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Where England sets her feet: a romance
Where England sets her feet: a romance

Chapter XIII

Chapter 13 of Where England sets her feet: a romance is here in full — 88 sentences across 18 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/17 · 5 lines
English subtitles · tap any word to listen 1 / 5
DESOLATION O, the mist and the weeping rain!
They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.
In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.
It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.
Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Where England sets her feet: a romance

Chapter XIII

Chapter 13 of Where England sets her feet: a romance is here in full — 88 sentences across 18 reading sections, with audio for every sentence and word.

Reading 1/17 · 5 reading units · Lines 1–5

Line 1
DESOLATION O, the mist and the weeping rain!
/ˌdesəˈleɪʃən oʊ ðə mɪst ənd ðə ˈwiːpɪŋ reɪn/
Line 2
They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.
Line 3
In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.
Line 4
It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.
Line 5
Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.
/sæd ɪz ˈloʊnlinəs bʌt ˈsædər stɪl ðə ˈloʊnlinəs wɪtʃ braɪt ˈkʌmpəniː hæz faʊnd ənd fɔːrˈseɪkən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

disenchanted adjective US /dɪsɪnˈtʃæntɪd/

freed from enchantment

From this reading “They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.”

effacing verb US /ɪˈfeɪsɪŋ/

-ing form of “efface” — remove completely from recognition or memory

From this reading “It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.”

fogs noun US /fɔːɡz/

plural of “fog” — droplets of water vapor suspended in the air near the ground

From this reading “In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.”

fresco noun US /ˈfreskoʊ/

a mural done with watercolors on wet plaster

From this reading “In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.”

halcyon noun US /ˈhælsiən/

(Greek mythology) a woman who was turned into a kingfisher

From this reading “It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.”

immune adjective US /ˌɪˈmjuːn/

relating to the condition of immunity

From this reading “It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.”

sponged verb US /spʌndʒd/

past form of “sponge” — wipe with a sponge, so as to clean or moisten

From this reading “In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.”

trooped verb US /truːpt/

past form of “troop” — march in a procession

From this reading “In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

next morning adjective + noun

In this reading “They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.”

original design adjective + noun

In this reading “In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.”

All words in this reading · 81

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading DESOLATION O, the mist and the weeping rain!

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

blanknessnoun

the state of being blank; void; emptiness

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

blottedverbUS /ˈblɑːtəd/

inflected form of “blot” — dry (ink) with blotting paper

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

brightadjectiveUS /braɪt/

emitting or reflecting light readily or in large amounts

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

Brion

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

designnounUS /dɪˈzaɪn/

the act of working out the form of something (as by making a sketch or outline or plan)

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

DESOLATIONnounUS /ˌdesəˈleɪʃən/

the state of being decayed or destroyed

From this reading DESOLATION O, the mist and the weeping rain!

disenchantedadjectiveUS /dɪsɪnˈtʃæntɪd/

freed from enchantment

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

drearilyadverb

in a cheerless manner

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

earnestadjectiveUS /ˈɜːrnɪst/

characterized by a firm and humorless belief in the validity of your opinions

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

effacingverbUS /ɪˈfeɪsɪŋ/

-ing form of “efface” — remove completely from recognition or memory

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

eyesnounUS /aɪz/

opinion or judgment

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

faintadjectiveUS /feɪnt/

deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

fogsnounUS /fɔːɡz/

plural of “fog” — droplets of water vapor suspended in the air near the ground

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

followsverbUS /ˈfɑːloʊz/

third-person singular of “follow” — to travel behind, go after, come after

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

forsakenverbUS /fɔːrˈseɪkən/

inflected form of “forsake” — leave someone who needs or counts on you; leave in the lurch

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

foundverbUS /faʊnd/

set up or found

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

fresconounUS /ˈfreskoʊ/

a mural done with watercolors on wet plaster

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

halcyonnounUS /ˈhælsiən/

(Greek mythology) a woman who was turned into a kingfisher

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

heritagenounUS /ˈherətədʒ/

practices that are handed down from the past by tradition

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

immuneadjectiveUS /ˌɪˈmjuːn/

relating to the condition of immunity

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

indicationsnounUS /ˌɪndəˈkeɪʃənz/

plural of “indication” — something that serves to indicate or suggest

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

landscapenounUS /ˈlændskeɪp/

an expanse of scenery that can be seen in a single view

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

lonelinessnounUS /ˈloʊnlinəs/

the state of being alone in solitary isolation

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

lossnounUS /lɔːs/

something that is lost

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

mistverbUS /mɪst/

become covered with mist

From this reading DESOLATION O, the mist and the weeping rain!

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

OnounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading DESOLATION O, the mist and the weeping rain!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

ominousadjectiveUS /ˈɑːmənəs/

threatening or foreshadowing evil or tragic developments

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

rainnounUS /reɪn/

water falling in drops from vapor condensed in the atmosphere

From this reading DESOLATION O, the mist and the weeping rain!

realisationnounUS /ˈriːləˈzeɪʃən/

a musical composition that has been completed or enriched by someone other than the composer

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

SadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

sadderadjectiveUS /ˈsædər/

comparative of “sad” — experiencing or showing sorrow or unhappiness

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

sorrownounUS /ˈsɑːroʊ/

an emotion of great sadness associated with loss or bereavement

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

south-westadverb

to, toward, or in the southwest

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

spongedverbUS /spʌndʒd/

past form of “sponge” — wipe with a sponge, so as to clean or moisten

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Sad is loneliness, but sadder still the loneliness which bright company has found and forsaken.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading DESOLATION O, the mist and the weeping rain!

thereadverbUS /ðer/

in or at that place or location

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

troopedverbUS /truːpt/

past form of “troop” — march in a procession

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading In the night great sea fogs had trooped in from the south-west, and sponged out the landscape as a fresco might be blotted from a wall, leaving only faint indications here and there of the original design.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

weepingadjectiveUS /ˈwiːpɪŋ/

showing sorrow

From this reading DESOLATION O, the mist and the weeping rain!

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

whenconjunctionUS /wen/

at the time that

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading They were there in good earnest when Brion opened his eyes the next morning to a disenchanted world.

Youth'snounUS /juːθs/

possessive form of “youth” — a young person (especially a young man or boy)

From this reading It was drearily ominous of change, of the effacing of halcyon days, and of the blankness which follows Youth’s first realisation that it is not immune from the common heritage of loss and sorrow.

Chapter 13 of Where England sets her feet: a romance by Bernard Capes holds 88 sentences, grouped into 18 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of Where England sets her feet: a romance contain?

Chapter 13 holds 88 sentences of Where England sets her feet: a romance, unabridged, divided into 18 reading sections.

This page carries chapter 13 of Where England sets her feet: a romance by Bernard Capes exactly as it stands in the source edition, without abridgement. It runs to 88 sentences, grouped into 18 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of Where England sets her feet: a romance?

Work through the 18 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 18 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Where England sets her feet: a romance

Words and structures a reader meets early in Where England sets her feet: a romance, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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