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Zanoni
Zanoni

Chapter XXVIII · Chapter 28

Chapter 28 of Zanoni is here in full — 63 sentences across 13 reading sections, with audio for every sentence and word.

Cover illustration for Zanoni
Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, Mystag.
Poet.”
According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.
It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.
It is now towards the close of 1793, when our story again returns to Zanoni.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Zanoni

Chapter XXVIII · Chapter 28

Chapter 28 of Zanoni is here in full — 63 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.
Line 2
Poet.”
/ˈpoʊət/
Line 3
According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.
Line 4
It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.
Line 5
It is now towards the close of 1793, when our story again returns to Zanoni.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Alexander noun US /ˌæləɡˈzændər/

European herb somewhat resembling celery widely naturalized in Britain coastal regions and often cultivated as a potherb

From this reading “Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.”

isle noun US /aɪl/

a small island

From this reading “According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.”

Marseilles noun US /mɑːrˈsaɪləs/

a port city in southeastern France on the Mediterranean

From this reading “According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.”

Naples noun US /ˈneɪpəlz/

a port and tourist center in southwestern Italy; capital of the Campania region

From this reading “It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.”

platter noun US /ˈplætər/

a large shallow dish used for serving food

From this reading “Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.”

returns noun US /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading “It is now towards the close of 1793, when our story again returns to Zanoni.”

Ross noun US /rɑːs/

Scottish explorer who led Arctic expeditions that yielded geographic discoveries while searching for the Northwest Passage (1777-1856)

From this reading “Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.”

Viola noun US /vaɪˈoʊlə/

any of the numerous plants of the genus Viola

From this reading “According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1791

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

1793

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

AccordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

againadverbUS /əˈɡen/

anew

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

AlexandernounUS /ˌæləɡˈzændər/

European herb somewhat resembling celery widely naturalized in Britain coastal regions and often cultivated as a potherb

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

arrivalnounUS /ərˈaɪvəl/

accomplishment of an objective

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

atprepositionUS /æt/

in or near a particular place or position

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

castlenounUS /ˈkæsəl/

a large and stately mansion

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

datenounUS /deɪt/

the specified day of the month

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

dothauxiliary verbUS /dɔːθ/

an old form of “does”

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

fataladjectiveUS /ˈfeɪtəl/

bringing death

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

fledverbUS /fled/

inflected form of “flee” — run away quickly

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

garlands

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

Genii

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

Glyndon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

horridadjectiveUS /ˈhɔːrəd/

exceedingly bad

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

islenounUS /aɪl/

a small island

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

MarseillesnounUS /mɑːrˈsaɪləs/

a port city in southeastern France on the Mediterranean

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

Mejnour

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

Mystag

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

mysteriousadjectiveUS /mɪˈstɪriəs/

of an obscure nature

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

NaplesnounUS /ˈneɪpəlz/

a port and tourist center in southwestern Italy; capital of the Campania region

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

platternounUS /ˈplætər/

a large shallow dish used for serving food

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

PoetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Poet.”

relatedadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

returnsnounUS /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

RossnounUS /rɑːs/

Scottish explorer who led Arctic expeditions that yielded geographic discoveries while searching for the Northwest Passage (1777-1856)

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

suggestionnounUS /səˈdʒestʃən/

an idea that is suggested

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

ThereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading It is now towards the close of 1793, when our story again returns to Zanoni.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

unfix

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

ViolanounUS /vaɪˈoʊlə/

any of the numerous plants of the genus Viola

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

whenconjunctionUS /wen/

at the time that

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

whipverbUS /wɪp/

beat severely with a whip or rod

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

WhosedeterminerUS /huːz/

belonging to which person

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

withprepositionUS /wɪð/

in the company of; together with

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading It must have been in the course of the year 1791 when Viola fled from Naples with her mysterious lover, and when Glyndon sought Mejnour in the fatal castle.

yearsnounUS /jɪrz/

a late time of life

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

yieldverbUS /jiːld/

be the cause or source of

From this reading Why do I yield to that suggestion, Whose horrid image doth unfix my hair.--Shakespeare Therefore the Genii were painted with a platter full of garlands and flowers in one hand, and a whip in the other.--Alexander Ross, “Mystag.

Zanoni

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading According to the order of the events related in this narrative, the departure of Zanoni and Viola from the Greek isle, in which two happy years appear to have been passed, must have been somewhat later in date than the arrival of Glyndon at Marseilles.

Chapter 28 of Zanoni by Edward Bulwer Lytton, Baron Lytton holds 63 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of Zanoni contain?

Chapter 28 holds 63 sentences of Zanoni, unabridged, divided into 13 reading sections.

This page carries chapter 28 of Zanoni by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the public-domain source edition, without abridgement. It runs to 63 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of Zanoni?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Zanoni

Common questions about reading Zanoni by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of Zanoni?

Yes. All 7736 sentences of Project Gutenberg eBook #2664 are kept, with a record of which sentences cover which part.

Which edition of Zanoni is used?

Project Gutenberg eBook #2664, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Zanoni take to read?

About 600 minutes of reading across 1548 sections of 5 sentences each, at an unhurried pace.

How to read Zanoni section by section

How to work through Zanoni section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Zanoni to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Zanoni

Words and structures a reader meets early in Zanoni, each tappable for pronunciation and meaning.

Fontane
A word that appears in the opening chapter of Zanoni; the reader can tap it to hear it and see its dictionary entry.
Diverso
A word that appears in the opening chapter of Zanoni; the reader can tap it to hear it and see its dictionary entry.
Effeto
A word that appears in the opening chapter of Zanoni; the reader can tap it to hear it and see its dictionary entry.
Hanno
A word that appears in the opening chapter of Zanoni; the reader can tap it to hear it and see its dictionary entry.