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You're on the Air
You're on the Air

Chapter VII

Chapter 7 of You're on the Air is here in full — 347 sentences across 70 reading sections, with audio for every sentence and word.

Cover illustration for You're on the Air
Context Illustration Reading 1/69 · 5 lines
English subtitles · tap any word to listen 1 / 5
In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.
But the Carlin home was sanctuary.
Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.
He did not have to carry a fixed smile.
To-night he could not have pretended.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

You're on the Air

Chapter VII

Chapter 7 of You're on the Air is here in full — 347 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/69 · 5 reading units · Lines 1–5

Line 1
In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.
Line 2
But the Carlin home was sanctuary.
Line 3
Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.
/hiːr wɪð ðə ʃeɪdz drɔːn ənd ɔːl ðə rest ʌv ðə wɜːrld ʃʌt aʊt hiː dɪd nɑːt hæv tuː priˈtend/
Line 4
He did not have to carry a fixed smile.
/hiː dɪd nɑːt hæv tuː ˈkæri ə fɪkst smaɪl/
Line 5
To-night he could not have pretended.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

broadcasting noun US /ˈbrɔːdkæstɪŋ/

a medium that disseminates via telecommunications

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

disaster noun US /dɪˈzæstər/

a state of extreme (usually irremediable) ruin and misfortune

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

greet verb US /ɡriːt/

express greetings upon meeting someone

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

Productions noun US /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

sanctuary noun US /ˈsæŋk.tʃu.er.i/

A place of safety, refuge, or holy retreat within the academy.

From this reading “But the Carlin home was sanctuary.”

shades noun US /ʃeɪdz/

(plural) something that reminds you of someone or something

From this reading “Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.”

studios noun US /ˈstuːdioʊz/

plural of “studio” — workplace for the teaching or practice of an art

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

Wylie noun US /ˈwaɪli/

United States poet (1885-1928)

From this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

shut out verb + adjective

prevent from entering; shut out

In this reading “Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.”

put up verb + adjective

place so as to be noticed

In this reading “In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.”

rest of verb + particle

In this reading “Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.”

All words in this reading · 50

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

broadcastingnounUS /ˈbrɔːdkæstɪŋ/

a medium that disseminates via telecommunications

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But the Carlin home was sanctuary.

Carlin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

carryverbUS /ˈkæri/

move while supporting, either in a vehicle or in one's hands or on one's body

From this reading He did not have to carry a fixed smile.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading To-night he could not have pretended.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

disasternounUS /dɪˈzæstər/

a state of extreme (usually irremediable) ruin and misfortune

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading He did not have to carry a fixed smile.

frontnounUS /frʌnt/

the side that is forward or prominent

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

greetverbUS /ɡriːt/

express greetings upon meeting someone

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

homenounUS /hoʊm/

where you live at a particular time

From this reading But the Carlin home was sanctuary.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

Joe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

lightlyadverbUS /ˈlaɪtli/

without good reason

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

officenounUS /ˈɔːfɪs/

place of business where professional or clerical duties are performed

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

pretendverbUS /priˈtend/

make believe with the intent to deceive

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

pretendedadjectiveUS /priˈtendɪd/

adopted in order to deceive

From this reading To-night he could not have pretended.

ProductionsnounUS /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

restverbUS /rest/

not move; be in a resting position

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

RoyaladjectiveUS /ˈrɔɪəl/

of or relating to or indicative of or issued or performed by a king or queen or other monarch

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

sanctuarynounUS /ˈsæŋk.tʃu.er.i/

A place of safety, refuge, or holy retreat within the academy.

From this reading But the Carlin home was sanctuary.

shadesnounUS /ʃeɪdz/

(plural) something that reminds you of someone or something

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

shutverbUS /ʃʌt/

move so that an opening or passage is obstructed; make shut

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading He did not have to carry a fixed smile.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

studiosnounUS /ˈstuːdioʊz/

plural of “studio” — workplace for the teaching or practice of an art

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

To-night

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To-night he could not have pretended.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

Vic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But the Carlin home was sanctuary.

withprepositionUS /wɪð/

in the company of; together with

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading Here, with the shades drawn and all the rest of the world shut out, he did not have to pretend.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

WylienounUS /ˈwaɪli/

United States poet (1885-1928)

From this reading In the broadcasting studios, along Royal Street, or in the office of Vic Wylie Productions, Joe Carlin would have tried to greet disaster lightly and to put up a front.

Chapter 7 of You're on the Air by William Heyliger holds 347 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of You're on the Air contain?

Chapter 7 holds 347 sentences of You're on the Air, unabridged, divided into 70 reading sections.

This page carries chapter 7 of You're on the Air by William Heyliger exactly as it stands in the source edition, without abridgement. It runs to 347 sentences, grouped into 70 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of You're on the Air?

Work through the 70 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 70 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading You're on the Air

Common questions about reading You're on the Air by William Heyliger on this page, its source edition and its audio.

Is this the complete text of You're on the Air?

Yes. All 6415 sentences of Project Gutenberg eBook #56660 are kept, with a record of which sentences cover which part.

Which edition of You're on the Air is used?

Project Gutenberg eBook #56660, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does You're on the Air take to read?

About 534 minutes of reading across 1283 sections of 5 sentences each, at an unhurried pace.

How to read You're on the Air section by section

How to work through You're on the Air section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of You're on the Air to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in You're on the Air

Words and structures a reader meets early in You're on the Air, each tappable for pronunciation and meaning.

Names
A word that appears in the opening chapter of You're on the Air; the reader can tap it to hear it and see its dictionary entry.
Characters
A word that appears in the opening chapter of You're on the Air; the reader can tap it to hear it and see its dictionary entry.
Purely
A word that appears in the opening chapter of You're on the Air; the reader can tap it to hear it and see its dictionary entry.
Fictitious
A word that appears in the opening chapter of You're on the Air; the reader can tap it to hear it and see its dictionary entry.