine verb US /ˈkɑːmbaɪn/

have or possess in combination

From this reading “Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.”

monologue noun US /ˈmɑːnəlɔːɡ/

speech you make to yourself

From this reading “Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.”

producer's noun US /prəˈduːsərz/

possessive form of “producer” — someone who manufactures something

From this reading “Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.”

represents verb US /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading “Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.”

vaudeville noun US /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading “HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

absolutelyadverbUS /ˌæbsəˈluːtli/

completely and without qualification; used informally as intensifiers

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

ACTverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

AnyonepronounUS /ˈeniwʌn/

any person at all

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

assumingadjectiveUS /əˈsuːmɪŋ/

excessively forward

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

BOOKEDadjectiveUS /bʊkt/

reserved in advance

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

bookingnounUS /ˈbʊkɪŋ/

employment for performers or performing groups that lasts for a limited period of time

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

briefadjectiveUS /briːf/

of short duration or distance

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

byprepositionUS /baɪ/

showing who or what does the action

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

combineverbUS /ˈkɑːmbaɪn/

have or possess in combination

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

commercialadjectiveUS /kəˈmɜːrʃəl/

connected with or engaged in or sponsored by or used in commerce or commercial enterprises

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

devoteverbUS /dɪˈvoʊt/

give entirely to a specific person, activity, or cause

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

discussionnounUS /dɪˈskʌʃən/

an extended communication (often interactive) dealing with some particular topic

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

examplesnounUS /ɪɡˈzæmpəlz/

plural of “example” — an item of information that is typical of a class or group

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

famousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

finaladjectiveUS /ˈfaɪnəl/

occurring at or forming an end or termination

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

hopesnounUS /hoʊps/

plural of “hope” — a specific instance of feeling hopeful

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

HOW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

imagineverbUS /ˌɪˈmædʒən/

form a mental image of something that is not present or that is not the case

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

knowledgenounUS /ˈnɑːlədʒ/

the psychological result of perception and learning and reasoning

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

makeverbUS /meɪk/

engage in

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

monologuenounUS /ˈmɑːnəlɔːɡ/

speech you make to yourself

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

nodeterminerUS /noʊ/

not any; not one

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

officenounUS /ˈɔːfɪs/

place of business where professional or clerical duties are performed

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

PermitnounUS /pərˈmɪt/

a legal document giving official permission to do something

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

playletnoun

a short play

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

pointsnounUS /pɔɪnts/

plural of “point” — a geometric element that has position but no extension

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

printedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

producer'snounUS /prəˈduːsərz/

possessive form of “producer” — someone who manufactures something

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

representsverbUS /ˌreprɪˈzents/

third-person singular of “represent” — take the place of or be parallel or equivalent to

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

takeverbUS /teɪk/

carry out

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

tellverbUS /tel/

express in words

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading For this reason I shall devote this final chapter to a brief discussion of the subject.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

tracenounUS /treɪs/

a just detectable amount

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

transformedadjectiveUS /trænˈsfɔːrmd/

given a completely different form or appearance

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

two-act

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Permit me, therefore, to take the manuscript of an act, assuming for my purpose that it represents a monologue or a two-act, a playlet or a musical comedy, and trace its commercial career from the author's hands, into a producer's, through a booking office, to success.

understandingnounUS /ˌʌndərˈstændɪŋ/

the cognitive condition of someone who understands

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

VAUDEVILLEnounUS /ˈvɑːdvɪl/

a variety show with songs and comic acts etc.

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

WhileconjunctionUS /waɪl/

during the time that

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

whopronounUS /huː/

which person or people

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

whosedeterminerUS /huːz/

belonging to which person

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Anyone of the famous examples printed in this volume could be so taken and its history told, but no one would combine in its experience all the points that should be given.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading HOW A VAUDEVILLE ACT IS BOOKED While an understanding of how a vaudeville act is transformed from a manuscript into a commercial success may not be necessary to the writing of a good act, such a knowledge is absolutely necessary to the writer who hopes to make money by his work.

youpronounUS /juː/

the person or people being spoken to

From this reading So I shall ask you to imagine that the act whose commercial story I am about to tell represents in itself every kind of act to be seen in vaudeville.

Chapter 25 of Writing for Vaudeville by Brett Page holds 4773 sentences, grouped into 955 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 25 of Writing for Vaudeville contain?

Chapter 25 holds 4773 sentences of Writing for Vaudeville, unabridged, divided into 955 reading sections.

This page carries chapter 25 of Writing for Vaudeville by Brett Page exactly as it stands in the public-domain source edition, without abridgement. It runs to 4773 sentences, grouped into 955 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 25 of Writing for Vaudeville?

Work through the 955 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 955 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 25 be read aloud to me?

Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Writing for Vaudeville

Common questions about reading Writing for Vaudeville by Brett Page on this page, its source edition and its audio.

Is this the complete text of Writing for Vaudeville?

Yes. All 8934 sentences of Project Gutenberg eBook #5328 are kept, with a record of which sentences cover which part.

Which edition of Writing for Vaudeville is used?

Project Gutenberg eBook #5328, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Writing for Vaudeville take to read?

About 600 minutes of reading across 1787 sections of 5 sentences each, at an unhurried pace.

How to read Writing for Vaudeville section by section

How to work through Writing for Vaudeville section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of Writing for Vaudeville to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Writing for Vaudeville

Words and structures a reader meets early in Writing for Vaudeville, each tappable for pronunciation and meaning.

French
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Workman
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Lived
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.
Valley
A word that appears in the opening chapter of Writing for Vaudeville; the reader can tap it to hear it and see its dictionary entry.