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Young Musgrave
Young Musgrave

Chapter XI

Chapter 11 of Young Musgrave is here in full — 180 sentences across 36 reading sections, with audio for every sentence and word.

Cover illustration for Young Musgrave
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
AN AFTERNOON’S WORK.
“You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.
You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”
“I don’t believe you,” said the little boy, whom England had much improved in strength.
“Old men do not eat children,” but he drew back a little, and stopped crying all the same.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Young Musgrave

Chapter XI

Chapter 11 of Young Musgrave is here in full — 180 sentences across 36 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
AN AFTERNOON’S WORK.
/æn ˌæftərˈnuːnz wɜːrk/
Line 2
“You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.
Line 3
You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”
Line 4
“I don’t believe you,” said the little boy, whom England had much improved in strength.
Line 5
“Old men do not eat children,” but he drew back a little, and stopped crying all the same.
/oʊld men duː nɑːt iːt ˈtʃɪldrən bʌt hiː druː bæk ə ˈlɪtəl ənd stɑːpt ˈkraɪɪŋ ɔːl ðə seɪm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

afternoon's noun US /ˌæftərˈnuːnz/

possessive form of “afternoon” — the part of the day between noon and evening

crying adjective US /ˈkraɪɪŋ/

demanding attention

From this reading ““Old men do not eat children,” but he drew back a little, and stopped crying all the same.”

downstairs adverb US /ˈdaʊnˈsterz/

on a floor below

From this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

eat verb US /iːt/

take in solid food

From this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

eight adjective US /eɪt/

being one more than seven

From this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

funny adjective US /ˈfʌni/

arousing or provoking laughter

From this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

improved adjective US /ˌɪmˈpruːvd/

made more desirable or valuable or profitable; especially made ready for use or marketing

From this reading ““I don’t believe you,” said the little boy, whom England had much improved in strength.”

noise noun US /nɔɪz/

sound of any kind (especially unintelligible or dissonant sound)

From this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

old gentleman adjective + noun

In this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

much improved adverb + adjective

In this reading ““I don’t believe you,” said the little boy, whom England had much improved in strength.”

old man adjective + noun

a man who is very old

In this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

little boy adjective + noun

In this reading ““I don’t believe you,” said the little boy, whom England had much improved in strength.”

make a noise verb + article + noun counted as “make … noise”

In this reading “You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.””

too big adverb + adjective

In this reading ““You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.”

Old men adjective + noun

In this reading ““Old men do not eat children,” but he drew back a little, and stopped crying all the same.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

AFTERNOON'SnounUS /ˌæftərˈnuːnz/

possessive form of “afternoon” — the part of the day between noon and evening

From this reading AN AFTERNOON’S WORK.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading AN AFTERNOON’S WORK.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

backadverbUS /bæk/

in or to or toward a former location

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

boynounUS /bɔɪ/

a youthful male person

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

cryverbUS /kraɪ/

utter a sudden loud cry

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

cryingadjectiveUS /ˈkraɪɪŋ/

demanding attention

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

downstairsadverbUS /ˈdaʊnˈsterz/

on a floor below

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

eatverbUS /iːt/

take in solid food

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

eightadjectiveUS /eɪt/

being one more than seven

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

funnyadjectiveUS /ˈfʌni/

arousing or provoking laughter

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

gentlemannounUS /ˈdʒentəlmən/

a man of refinement

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

improvedadjectiveUS /ˌɪmˈpruːvd/

made more desirable or valuable or profitable; especially made ready for use or marketing

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

makeverbUS /meɪk/

engage in

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

mennounUS /men/

the force of workers available

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

Nello

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

noisenounUS /nɔɪz/

sound of any kind (especially unintelligible or dissonant sound)

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

pastnounUS /pæst/

the time that has elapsed

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

stoppedadjectiveUS /stɑːpt/

(of a nose) blocked

From this reading “Old men do not eat children,” but he drew back a little, and stopped crying all the same.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

thingnounUS /θɪŋ/

a special situation

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

wepronounUS /wiː/

the speaker together with one or more other people

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading “I don’t believe you,” said the little boy, whom England had much improved in strength.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading You are eight--past! and then the old gentleman downstairs is such a funny, funny old man, that he will eat us, Nello, if we make a noise.”

WORKverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading AN AFTERNOON’S WORK.

YoupronounUS /juː/

the person or people being spoken to

From this reading “You must not cry, Nello; for one thing you are too big to cry; or if you are not too big you are too old.

Chapter 11 of Young Musgrave by Mrs. (Margaret) Oliphant holds 180 sentences, grouped into 36 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of Young Musgrave contain?

Chapter 11 holds 180 sentences of Young Musgrave, unabridged, divided into 36 reading sections.

This page carries chapter 11 of Young Musgrave by Mrs. (Margaret) Oliphant exactly as it stands in the source edition, without abridgement. It runs to 180 sentences, grouped into 36 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of Young Musgrave?

Work through the 36 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 36 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Young Musgrave

Common questions about reading Young Musgrave by Mrs. (Margaret) Oliphant on this page, its source edition and its audio.

Is this the complete text of Young Musgrave?

Yes. All 8229 sentences of Project Gutenberg eBook #66376 are kept, with a record of which sentences cover which part.

Which edition of Young Musgrave is used?

Project Gutenberg eBook #66376, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Young Musgrave take to read?

About 600 minutes of reading across 1646 sections of 5 sentences each, at an unhurried pace.

How to read Young Musgrave section by section

How to work through Young Musgrave section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Young Musgrave to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Young Musgrave

Words and structures a reader meets early in Young Musgrave, each tappable for pronunciation and meaning.

Young
A word that appears in the opening chapter of Young Musgrave; the reader can tap it to hear it and see its dictionary entry.
Musgrave
A word that appears in the opening chapter of Young Musgrave; the reader can tap it to hear it and see its dictionary entry.
Touching
A word that appears in the opening chapter of Young Musgrave; the reader can tap it to hear it and see its dictionary entry.
Sacrifice
A word that appears in the opening chapter of Young Musgrave; the reader can tap it to hear it and see its dictionary entry.